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<?xml-stylesheet type="text/xsl" href="http://www.artistdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Free eBooks</title><link>http://www.artistdaily.com/media/g/freemiums/default.aspx</link><description>&lt;p&gt;This is a library gallery of free ebooks and articles compiled for your enjoyment.&amp;nbsp; You&amp;#39;ll be able to download these if you are a member of the Artist Daily website.&lt;/p&gt;</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP2 (Debug Build: 40407.4157)</generator><item><title>The Color Wheel and Beyond: Color Theory, Mixing Colors, and How to Create Complementary Color Schemes</title><link>http://www.artistdaily.com/media/p/184308.aspx</link><pubDate>Mon, 06 May 2013 15:26:14 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:184308</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;In our latest Artist Daily eBook, &lt;i style="mso-bidi-font-style:normal;"&gt;The Color Wheel and Beyond: Color Theory, Mixing Colors, and How to
Create Complementary Color Schemes&lt;/i&gt;, the groundwork is set so that you can
focus on color whether you are painting an indoor still life, an outdoor
painting, or want to spend studio sessions looking at masterworks by famous
artists and being able to visually understand what you see and why it works or
evokes certain reactions in you. &lt;/p&gt;
&lt;p class="MsoNormal"&gt;To start, you&amp;rsquo;ll first find an introduction to color theory
and the basic tenets behind how we interpret the spectrum of colors in &lt;i style="mso-bidi-font-style:normal;"&gt;The Color Wheel and Beyond: Color Theory,
Mixing Colors, and How to Create Complementary Color Schemes&lt;/i&gt;. Then there is
a whole chapter focused on color mixing and how to create and use a
complementary color palette, which is a foundational part of any color mixing
lessons. &lt;/p&gt;
&lt;p class="MsoNormal"&gt;There is also a chapter devoted entirely on color mixing for
the landscape painter or plein air artist, including how to mix colors with
correct values and how to create harmonious color relationships in your work. &lt;span style="mso-spacerun:yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>How to Draw Flowers from Artist Daily: How to Draw a Rose, Azalea, or Any Flower Drawing You’d Like</title><link>http://www.artistdaily.com/media/p/177901.aspx</link><pubDate>Wed, 03 Apr 2013 15:27:17 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:177901</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;Our latest free eBook, &lt;i&gt;How to Draw Flowers: How to Draw a Rose, Azalea, or Any Flower Drawing You&amp;#39;d Like&lt;/i&gt; gives you all the art instruction you could want on how to draw flowers, from what medium you can use and the benefits of them all, to what surface to choose and why, to the tools you&amp;#39;ll want on hand to pull off your flower drawing with realism and loveliness--it&amp;#39;s all here.&lt;/p&gt;
&lt;p&gt;There is instruction on drawing flowers like azaleas, daisies, hydrangeas, magnolia blossoms, water lilies, and, of course, detailed instruction on producing a rose drawing that may not smell as sweet as its name, but it will sure look as lovely and vibrant as the real thing! Each flower drawing mini-chapter has a step-by-step component so you see how each flower drawing comes together. So learn how to draw flowers with &lt;i&gt;How to Draw Flowers: How to Draw a Rose, Azalea, or Any Flower Drawing You&amp;#39;d Like&lt;/i&gt;.&lt;/p&gt;</description></item><item><title>Learn How to Draw From Artist Daily: Drawing Techniques on Depth, Color &amp; Value--Plus a Learn to Draw With a Quill Pen Bonus Chapter</title><link>http://www.artistdaily.com/media/p/167840.aspx</link><pubDate>Tue, 05 Feb 2013 18:53:14 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:167840</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;In our newest free eBook, &lt;i&gt;Learn How to Draw From Artist Daily: Drawing Techniques on Depth, Color
&amp;amp; Value&lt;/i&gt;, you&amp;#39;ll find drawing instructions on how to draw with an eye
toward creating the illusion of depth in your work; how to draw with color
effectively; and drawing techniques surrounding value, which is a mainstay of
all draftsmanship. &lt;/p&gt;
&lt;p&gt;We&amp;#39;ve also included a bonus chapter--&lt;i&gt;Learn to Draw With a Quill Pen&lt;/i&gt;--so you
can delve into this centuries-old tool and use it just like the Old Masters
