<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/xsl" href="http://www.artistdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><?xml-stylesheet type="text/xsl" href="http://www.artistdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>patrickart's Comments</title><link>http://www.artistdaily.com/members/patrickart/default.aspx</link><description /><dc:language>en-US</dc:language><generator>CommunityServer 2008.5 SP2 (Debug Build: 40407.4157)</generator><item><title>photo'g your work</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Wed, 16 Sep 2009 15:25:44 GMT</pubDate><dc:creator>L Skylar Brown</dc:creator><description>&lt;p&gt;Yes, photographing your work is its own problem. I quite often take my works outside, and photo them in bright shade, and even in sunlight, if its early. If the piece is small enough, try a direct scan. Also, if you choose to photo indoors, try using the kitchen flourescents overhead combined with an incandescent flood, or lamp without shade.&amp;nbsp;&lt;/p&gt;</description></item><item><title>Lady on sofa</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Sat, 22 Aug 2009 14:37:53 GMT</pubDate><dc:creator>brstam</dc:creator><description>&lt;p&gt;Patrick, thanks for the note. &amp;nbsp;Your work reminds me of Charles Reid&amp;#39;s work.&lt;/p&gt;</description></item><item><title>Watercolors</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Thu, 20 Aug 2009 13:08:45 GMT</pubDate><dc:creator>j.b2</dc:creator><description>&lt;p&gt;Hey Patrick, Thanks for the note. I have no problem with someone imposing a time limit on getting something done if it&amp;#39;s for a good reason. Clayton Beck recomened doing just that to help some of him students focus on making every stroke of paint count. Forcing you to think about each mark on the canvas. It&amp;#39;s not always obvious to everybody out there why. And not wanting to get into a heated discussion about draprey on a model with the lady that wanted you to put bottoms on her. It&amp;#39;s your art &amp;amp; your decission to use draprey as you see fit. It&amp;#39;s not her place to try to dress her to conform to her prudishness. &lt;/p&gt;
&lt;p&gt;Anyways, keep up the good work and I enjoy your paintings!&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;J.B&lt;/p&gt;</description></item><item><title>Life Studies</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Wed, 19 Aug 2009 19:53:10 GMT</pubDate><dc:creator>L Skylar Brown</dc:creator><description>&lt;p&gt;Hi Patrick-&lt;/p&gt;
&lt;p&gt;What do you do with these studies after they are done? I would be interested in seeing your evolution with them. Any one of them would form a very solid base for a more developed Painting. You know, where you can include more detail, and such.&lt;/p&gt;
&lt;p&gt;I&amp;#39;m impressed you get so many to sit still long enough for the pieces.&lt;/p&gt;
&lt;p&gt;Keep up the good work.&lt;/p&gt;</description></item><item><title>Life Studies</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Wed, 19 Aug 2009 19:53:01 GMT</pubDate><dc:creator>L Skylar Brown</dc:creator><description>&lt;p&gt;Hi Patrick-&lt;/p&gt;
&lt;p&gt;What do you do with these studies after they are done? I would be interested in seeing your evolution with them. Any one of them would form a very solid base for a more developed Painting. You know, where you can include more detail, and such.&lt;/p&gt;
&lt;p&gt;I&amp;#39;m impressed you get so many to sit still long enough for the pieces.&lt;/p&gt;
&lt;p&gt;Keep up the good work.&lt;/p&gt;</description></item><item><title>Cafe' Americana</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Tue, 11 Aug 2009 12:03:41 GMT</pubDate><dc:creator>davidb45</dc:creator><description>&lt;p&gt;Thanks for your comments. This image took me several months working an hour or so at a sitting. &lt;/p&gt;
&lt;p&gt;I concentrate on one part at a time, maybe half a square inch, trying to get it exactly right. Eventually the whole picture comes together.&lt;/p&gt;
&lt;p&gt;Ragards,&lt;/p&gt;
&lt;p&gt;Dave&lt;/p&gt;</description></item><item><title>Still Learning</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Sun, 26 Jul 2009 23:16:42 GMT</pubDate><dc:creator>Anonymous</dc:creator><description>&lt;p&gt;&lt;strong&gt;Every painting is a learning experience - this is what makes it so interesting.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dick Secor&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>no problem</title><link>http://www.artistdaily.com/members/patrickart/comments/default.aspx</link><pubDate>Sun, 26 Jul 2009 14:24:42 GMT</pubDate><dc:creator>dmaidman</dc:creator><description>&lt;p&gt;No problem - I really do think it was some of your best work, and I&amp;#39;m glad you posted all of it. I hope you can book those models again, they seemed to inspire good stuff.&lt;/p&gt;
&lt;p&gt;All the best,&lt;/p&gt;
&lt;p&gt;Daniel&lt;/p&gt;</description></item></channel></rss>
