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Plein Air

Painted outdoors, usually in one sitting.

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  • Classic, Commercial, and an Art World Constant
    You don't have to think terribly hard to figure out that the painting genre that has all of these characteristics in common is floral painting . It is a practice that has inspired artists to create beautiful, graceful paintings for centuries, but
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  • The Right Stuff
    I work with knitters, and a student recently told me, "I don't like the way my stuff turns out." When I asked her what kind of yarn she used, she replied, "Oh, I just picked up something cheap. I didn't want to spend money on something
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  • That Time of Year
    Recently we added an informative article to the members' area of The Artist's Road called "Understanding Light in the Landscape: The Carlson Theory of Angles." It gives the student a crucial tool to make sense of the confusing array
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  • What Do Painters Really Do?
    Do you know how frustrating it is to love something, but not necessarily know everything about it? That's sometimes the way I feel about color. I have such a visual lust for color--learning new colors, discovering new paint mixes, figuring out how
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  • Grandpa Is Wearing His Batman Costume Again
    Earlier this week I was lucky enough to attend the opening of Jason Bard Yarmosky's solo show "Elder Kinder" at Lyons Wier Gallery, in New York City. It's a terrific painting exhibition, and it got me thinking about how an artist can
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  • American Artist Magazine, July/August 2012
    In this issue of American Artist, we look at both the plein air and figurative work of the California art scene. Articles feature the upcoming “On Location in Malibu” exhibition, the philosophies and artwork of NovoRealism, Weekend With the Masters instructor Jennifer McChristian, and the
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  • It's Not What You Know--It's Who You Know
    I've come to realize that that old saying "It's not always what you know, but who you know," is spot on. Even at American Artist magazine . Luckily, "we" know a lot of people, and as a result we have remarkable access to some
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  • Getting Trashed
    I've heard of painting for yourself, for school, for work, but painting for the trash can?! Artist and watercolor painting instructor Jean Haines explains why working this way isn't rubbish at all. Enjoy! The aim of being an artist is to create
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  • Here's One From the Heart
    In their day, the Hudson River School landscape artists were so popular with the public that people would line up and pay a fair amount of money just to view a single painting. Our plein air blogger Jennifer King shares her insights on why the works of
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  • 4 Ways to Paint Without Preconceptions
    Short of lobotomy, we will always have the equivalent of mental trails that our brains follow when we are painting. Artists develop these based on painting techniques that they've learned along the way, or they can be expressions of inherent ideas
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  • Value Division in Landscape Painting
    Landscape values are easier to understand when viewed as falling into four major divisions or zones. Reading values in landscapes is somewhat different from reading values in other subjects. All subjects have a light source, but the source in a landscape
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  • Silver Bullets and Miracle Pills
    Different people attend painting workshops with varying expectations, but the ones who get the most out of the experience are those who recognize that workshops are not: A workshop gives you the opportunity to start at one point in your artistic journey
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  • Lucian Freud Had Great Skin
    I started off seeing skin tones in a closed off way, not really pushing to find the dimension and depth right in front of me. I almost felt I was still pulling a Crayon out of the box to color a figure's form from head to toe like I did in childhood
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  • Painting Into the Light
    One of the major challenges of painting outdoors is the need to gather enough visual information about our subject in a brief moment of perfect light. In rushing to capture the light in nature, it is easy to lose those subtle details and tonal changes
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  • How Do You Pick the Right Workshop?
    Whether or not you like to be around a lot of people is one thought to consider when you choose the right workshop for you. Descent into Bryce by Steve Henderson, 18 x 18, oil painting, also available as a limited edition signed print . Let's assume
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  • Not Just For Ink Blots Anymore
    Drawing with ink takes the precision of a master draftsman and the skill of a watercolorist handling a fluid medium. When I was in school I was completely captivated by the silky dark lines of one of the most famous pen and ink artists, Aubrey Beardsley
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  • The Lost Art
    Losing a painting somewhere is never fun, but losing a good painting can drive one to temporary distraction. While teaching our plein air painting workshop in Rocky Mountain National Park last September, I was demonstrating the direct-painting method
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  • Your New Free eBook: Step by Step Painting Techniques
    Painting is a deep and vast ocean. It is a world full of possibilities. And while I am deeply drawn to that wide-open aspect of it, I'm also super intimidated by it too! I feel like there is no limit to what I can learn, and while I'm thirsty
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  • Is It Ever Too Late to Start Painting?
    Not if artist Claudia Seymour has anything to say about it. This year I had the pleasure of meeting Seymour at the Salmagundi Club in New York City to create two three-hour DVDs with her, including this year's The Art of Painting Flowers in Oil .
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  • Think I Can Get Batman to Sit For a Portrait?
    Portrait painting is serious business. Truly, there is a lot at stake for the many professional portrait artists out there who paint dignitaries, presidents, and the like. But portraiture can also be incredibly fun! A show I recently saw at Elisa Contemporary
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  • Behind Every Good Painting Is a Good Still Life
    The Sensorium by Walton Ford, 2003, watercolor, gouache, pencil and ink on paper, 152.9 x 302.3 cm. Yes, that is a complete exaggeration. But my point is that a lot of times in the art world people tend to silo or separate genres of painting to such an
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  • Pick Up a Few Pointers from This Dutch Master
    A willingness to experiment with perspective and style is often the determining factor between a competent artist and a master. A new exhibition at the Philadelphia Museum of Art , "Van Gogh Up Close," takes a compelling look at the choices
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  • The Complete Painter's Handbook
    In our new special issue, American Artist guides you through the most important aspects of the painting process, from selecting your materials to preparing a canvas to advanced techniques for accurately depicting landscapes and figures.