did. There&amp;#39;s even a section on making your own quill pen step by step. How to
draw lessons learned through this free eBook will enable you to draw with a
firmer idea of what really makes a difference in drawing, plus you&amp;#39;ll learn how
to draw in a wide range of styles and methods. &lt;/p&gt;</description></item><item><title>Human Figure Painting Tutorial: Painting Figures Like the Old Masters and Using Figure Paintings to Express Your Feelings</title><link>http://www.artistdaily.com/media/p/162812.aspx</link><pubDate>Fri, 04 Jan 2013 20:29:06 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:162812</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;In our
new, free ebook &lt;i&gt;Human Figure Painting
Tutorial: Painting Figures Like the Old Masters and Using Figure Paintings to
Express Your Feelings&lt;/i&gt; you&amp;#39;ll find strategies from portrait
artist Leonid Gervits on techniques that go all the way back to Velazquez, plus how
to paint figures and faces to express feelings and opinions, and how to capture
the essence of an individual and not just a likeness. There&amp;#39;s also tons of artwork
to inspire you, and you&amp;#39;ll hear directly from the artists about what works and
doesn&amp;#39;t work for them when they are painting figures.&lt;/p&gt;</description></item><item><title>Charcoal Drawing Lessons: Learn How to Draw Charcoal Art and Improve Your Charcoal Drawings</title><link>http://www.artistdaily.com/media/p/155915.aspx</link><pubDate>Mon, 05 Nov 2012 16:22:46 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:155915</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>5</slash:comments><description>&lt;p&gt;Seeing a skilled artist conduct a charcoal drawing
demonstration will greatly help you work with value in any medium, and this is where
our free video, &lt;i&gt;&lt;a href="http://www.artistdaily.com/charcoal-drawing"&gt;Charcoal Drawing Lessons:
Learn How to Draw Charcoal Art and Improve Your Charcoal Drawings&lt;/a&gt;,&lt;/i&gt; comes in.
&lt;/p&gt;
&lt;p&gt;In &lt;a href="http://www.artistdaily.com/charcoal-drawing"&gt;&lt;i&gt;Charcoal Drawing
Lessons&lt;/i&gt;&lt;/a&gt;, you&amp;#39;ll see how artist Chris Wynter takes the raw material of a
still life and transforms it with attention to the finer details of a charcoal
drawing. Wynter discusses charcoal drawing details such as the subtleties of
value, edges, and creating a path of light all of which he uses to create a
successful drawing.&lt;/p&gt;</description></item><item><title>Human Anatomy Drawing for Artists: An Art Lesson on Studying &amp; Drawing Anatomy</title><link>http://www.artistdaily.com/media/p/152212.aspx</link><pubDate>Wed, 03 Oct 2012 18:26:19 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:152212</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;You have to
study anatomy the right way&amp;mdash;the artistic way. That&amp;#39;s why we created our latest
free eBook: &lt;i&gt;Human Anatomy Drawing for
Artists: An Art Lesson on Studying &amp;amp; Drawing Anatomy&lt;/i&gt;. In it you&amp;#39;ll find
out what the artistic purpose of anatomy is all about and most important in &lt;i&gt;Human Anatomy Drawing for Artists&lt;/i&gt;,
you&amp;#39;ll find where to go and whose teachings to explore when it comes to the art
side of anatomy. &lt;/p&gt;</description></item><item><title>The Artist Daily Guide to Using a Photo Reference: Art Tips for Drawing from Photographs and Turning Photos to Paintings</title><link>http://www.artistdaily.com/media/p/145234.aspx</link><pubDate>Thu, 02 Aug 2012 17:41:38 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:145234</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;
Using the
camera to create a photo reference doesn&amp;#39;t magically translate a photo to a
painting. There is a lot to assess in the process of painting from photographs,
and plenty of pitfalls. That&amp;#39;s why it can often make sense to start drawing
from photos first, so you get a handle on how to use photos without the time
commitment of a major painting.&amp;nbsp;&lt;a href="http://www.artistdaily.com/photo-reference"&gt;&lt;i&gt;The Artist Daily Guide to Using a Photo Reference: Art Tips for Drawing from Photographs and Turning Photos to Paintings&lt;/i&gt;&lt;/a&gt; gives you the lay of the land in a
really accessible way. &lt;/p&gt;
&lt;p&gt;Artist and instructor
Sandra Angelo discusses how she uses a photo reference in her own work, often
beginning by taking many photos of a sitter and then creating a contour drawing
