Color

Understanding the Color Wheel

The art color wheel is an essential tool to becoming a painting master.
The art color wheel is an essential tool to becoming a painting master.

Mastering color in painting is often a matter of combining a willingness to experiment with mixing colors as well as understanding the color wheel and color theory. Most artists develop their own color mixing chart—or several—and work on recognizing color relationships (primary, secondary, tertiary; complementary colors; warm vs. cool colors) and how colors vary in tone and intensity. Color is one of the most expressive aspects of painting, as well as one of the most subjective.

This topic page will guide you through art color basics by linking you to handy resources and videos that will help you along the way to being a master.

Color mixing 101

Create your own color wheel with this guide.
You can create your own color wheel for your reference with the colors you have.

The key to mixing color is understanding the various aspects that make up any given shade: hue, chroma, and value. Put simply, the hue is what a layman might call the color itself; the chroma is the degree of saturation, and the value is the degree of lightness or darkness.

Learn to read these three parts of a color, and you will be a much better painter already. In fact, all it takes to mix is three colors and an understanding of hue, chroma, value and tint strength.

Common mistakes
Without any background in painting, it can be easy to assume that similar colors produce similar results when mixed. In fact, the opposite is true. It’s essential to understand which kind of black to mix with the shades with which you are working, and how to sculpt nuanced shadows without allowing them to be overpowered by your blacks. Read more in Color Theory Made Easy.

 

Basic color theory begins with understanding primary colors.

Color theory for pastels
Many artists become confused about how color theory applies to painting pastels, since those paints are technically not being mixed, but layered. It’s a pertinent point, but just because they’re not being mixed doesn’t mean that a thorough understanding of theory isn’t absolutely essential. Understanding complementary colors allows pastel artists to produce pleasing results, and it’s even more important in pointillism.

Categories

Topics
Courtney Jordan

About Courtney Jordan

  Courtney is the editor of Artist Daily. For her, art is one of life’s essentials and a career mainstay. She’s pursued academic studies of the Old Masters of Spain and Italy as well as museum curatorial experience, writing and reporting on arts and culture as a magazine staffer, and acquiring and editing architecture and cultural history books. She hopes to recommit herself to more studio time, too, working in mixed media.   

Comment