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  • Same Subject, Different Visions
    On Location with Michael Stasinos and Mitchell Albala It never ceases to amaze me how unique each painter's vision can be—in everything from the subjects they choose to the color choices they make or the type of painterly handwriting they use
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  • Is It Better to Learn From One Artist or From Many?
    While I was working recently on American Artist's new special issue, The Complete Painter's Handbook ( order now! ), I had a little debate with myself. The question at hand: If you are working to learn how to paint, is it better to focus on following
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  • Taking Off the Straightjacket
    I am not a finicky person, so getting my hands dirty to get a job done is totally fine with me. But with painting, I can get so uptight and hesitant that the physical joy of it all goes right out the window. I'm trying to be better about what I'm
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  • If This Sounds Harsh, Forgive Me...
    Below you'll find artist and blogger Jennifer King's discussion of when a plein air painting can be too real. I don't think she's being harsh at all, but you'll have to decide for yourself. Enjoy! ***** I think it's time for some
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  • Man's Best Friend Is Art's Best Friend Too?
    We have always felt that as plein air painters we are observers of the landscape—recording moments and places that can rapidly transform with fleeting changes of light. In a pure landscape, figures and animals are rendered small and insignificant
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  • Want to Show Painting Improvement Now?
    Portraiture is, in my humble opinion, the domain of artistic masters. All the greats, such as Velazquez, Rembrandt, Goya, and Sargent, can be counted as incredibly skilled and innovative portrait artists in addition to being pretty brilliant at everything
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  • Putting the Air in Plein Air
    I don't care how many times I see Monet's paintings, they never cease to inspire me. I just had the great pleasure of seeing the new Monet show at the Cincinnati Art Museum with my art buddies, and especially for those of us plein-air artists
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  • Solving the Mystery of Monet
    The Water Lily Pond by Claude Monet, oil painting, 1899. Mitchell Albala is an inspiring art instructor in the field of landscape painting , and it turns out he's an awesome detective as well. Recently, he did some sleuthing on a rare video clip of
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  • Your Paintings Reviewed By the Finest Artists in the Country
    The SourceTek cover art competition opened March 1. It's always an exciting prospect to have your work seen by artists whom you respect and admire. SourceTek, maker of canvas panels, plein air panels and more, certainly agrees. For fourteen years
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  • Painters Who Made the Biggest Splash
    Sometimes the question shouldn't be what to paint as much as how to paint. There are centuries' worth of artists who fill art history textbooks, but those who stand heads and shoulders above the rest do so because they turned their painting art
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  • Artistic Keys to the Kingdom: Flexibility and Discipline
    Artist Daily Member Spotlight: Steve Henderson Summer Breeze by Steve Henderson, oil on canvas, 24 x 24. Artist Daily: Tell me about your oil painting process . Are there rules you adhere to or just the opposite? Steve Henderson: Although I do follow
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  • Beating the Winter Blues
    Call it the blues, call it the doldrums, call it what you will--it seems that many of us plein-air painters go through a slump about this time of year. Even if the weather is good enough for painting outdoors, nature isn't always at her finest when
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  • Reflections on Creating an Artistic Body of Work
    Inkhead , 2009, oil on canvas, 29 x 16. Dorothy , 2010, oil on canvas, 14 x 14. Anakin Padawan , 2009, oil on canvas, 44 x 28. I have been blogging this past year about preparing for my exhibit, "Myths and Individuals." Now, it's time for
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  • 3 Techniques Moved Me to the Head of the Class
    At least I feel that way. I set myself a goal this week—I wanted to learn a few new watercolor painting techniques because I feel like when I contemplate working in watercolor, I only know the "first gear" approaches. I feel like Tim Saternow
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  • Painting for the (Trash) Bin
    The aim of being an artist is the ability to create. But with this desire of wishing to constantly achieve wonderful paintings that can be framed or exhibited comes an enormous amount of pressure on our shoulders. We expect to always succeed in our goal
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  • If You’ve Been House Hunting, You Know What I Mean
    Have you ever been looking for a new place to live, visiting different apartments or houses, and every time you experience a new reaction to a place and its spaces? It always happens to me. Either I love the architecture and light in this one, or the
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  • Our Newest eBook on Mixed Media Painting Techniques Has Arrived!
    Intimate Gathering by Russell Irwin, 2002, acrylic and torn paper on board, 48 x 60. When I was flipping through the American Artist magazine archives for mixed media art inspiration, I was prepared to do some pretty extensive digging. I assumed that
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  • Playing Studio Detective with a Monet Painting
    If there were any artist, past or present, into whose studio I could magically transport myself and observe him paint, it would be Claude Monet. I have always been intrigued by his painting style, especially his highly textured and complex surfaces. When
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  • Only As Good As the Hand Wielding It
    A painting brush isn't animate. It isn't going to teach me how to paint or go about painting art when no one is looking. It needs the hand of the artist to do its job. Penitent Mary Magdalene by Titian, 1560s, oil on canvas. But one thing a brush—by
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  • Are Your Colors Going to Be "In" This Spring?