pencil sketch of the major shapes she sees. This allows Angelo to use a photo
reference as a stepping-off point, interpreting the image early on in the
process so that she establishes her own vision and is not constantly referring
back to the photo reference as her be-all guide.&lt;/p&gt;
&lt;p&gt;Angelo also
recommends working from a large photo reference and even using a grid kit when
starting out. By far the section I found most informative in&amp;nbsp;&lt;a href="http://www.artistdaily.com/photo-reference"&gt;&lt;i&gt;The Artist Daily Guide to Using a Photo Reference: Art Tips for Drawing from Photographs and Turning Photos to Paintings&lt;/i&gt;&lt;/a&gt;
was the section in which Angelo discusses the three common mistakes that often
arise when working from a photo reference and how to avoid them, plus the
portrait photography tips she includes so that you know how to get a good photo
to work from in the first place. Download&amp;nbsp;&lt;i&gt;&lt;a href="http://www.artistdaily.com/photo-reference"&gt;The Artist Daily Guide to Using a Photo Reference: Art Tips for Drawing from Photographs and Turning Photos to Paintings&lt;/a&gt; &lt;/i&gt;now and enjoy!&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Components.UserFiles/00.00.01.82.10.Attached+Files/1300.CourtneyJordansig007-final.jpg"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Components.UserFiles/00.00.01.82.10.Attached+Files/1300.CourtneyJordansig007-final.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;</description></item><item><title>Paint the Flow and Movement of Water: Painting Techniques, Methods, and How to Paint Water with Power &amp; Rhythm</title><link>http://www.artistdaily.com/media/p/140526.aspx</link><pubDate>Mon, 11 Jun 2012 15:19:07 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:140526</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;&lt;i&gt;Paint the Flow and Movement of Water: Painting Techniques, Methods, and How to Paint Water with Power and Rhythm&lt;/i&gt; covers everything you&amp;#39;ll want to know about water painting. It starts with Guy Corriero&amp;#39;s unique approach to recognizing how water moves and circulates through close observation and a bag of tricks that involve painting sea foam, knowing the anatomy of the wave, and using a particular kind of brush.&lt;/p&gt;
&lt;p&gt;William Hays takes it from there and talks about how color contrasts are his key compositional tool for the reflection and refraction of light on different bodies of water--shallow pools, shorelines, and offshore depths. Plus there are three step-by-step water painting demonstrations that breakdown the essential elements of painting water. All in all, &lt;i&gt;Paint the Flow and Movement of Water: Painting Techniques, Methods, and How to Paint Water with Power and Rhythm&lt;/i&gt; is one that I&amp;#39;ll keep on hand all summer. Download your copy now! Enjoy! &lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Pen and Ink Drawing Techniques from Artist Daily: Drawing with Ink to Create Art with Strong Contrast and Surprising Subtlety</title><link>http://www.artistdaily.com/media/p/137399.aspx</link><pubDate>Thu, 03 May 2012 17:01:34 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:137399</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>2</slash:comments><description>&lt;p&gt;In its most elementary form, a pen and ink drawing is stark black
marks against a white surface. No dilution of color, no shades of gray. But
artists who&amp;#39;ve spent time inking their way across a page know that drawing with
ink can actually be an incredibly subtle and finessed endeavor if you use ink
drawing techniques that allow for a slow build up of dark areas for value contrast,
and if you are open to the idea of how to draw using line in varied ways.&lt;/p&gt;
&lt;p&gt;
In our latest free eBook, &lt;i&gt;Pen and Ink Drawing Techniques from Artist Daily: Drawing with Ink to
Create Art with Strong Contrast and Surprising Subtlety&lt;/i&gt;, you&amp;#39;ll find the
ink drawing practices of artists past and present that show you how these
