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Artist Daily offers a wide range of painting workshops for painters of all abilities. Look for courses on seasonal painting, watercolor, oil and pastel painting, and more.

Filed under: Painting Workshops

Oil Painting: Daniel E. Greene: Gleaning Inspiration From Formative Experiences
In the Fall 2007 issue of Workshop magazine, we presented Daniel E. Greene's approach to teaching drawing and painting in art-school classes, short-term workshops, and filmed programs. Here we reproduce the article from the November 2007 issue of
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Oil Painting: Using Subtle Grays in Still Life Painting
Two masters of still life painting have much to teach us about developing our paintings. by Joseph Gyurcsak Ochre & Blue Gray 2007, oil, 12 x 16. Collection the artist. Two of the most admired masters of still life painting are the Italian artist
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Oil Painting: Ned Mueller: The Importance of Value Studies
In the winter 2006 issue of Workshop magazine, Ned Mueller discussed how to properly mix the right colors with which to convey a scene. Here, we offer an excerpt from the article. by Bob Bahr “Many students want to learn as much as they can in an
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Oil Painting: Painting the Figure in the Landscape: The Basics
In the winter 2006 issue of Workshop , John A. Parks tackled what is arguably the most difficult subject matter: how to organize color to paint the nature of light. We present an excerpt from the article with Park's advice about the basic principles
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Oil Painting: Student Work From Ned Mueller's Workshop
In the winter 2006 issue of Workshop magazine, Ned Mueller taught students how to use color effectively in their paintings. We offer Muller's comments on student work that was completed during the workshop. by Bob Bahr Before After Mueller asked for
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Oil Painting: Sean Cheetham: Using a "Mud Palette" to Achieve Harmony
To achieve accuracy and harmony in his alla prima figure paintings, Californian Sean Cheetham stresses drawing and a system of mixing colors based from “mud” mixtures, as he calls them, that govern shadows, midtones, and highlights. He recently
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Watercolor: Betty Carr's Basic Principles for Painting
In the fall 2006 issue of Workshop magazine, verteran artist Betty Carr taught the fundamentals of light and color in the cool spring of France's Loire Valley and in a Scottsdale, Arizona studio. We offer an excerpt from the article explaining her
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Oil Painting: Sean Cheetham: Common Weaknesses in Figure Paintings
In the fall 2006 issue of Workshop magazine, California artist Sean Cheetham explained how to achieve accuracy and harmony in his alla prima figure paintings. Here, the artist discusses common weaknesses in figure paintings in an excerpt from the article
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