The Best of Drawing

On the Cover:
Bargue plate drawing by Jayme del
Rosario, courtesy of Judith Pond
Kudlow’s NYK Academy.
Photo by Nathan Kraxberger


The Human Form:
How to Put It All Together


Graphite: The Drawer’s Humble Tool

Materials

Materials and Techniques of Renaissance Drawing
by M. Stephen Doherty 

Graphite: The Drawer’s Humble Tool
by Bob Bahr

Custom and Handmade Paper
by Bob Bahr

 

Masters & Approaches

The Revival of an Influential Drawing Course
by M. Stephen Doherty

Studying Drawing With Professor Eakins
by Gerard Haggerty

 

The Figure

The Human Form: How to Put It All Together
by Dan Gheno

Representing a Studio Model in an Outdoor Setting
by Sharon Allicotti

The Creative Possibilities of Draping a Model
by Sharon Allicotti

Eleven Reasons to Attend Figure-Drawing Sessions
by Sharon Allicotti

 

Landscapes

Constable’s Sketchbooks
by Lynne Bahr

Master Landscape Drawings: Evidence & Interpretation
by M. Stephen Doherty

 

Drawing for Other Media

From Drawing to Canvas
by Joseph C. Skrapits

The Tradition of Drawing From Memory
by Joseph C. Skrapits

Capturing the Muse: Drawings by Sculptors
by Joseph C. Skrapits

Drawing Logic: Drawing for Sculpture
by John Taye 

 

 

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BrianRiley

About BrianRiley

Brian Riley is the managing editor for the American Artist family of titles (American Artist, Watercolor, Drawing & Workshop) and has been part of the AA team since 2003. He first became interested in art as a child, specifically drawing, but drifted away from the visual arts as he grew older, gravitating towards writing while in college. His position at AA has offered him the opportunity to reinvigorate his early passion and continue his education.  

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