    I know it is only January, but I'm already thinking spring! And so is the Pantone Color Institute . The organization has just released their seasonal color report, and while this is specifically written for the fashion and design industry, we art
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  • Color Wars
    When I asked friends and colleagues about landscape painting artists with the best use of color, the conversation got downright heated. Mostly because there's so much to consider when you look at each individual artist's color "theory"
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  • The Cosmic Dance en Plein Air
    Spring in the Hills II by John Hulsey, 5 x 7, oil painting. Whenever we get to feeling that there is nothing really new to be discovered in art or the world, we have to keep in mind that the "undiscovered country" often lies in our own backyards
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  • Do It with a Stranger
    Eva Mullarky by Kristin Künc, oil on linen, 9 x 13, 2011. I can be a really hard sell when it comes to portraiture because from a beginner painter's perspective, I'm not always sure how to get the most out of a portrait painting session.
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  • Insane: They've Never Seen Contemporary American Paintings Before!
    Venus Awakes by Patricia Watwood, 2011, oil on canvas, 38 x 34. Karen in White by Paul McCormack, oil on canvas, 40 x 29. Enigma (Self-Portrait) by David Leffel, 2009, oil on canvas, 52 x 34. On Sunday, January 22 nd , the ACOPAL group will celebrate
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  • Drawing Skills that I Can Take Outdoors
    In a recent painting of mine, you can see the sky and clouds are the lightest value, the towering waves and rocks are the darkest, as they are more vertical to the light of the sky. The flat of the ocean is the second lightest of the values, equating
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  • Painting with a Magical Medium
    Astor Place by Emily Falco, watercolor painting, 14 1/2 x 14 1/2, 2009. It warms my heart when I hear artists expressing excitement about their chosen painting medium because artists are the ones in the business of knowing all the ins and outs of their
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  • What Would Rubens Do?
    Leah by Patricia Watwood, pencil on toned paper, 18 x 14, 2011. I have just finished two big projects. Foremost, my show Myths and Individuals opened at the end of October at Saint Louis University Museum of Art. In two months the show will open for it's
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  • A Fresh Foray with New Artists
    I get excited and a bit chagrined whenever I discover oil painters of the past that I've never heard of. I realize that I'm no walking encyclopedia, yet I like to think I've got sound footing in oil painting . But the history of fine art oil
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  • Don't Let Your Plein-Air Skills Grow Cold
    Don't give up your plein air focus over the winter months. Try to paint from life indoors and keep sketching. ( Melting Snow by Ben Fenske, 60 x 75, oil on canvas.) For some of us, winter weather is just a bit too unpredictable and chilly to spend
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  • It Calls to Me…My Precious
    Precious by Russell Irwin, paper mosaic. Okay, that might have been a little too Gollum from Lord of the Rings , but Russell Irwin's latest mixed media collage titled Precious is certainly mesmerizing because of the unusual creative process that goes
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  • Why I Workshop
    We spent a lot of painting time along the cliffs outside San Juan. Painting can be a pretty isolating affair, and though I love the alone time spent with my muse, I miss the collective energy that working in a group of like-minded colleagues provides
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  • Come Winter, I Head to the Hothouse
    The botanical gardens in Washington, DC, near the Capitol. When I'm visiting family in Virginia during winter, I always make a point to walk through the botanical gardens near the Capitol in Washington, DC. It is one of my favorite places, and the
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  • Skies Don’t Have Brushstrokes In Them
    Watercolor artist Thomas Schaller achieves convincing and dynamic effects in his skies ( Salisbury Cathedral , watercolor painting). I know it is a bias, but sometimes I can't help thinking that painting skies belongs to a particular realm of watercolor
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  • Such a Diversity of Shapes in Her Landscape Paintings
    Turquoise Sky 3 , acrylic on panel, 5 x 5. All works by Lisa Snow Lady. I give a lot of credit to professional and semi-professional artists who seek out ongoing training or the advice of peers, even after their initial successes. I firmly believe that
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  • Ala Carte Your Art
    Grisaille copy of Jacques-Louis David's Patroclus , oil on linen, 48 x 78. At this time of year, we all travel so much that it can be a real challenge to figure out how to bring our painting supplies with us when we visit family and friends. Whether
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  • The Artist Watch List—Are You On It?
    In the December/January issue of American Artist magazine, the editors and staff put out feelers throughout the art community to find artists who are established or up and coming, and deserve recognition. They had limited space in the print issue, so
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  • How I Built an Art Network in My Hometown
    The Honorable Clarence Harmon, Mayor of St. Louis by Patricia Watwood, oil on canvas, 24 x 18, oval, 2002. Collection of St. Louis City Hall. Someone recently asked me what I did to get recognized and become part of the art scene in my hometown of St
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  • Your Free Portrait Painting eBook--But I Didn't Get a Chance to Gift Wrap It
    Ariadne by Janet Rogers, watercolor painting. Since coming to Artist Daily, my parents are both super supportive of me and our web community. My mom does her best to get everyone she knows to join us at Artist Daily, and my dad buys me art supplies in
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  • You Paint Them By Not Painting Them?