effects are achieved.&lt;/p&gt;</description></item><item><title>Know Your Rights: Copyright 101 for Artists</title><link>http://www.artistdaily.com/media/p/136826.aspx</link><pubDate>Thu, 26 Apr 2012 22:20:48 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:136826</guid><dc:creator>tiffwarble</dc:creator><slash:comments>1</slash:comments><description>&lt;p&gt;How Much Do You Know About Copyright?&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Artist Daily&lt;/em&gt; and the staff at Interweave have released a new free eBook &lt;em&gt;&lt;strong&gt;Know Your Rights: Copyright 101 for Artists&lt;/strong&gt;&lt;/em&gt; to help raise awareness of the issues surrounding copyright and give credit to the talented writers, designers, artists, photographers, and innovators who work with us to share their products and ideas with our readers.&lt;/p&gt;
&lt;p&gt;This guide to the basics of copyright is for anyone and everyone: designers and makers, crafters, retailers, library staff, educators, and more.&lt;/p&gt;
&lt;p&gt;&amp;quot;Most people think of pirated movies or music when they hear about copyright violations,&amp;quot; says Eunny Jang, editor of &lt;em&gt;Interweave Knits&lt;/em&gt; magazine. &amp;quot;But we answer questions about copyright for crafters, artists, designers, and authors every day&amp;mdash;copyright and other intellectual property issues are a big deal in the DIY marketplace, where the &amp;quot;I can do that!&amp;quot; spirit and respect for original, independent design and authorship need to coexist peacefully.&amp;quot; &lt;/p&gt;
&lt;p&gt;This free resource addresses topics such as:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;What is copyright?&lt;/li&gt;
&lt;li&gt;How does copyright work?&lt;/li&gt;
&lt;li&gt;What is copyright infringement?&lt;/li&gt;
&lt;li&gt;Plus other pressing topics from simple questions to more complex issues, such as: 
&lt;ul&gt;
&lt;li&gt;Can I resell a pattern/magazine/book/DVD I own? What about purchases of my digital downloads?&lt;/li&gt;
&lt;li&gt;Can I make and sell projects I found in a book or magazine?&lt;/li&gt;
&lt;li&gt;Where can I find more instructions for projects that I can make and sell?&lt;/li&gt;
&lt;li&gt;How can I tell if a work is in the public domain?&lt;/li&gt;
&lt;li&gt;Do I always retain copyright as the original author of a piece?&lt;/li&gt;
&lt;li&gt;What do I do if someone&amp;rsquo;s violating my copyright?&lt;/li&gt;
&lt;li&gt;And much more.&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&amp;quot;Ultimately, copyright is about protecting the creative process, ensuring that the creator of a work can benefit from that work,&amp;quot; adds Jang. &amp;quot;Our goal at Interweave is to educate our consumers about what copyright is, and why it matters&amp;mdash;and to give authors, artists, and designers everywhere the tools they need to protect their own rights so they can continue to create new works and share them with the public.&amp;quot;&lt;/p&gt;</description></item><item><title>Step by Step Painting Techniques: Learn to Paint with Free Painting Tips on Making Corrections, Paint Texture, and Painting Materials</title><link>http://www.artistdaily.com/media/p/135527.aspx</link><pubDate>Mon, 09 Apr 2012 13:51:44 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:135527</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;Our
newest free eBook, &lt;i&gt;Step-by-Step Painting
Techniques: Learn to Paint with Free Painting Tips on Making Corrections, Paint
Texture, and Painting Materials&lt;/i&gt;, is tailored to the fundamental aspects of painting
with a capital &amp;#39;T.&amp;#39;&lt;/p&gt;
&lt;p&gt;In &lt;i&gt;Step-by-Step
Painting Techniques: Learn to Paint with Free Painting Tips on Making
Corrections, Paint Texture, and Painting Materials&lt;/i&gt;, you&amp;#39;ll find the same
techniques you would learn in painting courses all across the country, but this
time you don&amp;#39;t have to go anywhere or pay a thing for them. So download &lt;i&gt;Step-by-Step Painting Technique&lt;/i&gt;s now and enjoy!&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Drawing Faces: Learn How to Draw a Face with Attitude, How to Draw Eyes with Impact and How to Draw Lips with Structure</title><link>http://www.artistdaily.com/media/p/132633.aspx</link><pubDate>Tue, 06 Mar 2012 18:45:13 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:132633</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>1</slash:comments><description>&lt;p&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;"&gt;In
 this free eBook, you&amp;#39;ll find an in-depth report from drawing expert Dan
 Gheno on how to draw dynamic heads, which includes everything from how 
to capture a likeness to drawing faces with differing attitudes to 
understanding the elements of head structure. And that&amp;#39;s just the start.
