Vespertine Light, the Duomo

'Evening at the Duomo, Civita Castellana'
12" x 18" apx, oil on linen
© Fergus A Ryan, 2013

Civita Castellana in one of the major locations on the Grand Tour, and was painted by Corot, Turner, Bertin, Ingres, and many others. (Civita is pronounced Chee-vee-tah).

This fast (for me) oil sketch shows the back of the Duomo (cathedral) in the unique vespertine light of Italy. I particularly enjoyed using Vasari's beautiful handmade oil colours, and their Capucine Red Light and Scarlet Sienna were just right for the warm stone of this region of Italy. 

To see all my images on Artist Daily click here.
To see all of my Italian plein air oil sketches visit 'An Italian Journey' on my website. 

Watch a video of my paintings on YouTube.

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Fergus Ryan

About Fergus Ryan

View all my Artist Daily images and associated chat HERE ____________________________________________________________ Everything I look at I make a mirror of  Wherein to see my soul in all its seasons.  Patrick Kavanagh To see clearly is poetry, prophecy, and religion all in one. John Ruskin The Presence of Absence I am moved by a sense of the lingering 'presence of absence', the suspension in unbreathed time of reveries of unforgetting, lost presences, and the melancholy of traces. My inspiration in recent years comes from twentieth-century American realism, especially the somewhat disturbing and isolated moods of Andrew Wyeth. There are similar resonances in western Ireland's remote Atlantic landscapes. After a career in flying, my art studies have consisted of extended workshops in the United States with some prominent artists, Koo Schadler (egg tempera), Joe McGurl and Don Demers (oils, en plein air), Stan Miller (watercolour and egg tempera), and David Kassan (charcoal and oil portraits), and in Ireland with Carey Clarke, past president of the Royal Hibernian Academy (oils). In 2013 I spend the summer in Italy studying landscape painting with Israel Hershberg as part of the Jerusalem Studio School master class. In the Spring of 2015 I participated in the 6-week intensive programme of drawing and painting. I have exhibited at the Royal Hibernian Academy's annual exhibition in Dublin, with works in egg tempera (Buttermilk, Tidepool), acrylic (Extra Room andTerminus), and oils (Dreadlocks, Liminal, Lightkeeper and Reflection). Sudden Breeze was featured in International Artist magazine's Feb/Mar 2009 edition (65) landscape competition, and an 8-page article on my landscape paintings featured in International Artist June/July 2012 issue, number 85.  My website is  My Facebook art page is here. A video of some of my paintings is here on YouTube.