    T o Be Where There's Life by Ryan Coleman, oil on canvas, 30 x 40, 2010. The coolest thing I ever learned about painting flowers , specifically how to paint a rose, was when a painting teacher told me that you paint them by not painting them. Back
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  • Free Video Lesson on Color Strategies in Plein Air Painting
    This short video is excerpted from a demonstration I gave at my annual plein air painting workshop in Skagit Valley, Washington. ( Gage Academy of Art , July, 2010.) The video talks about painting strategies in general and gives specific examples of the
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  • Video Lesson on Using Photos for Studio Landscape Paintings
    Upper Ridge at Dusk , 2011, oil on panel, 18 x 18 . Mt. Shuksan in Sunlight , 2010, oil on panel, 12 x 12. At my April 2011 exhibition at Lisa Harris Gallery, I gave an hour-long presentation on my "In Sunlight" series. This was a special opportunity
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  • Painting with Dreams, Memories, History and Myths
    Sonata of the Sea--Finale by Mikalojus Konstantinas Čiurlionis, 1908. One of my favorite movements in art is the Symbolist movement of the late 19 th and early 20 th centuries. The artists were so free in exploring what mattered to them—personal
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  • It's an Excuse to Paint Umbrellas
    The Coming Storm by George Inness, 1879, oil on canvas, 27 1/4 x 41 3/4. Are you as bored of pretty outdoor painting scenes as I am? My eyes just seem to glaze over when I see a plein air painting scene with picture perfect sunlight over an idyllic landscape
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  • 3 Things I've Got to Have to Keep Going
    My family and I at my opening. Cute bunch, right? The show included works from the last 10 years. I know it's been a while since I've written. Let's see--the last time was just when I got back from my summer vacation. And now it's....November
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  • This One Is From the Heart
    Lake Tahoe by Albert Bierstadt, 1868. In their day, the Hudson River School landscape painters were so popular with the public that people would line up and pay a fair amount of money just to view a single painting. So I think it's safe to say that
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  • Can You Outgrow Your Art?
    Train Tracks by Valerio D'Ospina, 2011, oil on melamined MDF, 30 x 24. Some artists such as Jackson Pollock discover and use their own visual language to communicate with the world, and this singular voice takes them through an entire career of putting
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  • Bringing Artists Together
    I want to share an inspiring story I just heard from one of our members, Mark Beale . Enjoy! Bryce Canyon by Bruce Stam, oil painting, 8 x 10. Backwater Twilight by Mark Beale, oil painting, 9 x 12. Bruce Stam and I are two landscape painters from opposite
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  • Wild But True: I Want to Paint Light
    Lee's Ranch - Sunny Day by Camille Przewodek, 9 x 12, oil on canvas. Even now it sounds like a beautiful, incredible, impossible thing to accomplish. I mean, paint light ? It seemed like magic to me at first. And I didn't understand what it all
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  • Art That Reminds Me of Home
    During this time of year I like to reflect upon and appreciate all the blessings in my life (...also eat a lot of carbs and watch TV marathons). But lately I've been dwelling on how lucky we are to have so much amazing art created and inspired by
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  • Breakfast of Champions: Free Still Life Painting eBook!
    The Remains by Joe Gyurcsak, 2007, oil painting, 24 x 24. If I start my morning with a bit of artistic inspiration, it really carries me through the whole day, just like a wholesome breakfast does! And today is a very good day because I was able to begin
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  • Paint the Place You Call Home
    We plein-air artists seem to put a lot of emphasis on traveling to far off places to paint, don't we? The fields of Tuscany, the rugged California coast, the farmhouses of the Cotswolds all seem to beckon. And heeding that call can be fantastic. I
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  • Will You Please Put Some Clothes On?
    Portrait of Queen Elizabeth I by Nicholas Hilliard (attributed), 1585. I can only imagine the excitement and thrill of sitting for any one of the great portrait painters in history such as Bronzino, Velazquez, and Sargent. But then my mind goes directly
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  • Don't Set Yourself Up for Failure from the Start
    Optimal Orientation of Subject and Artist in Plein Air Before the first daub of paint is squeezed out of the tube and brush is put to canvas, many plein air painters have already set themselves up for failure. How? By selecting a site that doesn't
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  • Take a Peek at Jamie Wyeth’s Watercolors
    This is one of the artist's more traditional pieces in terms of his painting process. ( Raspberry House by Jamie Wyeth, 1988, watercolor, 22 1/2 x 28 1/2.) Watercolor is one of those wondrous materials that can be manipulated in so many different
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  • Tricky Stuff--Limit Your Focus & Expand Your Painting Options
    Demonstration: Exploring Composition Through a Limited Focus A "limited focus" isn't limiting at all, but expands our options in composition The first compositional move any painter makes is to apply a limited focus. Whether it be a still
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  • Make the Sun, Sand, and Sea Your Studio!
    This December, Signilar —the maker of top notch art instruction videos—is hosting a painting workshop led by portrait artist Judith Carducci in Old San Juan, Puerto Rico. To gush just a lil' bit, this seems like an amazing opportunity
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  • Capturing a Sense of Place--What Does It Mean To You?