 There&amp;#39;s also a section on understanding the anatomy of the lips written
 by artist and instructor David Jon Kassan. And there&amp;#39;s even a list of 
tips on how to draw eyes from Artist Daily editor Courtney Jordan. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p style="margin-top:0px;margin-bottom:0px;"&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;font-size:x-small;"&gt;&lt;span style="font-size:small;"&gt;Download &lt;i&gt;Drawing Faces: Learn How to Draw a Face with Attitude, How to Draw Eyes with Impact and How to Draw Lips with Structure&lt;/i&gt;
 now and you&amp;#39;ll have a companion guide for sketching faces that will 
give you solid art instruction and words of wisdom from two of the 
savviest artists in the biz.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</description></item><item><title>Mixed Media Painting Techniques: Combine Media to Create Inspired Mixed Media Art </title><link>http://www.artistdaily.com/media/p/129929.aspx</link><pubDate>Mon, 06 Feb 2012 20:10:11 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:129929</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;Our newest free eBook, &lt;i&gt;&lt;a href="http://www.artistdaily.com/media/mixed-media"&gt;Mixed Media Painting Techniques: Combine Media to Create Inspired Mixed Media Art&lt;/a&gt; &lt;/i&gt;profiles two artists who blur the edges between media to create some really standout work. &lt;/p&gt;
&lt;p&gt;Janet Cook&amp;#39;s paintings of New York City pulse with life and rhythm, partly due to the fact that she is able to mix the vibrant colors of pastel with the expressive fluidity of watermedia. It gives each of Cook&amp;#39;s scenes a sense of drama that the artist really craves, and allows her to create detailed underpaintings that have a strong enough structure so that she can put a lot of gesture and movement into the final pastel layers.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;table align="right" border="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;&lt;a href="http://www.artistdaily.com/media/mixed-media"&gt;&lt;img src="http://www.artistdaily.com/media/resized-image.ashx/__size/550x0/__key/CommunityServer.Blogs.Components.WeblogFiles/artistdaily/6180.steppnout.jpg" alt="Steppin Out on Broadway by Janet Cook, 2009, pastel over gouache and watercolor on paper, 27 x 20." style="border:0;" border="0" height="297" width="197" /&gt;&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="width:3%;"&gt;&lt;/td&gt;
&lt;td align="right"&gt;&lt;span style="font-size:x-small;"&gt;&lt;span style="font-family:verdana,geneva;"&gt;&lt;b&gt;Steppin&amp;#39; Out on Broadway&lt;/b&gt; &lt;br /&gt;by Janet Cook, 2009, pastel over &lt;br /&gt;gouache and watercolor on paper, &lt;br /&gt;27 x 20.&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;For Russell Irwin, painting is more like mosaic art, as he uses mixed media collage elements like torn paper in combination with acrylic paint to form a richly textured surface on his paintings. The artist acknowledges that this process forces him to approach his work as if it was abstract art, where the relationship between shape and color dominates. &lt;/p&gt;</description></item><item><title>11 Reasons for Drawing Models &amp; Attending Life-Drawing Sessions from Artist Daily</title><link>http://www.artistdaily.com/media/p/126533.aspx</link><pubDate>Mon, 09 Jan 2012 18:12:45 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:126533</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>0</slash:comments><description>&lt;p&gt;Life drawing is a consistently rewarding artistic experience because there&amp;#39;s hardly a more inspiring&amp;mdash;and challenging&amp;mdash;exercise than drawing models.&lt;/p&gt;
&lt;p&gt;There&amp;#39;s just so much to take in! Every time a model makes a move, there&amp;#39;s something to glean and work on&amp;mdash;shadows and gesture to skin texture and how the limbs extend. Every life drawing pose reveals a whole new avenue of artistic pursuit.&lt;/p&gt;
&lt;p&gt;If you are thinking the same thing and want to delve more into your own life drawings, &lt;i&gt;11 Reasons for Drawing Models &amp;amp; Attending Life-Drawing Sessions from Artist Daily&lt;/i&gt; is sure to spur you on. Author and artist Sharon Allicotti has a whole list of reasons why life drawings should be part of every artist&amp;#39;s repertoire, and points out that drawing models isn&amp;#39;t just for students. In fact, making life-drawing sketches a part of your career can result in better art for us all.&lt;/p&gt;
