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J - Finished Portrait, framed

27 Nov 2009
Views: 626
Comments: 35

This is probably the longest I have ever worked on a portrait, and I think also, it is my best work so far.


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Comments

Margo5 wrote
on 27 Nov 2009 9:52 PM

Skylar, your finished portrait turned out very nice. Surely Jason will be pleased.

on 27 Nov 2009 9:59 PM

Thanks, Margo - It is for his mother. She hasn't seen any of this yet.

Kisu wrote
on 27 Nov 2009 10:16 PM

Very interesting to see you try different approaches to this portrait, and I admire your perseverance.  I like different things about each.  This one is more traditional, of course, and it is fantastic.  I also really like the freedom and energy of the others.  And what an undertaking to do so many family members! 

on 27 Nov 2009 10:30 PM

I think this is the one and only time I set such a Goal! This has been quite a bit of work. It's funny, this was the first, and the last finished.

on 27 Nov 2009 10:46 PM

I love the balance of freedom and control in this portrait. It is fabulous. It is strong, but thoughtful, and very emotional. I think anyone's sister would be over the moon to receive this. I prefer this one over the other two. Wow.

on 27 Nov 2009 10:53 PM

Thanks Sarah. I'm sure you remember way back when I started these. I had to do all those others to get my "chops" back - as far as being truly traditional in my application. (I know you can see this, with your skill level)

on 28 Nov 2009 5:40 AM

I like the change in the background in this one.  It really adds to the portrait.

Valia.US wrote
on 28 Nov 2009 6:43 AM

I love the second one - virile man, brave strokes. The painting is united by the masculinity of the subject, and the boldness of your painterly style. And of course this portrait is great, but I would say - keep the second one too, it is more you.

christenmu wrote
on 28 Nov 2009 7:16 AM

Wow. Very much photo realistic. Great work Skylar.

mykel59 wrote
on 28 Nov 2009 8:00 AM
mykel59 wrote
on 28 Nov 2009 8:01 AM

Hey Skylar very well done and ues she'll probably will.

on 28 Nov 2009 8:05 AM

Excellent portrait. Very strong expression.

on 28 Nov 2009 8:34 AM

Yes, I do like the more traditional approach (as is obvious in my ptgs) because I find them more timeless and more satisfyin to live with for the long term. I like the painterly ones too, so I would suggest keeping them as Valia said - I do, but I do it more for information/education-of-self purposes. I much prefer a finished, purposeful, complete portrait at the end of the day.   Interesting dialogue! Thank you for posting the three - it awakens the senses.

on 28 Nov 2009 8:35 AM

And yes - I do think this is your best work so far - wow, wow, wow.

Nat Friedman wrote
on 28 Nov 2009 9:34 AM

Skylar:

When you refer to "Oil Technique", I assume that this was not done with a brush, but rather digitally on a computer. If so, what program are you uysing?

on 28 Nov 2009 9:57 AM

Helen - Thank you. I had that green from the orig photoseries of jay. It wasn't until I got to this version that I realized it wasn't complimentary (Artistically, not color related) to the light play on the face.

on 28 Nov 2009 9:59 AM

Valia - Thank You, and Yes, the second one is more "Me' style-wise. I intend to keep all the versions.

on 28 Nov 2009 10:02 AM

Christen - Thank you so much. As I said, this is not typical of my work - way too labor intensive, and time consuming. My sister is the Self-Appointed critic of my works, and as such, feels quite free to tell me where I "Err". She is of the school that the more literal a piece, the better it is.

on 28 Nov 2009 10:03 AM

Mykel - Thanks, If this doesn't please Sis, I doubt there will be another!

on 28 Nov 2009 10:04 AM

Thanks Abraham - I'd love to have that jaw line - makes a very strong face.

on 28 Nov 2009 10:06 AM

Sarah - Thank You. Thank you for your unending support, and advice.

on 28 Nov 2009 10:08 AM

Nat - Yes, this is digital. It is created using Corel Painter 11. I paint from scratch, just as on a canvas, just using an electronic pad and pen to simulate the painting process. I print out on canvas using a giclee printer (a professional printing co. does it for me)

dmaidman wrote
on 28 Nov 2009 10:30 AM

I'm gonna vote for this one too, Skylar! Nice work, particularly in the subtle way the fill light from the right brings out forms.

on 28 Nov 2009 10:46 AM

Thanks, DM - I think the balanced effects of the key and secondary light sources is what its all about.

Jan Schafir wrote
on 28 Nov 2009 11:15 AM

Let us know how it goes,  wonderful.

on 28 Nov 2009 11:33 AM

Jan - Thanks, I will definately let you know how all these pieces are received!

Muna Shabab wrote
on 30 Nov 2009 8:38 AM

Great work Skylar! Very nice angle with light source almost from behind.

on 30 Nov 2009 9:44 AM

Munawadie - Thanks so much for taking time to comment. The light sources really turned out to be the major challenge. In the beginning, I thought this would be an interesting view. It turned into much more. Quite a learning curve!

on 30 Nov 2009 9:02 PM

Very striking portrait!

on 30 Nov 2009 9:59 PM

Thanks, Elayne - There is actually one more incarnation of this image - I was challenged on the excessive texturing, and as an answer, I refined the skintones to almost velvet - I will post it later, but if you like, I will send you a copy.

kburch wrote
on 1 Dec 2009 8:28 PM

Good God.  What a great set on images.  I really like how you handled your medium and what an exquisite result.  Fantastic.

on 1 Dec 2009 10:36 PM

KB - Thanks so much. As I said to Elayne there is actually one more image that is more refined. Since I thought it was finished at this point, I didn't post it. If I get enough feed-back towards seeing it, I may post it later.

Damatos wrote
on 7 Dec 2009 12:35 PM

Beautfully executed piece.

on 7 Dec 2009 3:38 PM

Thank you Damato. I invite you to look at the framed piece, which is the last incarnation of this portrait.

Herm Rediess wrote
on 8 Mar 2013 8:04 PM

It is well worth the effort you put into it.  Great portrait.

 

Herm