    When discussing landscape painting , we often hear the phrase "capturing a sense of place." What does that mean to you? To me, it means so much more than just recording the physical attributes of the location. It goes way beyond suggesting the
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  • Calling Him a Landscape Painter Would Be a Stretch
    Anselm Kiefer is not a landscape painter by any stretch of the imagination, and yet his incredibly powerful work is based in and of the land. Observing his mixed media paintings and sculpture has taught me a lot about what a truly impactful landscape
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  • Anselm Kiefer’s Landscapes Are Anything But Picture Perfect
    But that is exactly what makes them so powerful. I've never been more moved by seeing a work in person than I am when I see Kiefer's. They floor me. As I said in my other post on Kiefer , it certainly has to do, in part, with the fact that his
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  • He’s Nobody’s Fool When It Comes to Putting a Painting Together
    Breaking the Light by Don Demers, 24 x 36, oil painting. Don Demers knows that inspiration is always there if you know how to look for it, but he's also nobody's fool—he understands that to create a breathtaking and moving painting you sometimes
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  • His Painting Palette Was the Size of a Piano Top
    Under the Awning by Joaquin Sorolla, oil painting, 1910. "There is nothing truer than truth. All the mistakes committed by great artists are due to their having separated themselves from truth, believing that their imagination is stronger...There
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  • A Very Different Kind of Landscape Painting
    Ernest Lawson (1873 - 1939) came to maturity at the dawn of the 20th century, so his work was modern and gritty and real. His are not the idyllic landscape paintings of Corot , nor are they the dazzling light shows in Monet's plein air paintings
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  • Learning How to Let Inspiration Come to Me
    Slicker by Mary Whyte, watercolor painting, 18 1/2 x 18. I went through a phase when I thought I could control everything--where my career was headed, how my relationships were going to turn out, and what kind of life I was going to have. Ah, I crack
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  • Painting a Season in All Its Glory
    Study for Gapstow Bridge in Sunlight by Bennett Vadnais, oil on canvas, 12 x 16, 2007. Fall is my favorite time of year. It's my birthday season, so of course I'm partial, but I also just love the smell of autumn. It's crisp and clean, and
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  • Plein Air Painting, Fall 2011
    The last two editions of Plein Air Painting were a huge success—they flew off the shelves—and now the newest edition of the beloved magazine is back with even more on-site landscape painting instruction, handpicked by the trusted editors at American Artist, introducing the new special-issue
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  • Portrait & Figure Painting Highlights
    Reflect Your True Vision with Accurate Form Now you can paint the human form with the depth and detail it deserves - your artwork will come alive with this exciting special issue from American Artist: Portrait and Figure Painting Highlights Fall 2010. Improve the detail of your portraits with 100 pages
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  • American Artist: Everything You Need to Know About Plein Air Painting
    20 Top Artists Reveal How To Adjust to Regional Sites, Pack What You Need, Scale-Up Sketches, & Travel Safely Abroad; The history of the Plein Air Movement, and much more!
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  • 3 Tricks So People Remember My Painting
    Notice how the composition of this sparse still life is deft--from the angle of the bottle to the serpentine curve of the ivy sprig. (Dried Ivy by Kristin Kunc, 8 x 12, oil on linen, 2008). I'm not a knick-knack girl, but I do really have a connection
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  • Painting with the Sight-Size Method
    I'll be honest with you all--I am not a painting technician. I read a lot about art and, as you know, love to look at paintings and drawings all day long, but I am still a babe in the woods when it comes to many methods and approaches to painting
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  • Can’t I Be Part of a Painting Dynasty?
    Paris by Danny McCaw, 24 x 16. Not to be a whiner, but I don't have an artistic legacy to build on. So far as I know, no one in my family is an artist or has any particular leanings towards painting or drawing. That's why I'm so enamored with
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  • Please Forgive Me If This Sounds a Little Harsh...
    But I think it's time for some straight talk. I've participated in many, many plein air painting critiques over the years, and I can't begin to tell you how often I've been faced with landscape paintings that are a little off. Perhaps
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  • I Could Start Every Painting This Way
    Here's the oil painting by Casper David Friedrich that I have on a postcard called The Sea of Ice (1824, oil on canvas, 38 x 50). In college, I created a series of mixed media collages that incorporated several of the same images, but each looked
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  • You Want a Free eBook on Making Color Work When Pastel Painting, Right?
    Manhattan Nocturne by Frank Federico, pastel painting, 20 x 24. I have a tried and true love affair going with color. I'm drawn to it across the spectrum, but I'm a late bloomer when it comes to pastel painting, which has to be some kind of crime
    Read More >>
  • Who Is Odd Nerdrum and Why Do We Care?
    Norwegian artist Odd Nerdrum, currently facing time in prison for tax fraud, is certainly a character, taking on more of a dramatic persona than most people do in their day-to-day lives. He's also a bit of a polarizing figure. I know artists who think
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  • Thomas Eakins Taught Me All About Painting People
    Female Nude by Thomas Eakins, oil painting, c. 1881. The Thinker by Thomas Eakins, oil painting, 1900. Thomas Eakins earned himself quite a reputation during his lifetime. He didn't suffer fools gladly, he didn't hold his tongue, and he didn't
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  • Landscape Painting Lessons from the Masters: Inness
    These four oil paintings have something in common. Yes, of course, they were all painted by George Inness (1825-1894), one of the greatest American landscape painters of all time. But there's something else, an incredibly valuable lesson. Have you
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  • Painting to Preserve and Protect
    I'm a sucker for a good cause, and the Yellow Barn Studio and Gallery is putting on a great one this October: The Green Paint Out, a plein air landscape painting competition with the mission of preserving and protecting America's national parks
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  • Plein Air Paintings Created By Torchlight & Preserved Forever
    Drawings of horses in the Chauvet caves. We recently watched the Werner Herzog film, Chauvet: Cave of Forgotten Dreams . Herzog made the film about the prehistoric, 30,000- to 32,000 year-old cave art discovered in 1994 in the Ardeche region of France
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  • American Artist Highlights: Guide to Painting Flowers, Fall 2011
    Learn classical techniques with an inspiring guide that shows you how to create stunning pieces with ease and confidence. Make your colors sing and enhance your process—top contemporary masters of today show you how. Challenge yourself with more complicated arrangements and develop the confidence
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  • Landscape Painting Lessons from the Masters: Corot
    Recollection of Mortefontaine by Jean-Baptiste-Camille Corot, landscape oil painting, 1864. One of my great heroes in art is Jean-Baptiste-Camille Corot (1796-1875), the world-famous French artist who is still considered one of the best landscape artists
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  • Help! I’m Stuck in a Plein Air Rut!