&lt;p&gt;By taking life-drawing lessons, you are able to network with other artists, save substantial amounts of money on model fees, and most importantly improve your overall drawing skills of gauging proportion, assessing space more accurately, and understanding the landscape of the body.&lt;/p&gt;
&lt;p&gt;&amp;quot;The body can be conceived as analogous with the manifold living and nonliving forms of the natural landscape: It&amp;#39;s no coincidence that we speak of the trunks and limbs of trees, and find in hilly terrain the undulating forms of a reclining nude,&amp;quot; says Allicotti.&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:10pt;font-family:&amp;#39;Arial&amp;#39;,&amp;#39;sans-serif&amp;#39;;"&gt;&lt;/span&gt;&lt;span style="font-size:small;"&gt;This article contains artworks of nude figures. Parental
discretion is advised.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;font-family:&amp;#39;Arial&amp;#39;,&amp;#39;sans-serif&amp;#39;;color:#1f497d;"&gt;&lt;/span&gt;&lt;/p&gt;</description><enclosure url="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Components.SiteFiles/Site+Graphics/nude_2D00_icon_2D00_archer_2D00_300px.jpg" length="3047691" type="application/pdf" /></item><item><title>Shading Techniques Beyond Cross-Hatching: Artist Daily Pencil Shading Tutorial on Modeling Gradations</title><link>http://www.artistdaily.com/media/p/113241.aspx</link><pubDate>Wed, 28 Sep 2011 23:37:25 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:113241</guid><dc:creator>Courtney Jordan</dc:creator><slash:comments>4</slash:comments><description>&lt;p&gt;

Using a pencil feels so simple, doesn&amp;#39;t it? I mean, it&amp;#39;s the
first thing we learn to write with when we are kids, so what could be more
familiar and comforting than that? But I&amp;#39;ve found again and again that using a
pencil or graphite for certain types of shading can get pretty complicated. For
example, with cross-hatching you don&amp;#39;t need to be as particular about pressure
and gesture, but it can be a real challenge when you go beyond that to subtler shading
effects. I needed some help when it came to shading techniques that didn&amp;#39;t
appear heavy-handed or inconsistent, and that&amp;#39;s where &lt;i&gt;Shading Techniques Beyond Cross-Hatching: Artist Daily Pencil Shading
Tutorial on Modeling Gradations&lt;/i&gt; comes in.
&lt;/p&gt;
&lt;p&gt;I had been missing a part of the
puzzle until reading this eBook because I didn&amp;#39;t realize that the best way to
conquer gradation was to practice shading shapes like cylinders. Artist and
instructor Jon deMartin points out that drawing convincing forms and figures
means becoming a master of gradation. And you do that first by starting with a
form that curves in one direction, like a cylinder. From there, you can go onto
more complicated forms and the figure.&lt;/p&gt;
&lt;p&gt;DeMartin discusses how to make smooth gradations, how
surfaces relate to a light source, and how to breakdown an object or figure&amp;#39;s
planes in order to identify how to model it. What I found most interesting was
learning that to really make a cylinder look round, I don&amp;#39;t just smooth away
edges, but instead truly gradate the values appearing on the form.&lt;/p&gt;
&lt;p&gt;All that and more is in &lt;i&gt;Shading
Techniques Beyond Cross-Hatching: Artist Daily Pencil Shading Tutorial on
Modeling Gradations&lt;/i&gt;. It is a crucial chapter in the book of drawing
fundamentals, and it is one I know I&amp;#39;m going to revisit again and again. The
information is too valuable not to. Download your copy of &lt;i&gt;Shading Techniques Beyond Cross-Hatching: Artist Daily Pencil Shading
Tutorial on Modeling Gradations&lt;/i&gt; now and rediscover the methods that
separate good artwork from great. Enjoy!&lt;/p&gt;
&lt;p&gt;And if you have anyone who might be interested in the
drawing methods in &lt;i&gt;Shading Techniques
Beyond Cross-Hatching&lt;/i&gt;, feel free to send this link to them so they can
learn pencil-shading tips, too. They are sure to thank you!&lt;/p&gt;
&lt;p&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Components.UserFiles/00.00.01.82.10.Attached+Files/7455.CourtneyJordansig007-final.jpg" border="0" alt="" /&gt;&lt;/p&gt;</description></item></channel></rss>