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  • Drawing Basics: Using the Egg to Draw Anatomy
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  • Painting Darks That Are Too Dark to See
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  • 3 Paintings I'd Take in a Heartbeat
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  • Abandon and Control: Robert Liberace's Contradiction in Oil Painting?
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  • Ah, Vacation.....Time for More Painting!
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  • Who Sent You Flowers? Me!—Our Newest Free eBook on Painting Flowers Is Here!
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  • The First Plein Air Painters
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  • Move Over MacGyver. I’ve Got a Painting Studio Gadget for You!
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  • Finishing My Oil Painting, Leaves of Grass
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  • Landscape Lessons from the Masters: Monet
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  • I’d Make You a Mixed Tape, But This Is Better. Plus, Our Collection Sale Starts Today!
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  • Speed Painting Outdoors
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  • I Want to Sculpt My Drawings
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  • Drawing Basics: How I Judge My Artistic Progress & Learning from Robert Liberace
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  • Mixing Harmonious Greens in My Plein Air Painting
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  • What’s the Impressionist Way of Painting with Color?
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  • Oil Painting Lessons From John Singer Sargent
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  • We Don't Have to Settle for Paint & Brush
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  • Plein Air Painting, Spring 2011
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  • Painting Outdoors: Fast and Easy Block-Ins
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  • 4 Crucial Figure Painting Tips
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  • Just Back Up and Let the Painting Breathe
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  • 5 Tips That Fine-Tune My Outdoor Paintings
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  • Don’t Just Paint. Pour!
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  • Plein Air Essentials: The Anatomy of Water
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  • It’s What I’m Here For: Free eBook of Watercolor Lessons & Painting Techniques from Artist Daily
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  • Hybrid Method of Painting and Drawing
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  • Oil Painting Odyssey: Making Pandora
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  • The Art of the Dog
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  • Art Isn’t Just About Pretty People
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  • Painting Portraits with Personality, Mood, and Character
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  • Lightening My Plein Air Pack
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  • Come Paint in My Backyard...Practically
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  • What's the Association Factor and Why Is It a Painting 'Must'?
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  • Composing On the Fly When Painting Outdoors
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  • Plein Air Painting with Clyde Aspevig
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  • Plein Air Artist Asher B. Durand Wrote Me a Letter...Sorta...Not Really
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  • Pop Quiz: How Good Is Your Painting Memory?
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  • Building a Bridge to China with Oil Painting and Contemporary Realism
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  • He Told Me I Could Share His Secrets
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  • Summer 2011
    As any artist can attest, versatility is the key to a long and illustrious career. The ability to work with a variety of media, subject matter, and techniques helps keep skills up-to-date, the mind engaged, and one's creativity consistently challenged. With that in mind, we've decided to use
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  • Painting This Uniquely American Place
    America is a land of rich diversity that extends throughout our landscapes, cities, and regions. I'd say that one of the most distinctive places we have is Cape Cod. Now, being a born-and-raised Southern girl, I have always romanticized the northern coasts and beaches because they always look so
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  • Plein Air Time Machine
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  • Bring My Painting Back From the Brink of Disaster
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  • Draw with Your Brush
    When Scott Royston sets his sights on flowers for one of his still life oil painting compositions, he isn’t drawn to tiny buds or small bouquets but expressive flora in full bloom. For him, painting flowers is a gradual process that starts with a rough sketch in his sketchbook and toning his canvas
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  • Building a Career for the Long Term
    For the Portrait Society of America Conference in Atlanta this year, I was invited to participate in a panel on Professionalism, Leadership, and Service. I was asked to speak to “Building a Career for the Long Term.” Now, anyone who saw my tax returns for 2010 would NOT have put me on a short
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  • How to Paint Clouds in Watercolor
    In a recent post on how to paint clouds at sunset , we diagrammed a pastel painting and explained a bit about the types of clouds one may encounter when painting outdoors . This time, we have dissected a watercolor, Ghost Ranch IV , that I painted in New Mexico near Georgia O’Keefe’s house
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  • Highlights: Painting Instruction From Master Teachers
    Get instant improvement on your portraits, landscapes, and still life’s from master teachers.
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  • Finding the Warms and Cools of White
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  • What’s Up With the Floating People?
    That’s one of the first questions I put to artist Caitlin Hurd about her oil paintings, which feature dazed, inert figures floating through the landscape. But they aren’t floating as much as sleepwalking, according to Hurd. “It all started with how I wanted to live my life,” she
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  • It’s Like Coupon Clipping...But Not
    When I was a kid, my mom always cut coupons on Sunday morning. I’d sit beside her and do the same, but I’d flip through magazines and newspapers and cut out pictures I liked or lettering that I thought was neat, and I never gave up my artsy coupon clipping habit because it’s a great
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  • Reaching New Levels of Creativity En Plein Air
    Do you ever feel like you’re just painting the same old same old when you go outside to paint? Couple of trees, maybe some water—it’s actually fairly easy to fall into the rut of painting the same subjects again and again. At least, that’s how I get to feeling on occasion.
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  • Weekend With the Masters 2011: Exciting New Educational Opportunities & Breathtaking Location
    Golden by Daniel Gerhartz, oil on canvas, 16 x 12. Since its inception in 2009, Weekend With the Masters Workshop & Conference has brought together some of the top instructors of representational art under one roof for a long weekend of workshops
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  • There's Nothing Quite Like Custom Made
    I’ve always dreamed of having something, anything—shoes, a coat, a car!—custom made. While all of those are pretty much still out of my reach, I know that I can custom design how I get my art training. There are a lot of options out there for us art-minded folk, but I spoke to Rob Zeller
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  • The Artist’s Road—A Journey Not a Destination
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  • Step by Step: Sketch to Finished Painting + Plein Air Download for a Dime
    When Richard McKinley creates a landscape painting , he likens it to a dance, a push-pull between the artist’s feelings for the place and the tendencies of the medium. For his landscape art, he focuses on a subtle progression of color layers and
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  • Using Your Sketchbook to Good Advantage
    Hi all! This is my first blog at Artist Daily, and I wanted to jump right in and discuss one of the best things I think a plein air painter can do—use a sketchbook to plan your composition and clarify your vision of the finished painting you have in mind.
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  • Varnish, Varnish Everywhere
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  • What Could Be Better Than a Free eBook on Landscape Painting?
    My answer to that is nada! Zippo! Zilch! As the weather heats up from coast to coast, now is the time when artists turn their attention to the excitement of landscape painting. But I'll be honest with you. I'm still intimidated by the whole landscape painting process. There seems to be so much
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  • Artist Daily Member Spotlight: Asghar Gonchehpour
    One of the things I love best as the editor for Artist Daily is getting to know the artists in our community. A few weeks ago, I saw a mixed media portrait in the Member Gallery that caught my attention. The painting--a girl with wild, colorful hair and a tranquil expression on her face--looked like
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  • The Gowanus Ballroom
    The Gowanus Ballroom brought together installation art, contemporary sculpture, and realist painting. Every once in a while, I get to do something that is comes uniquely from the place where I’ve chosen to live—Brooklyn. My studio is in Gowanus
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  • Bring On the Botox...Or Not
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  • Painting to Establish Intimacy
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  • May I Introduce Odd Nerdrum?
    Summit by Odd Nerdrum, oil painting, 2000, 93 x 88. Odd Nerdrum: Weekend With the Masters Instructor Odd Nerdrum was born in Hälsingborg, Sweden, in 1944. He was a student at The Academy of Art in Oslo at the time when Modernism made its delayed
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  • May I Introduce Stephen Early?
    Glass Study 3 by Stephen Early, oil painting on masonite, 7 x 5. Stephen Early: Weekend With the Masters Instructor Artist Stephen Early began his art education at the Pennsylvania Academy of Fine Arts in Philadelphia. He has received many notable portrait
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  • May I Introduce Edward Minoff?
    Breton Wash Basin by Edward Minoff, oil painting. Edward Minoff: Weekend With the Masters Instructor Edward Minoff graduated with honors from New York University's Tisch School of the Arts. Throughout his high-school and college years he studied painting
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  • May I Introduce Daniel Sprick?
    Untitled by Daniel Sprick, 2006, 24 x 24, oil painting. Daniel Sprick: Weekend With the Masters Instructor Daniel Sprick was born in Little Rock, Arkansas. He studied at the Froman School of Art and The National Academy of Design and received his B.F
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  • May I Introduce Ray Roberts?
    Seascape by Ray Roberts, oil painting. Ray Roberts: Weekend With the Masters Instructor Ray Roberts is best known for his seascapes, figurative work, and majestic views of California and the Southwest, and is one of California's most respected plein
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  • May I Introduce Ron Hicks?
    The Love on the Road by Ron Hicks, oil painting. Ron Hicks: Weekend With the Masters Instructor Ron Hicks grew up in Columbus, Ohio, and was introduced to art at an early age under the influence of his artist mother. Continuing to pursue drawing through
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  • May I Introduce Albert Handell?
    Pastel painter and oil painter Albert Handell. Albert Handell: Weekend With the Masters Instructor Pastelist and oil painter Albert Handell was born in Brooklyn, New York, in 1937. At an early age, a favorite activity of his was drawing with chalks on
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  • May I Introduce George Gallo?
    Connecticut Yankee Spring by George Gallo, 20 x 24, oil painting. George Gallo: Weekend With the Masters Instructor Award-winning writer, director, and painter George Gallo is capturing the hearts of both the general public and artist-audiences everywhere
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  • May I Introduce Daniel Pinkham?
    Sublime Order by Daniel Pinkham, oil painting. Daniel Pinkham: Weekend With the Masters Instructor Born in Los Angeles, Daniel Pinkham has been a principal force in the resurgence of plein air painting in California and throughout the country. Pinkham
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  • May I Introduce David Jon Kassan?
    Approaching Noise (in progress) by David Jon Kassan, oil painting on wood panel, 40 x 34. David Jon Kassan: Weekend With the Masters Instructor Following his initial drawing studies at University of the Arts, in Philadelphia, David Jon Kassan attended
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  • May I Introduce Mary Whyte?
    Graffiti by Mary Whyte, watercolor painting. Mary Whyte: Weekend With the Masters Instructor Born in Ohio in 1953, Mary Whyte grew up with all the rural Midwest has to offer. She graduated from Tyler School of Art, in Philadelphia, in 1976 with a Bachelor
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  • May I Introduce Anthony Ryder?
    Twilight by Tony Ryder, 1998, pencil drawing, 25 x 19. Tony Ryder: Weekend With the Masters Instructor Anthony Ryder studied at the Art Students League of New York, the New York Academy of Art, and the Ecole Albert Defois, in France, with oil painter
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  • May I Introduce C.W. Mundy?
    Morro Bay Rock, Near Cambria by C.W. Mundy, oil painting on linen, 16 x 20. C.W. Mundy: Weekend With the Masters Instructor C.W. Mundy, an American impressionist, was born in 1945 and raised in Indianapolis, Indiana. He graduated with a B.F.A. from Ball
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  • May I Introduce Skip Whitcomb?
    Dawn, High Tide-Navesink River by Skip Whitcomb, oil painting on linen, 10 x 20. Skip Whitcomb: Weekend With the Masters Instructor Born in 1946, M.W. Skip Whitcomb has been interested in art since his childhood on a ranch near Sterling, Colorado. However
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  • May I Introduce Jean-Pierre Roy?
    A Wind to Ward Off Dreams by Jean-Pierre Roy, 58 x 68, oil painting, 2010. Jean-Pierre Roy: Weekend With the Masters Instructor Jean-Pierre Roy is an artist and teacher currently living and working in New York City. Born in Santa Monica in 1974, Roy pursued
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  • May I Introduce Peter Adams?
    Crashing Waves at Three Arch Bay; Laguna Beach by Peter Adams , pastel painting, 12 x 16. Peter Adams: Weekend With the Masters Instructor Peter Adams was born in Los Angeles, California, on August 27, 1950 and he received his training in California at
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  • May I Introduce Kevin Macpherson?
    Santa Catalina Island by Kevin Macpherson, oil painting, 30 x 50. Kevin Macpherson: Weekend With the Masters Instructor Kevin Macpherson is one of the country's leading plein air painters and is highly respected among collectors and fellow artists
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  • May I Introduce Stephen Quiller?
    February Shadows, Rio Grande by Stephen Quiller, acrylic painting, 17 x 19 1/2. Stephen Quiller: Weekend With the Masters Instructor Stephen Quiller is an internationally known painter who works primarily in water media, monotypes, and intaglio printmaking
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  • May I Introduce Richard Schmid?
    Throughout his career, Richard Schmid has promoted art education through his books, articles, workshops, seminars, and television presentations. Richard Schmid: Weekend With the Masters Instructor Richard Schmid was born in Chicago, Illinois in 1934.
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  • May I Introduce Marcia Burtt?
    Winter Sun, Full Moon by Marcia Burtt , acrylic painting. Marcia Burtt: Weekend With the Masters Instructor Marcia Burtt graduated from University of California Berkeley with a major in psychology and earned an M.A. in art from the University of Montana
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  • May I Introduce Frank Serrano?
    Sunlit Birch by Frank Serrano, oil on canvas, 12 x 12. Frank Serrano: Weekend With the Masters Instructor Contemporary landscape artist and plein air painter Frank M. Serrano was born in Los Angeles on November 29, 1967. He developed an early interest
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  • May I Introduce Jacob Collins?
    Thinking Man by Jacob Collins, oil painting, 30 x 20, 2004. Jacob Collins: Weekend With the Masters Instructor Jacob Collins is a leading figure in the contemporary revival of classical painting. He earned a B.A. in history from Columbia College and attended
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  • May I Introduce Joseph McGurl?
    Light at Sunset by Joseph McGurl, oil painting, 24 x 36. Joseph McGurl: Weekend With the Masters Instructor Joseph McGurl has been referred to as one of the acknowledged leaders in the current American landscape painting arena. This has been confirmed
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  • May I Introduce Carolyn Anderson?
    Dave by Carolyn Anderson, oil painting, 16 x 12. Carolyn Anderson: Weekend With the Masters Instructor Carolyn Anderson , a nationally recognized artist, is an accomplished pastelist and oil painter. Born and raised in the Chicago area, Anderson attended
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  • May I Introduce Camille Przewodek?
    Vineyard Melody by Camille Przewodek, 16 x 20, oil on canvas. Camille Przewodek: Weekend With the Masters Instructor Camille Przewodek is a plein air colorist based in Petaluma, California, who received her B.F.A. in illustration from the Academy of Art
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  • May I Introduce Joseph Paquet?
    Morning Light Crystal Cove , by Joe Paquet, oil painting on linen. Joseph Paquet: Weekend With the Masters Instructor Joseph Paquet received his Bachelors of Fine Art at the School of Visual Arts, in New York City, and had the good fortune of being mentored
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  • Nothing Watered Down About Her Work
    Over and over again I hear artists cooing about the thick richness of oil paints and its appealing spreadability, and yes, all of that is totally true. But artist Bev Jozwiak is giving oil a run for its money in terms of buttery appearance and saturated colors, and she’s doing it with watercolor
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  • More Tips for Painting Water En Plein Air
    John and Ann’s recent post about painting water en plein air was so inspiring and right on target. I love painting water elements, too, because they always make plein air landscape paintings more interesting. John and Ann’s tips were great, and I have two more to add:
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  • What I Get From Other Artists
    Wilson uses the visual world as a lexicon of poetic images, as in his painting, Mary . In the 19th century, painters depicted modern life, embracing the “real” and eschewing narrative subjects and symbolism. Now, modern figure painters are
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  • Painting Clouds, Part I: Sunset Clouds
    Living as we do in the center of the country where the dominant feature of the landscape is the sky, we have always enjoyed painting the rich variety of clouds here. Besides being beautiful to look at, clouds can tell us all sorts of things about the weather, both present and future, that can prove very
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  • It’s a Bird. It’s a Plane. It’s an Artist?!
    Artists aren’t superheroes. No capes, no spandex onesies, and no butlers named Alfred. Artists don’t necessarily lead extraordinary lives in which they paint or draw between bouts of saving the world. Artists are like you and me. They are you and me, actually. We all go about our day-to-day
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  • The Romance Is Overrated
    I used to think so romantically about Monet, Pissarro, and the other Impressionists. Not romantic like Manet is so dreamy; romantic as in idealizing this particular group of painters—thinking they stepped outside of their studios and, snap, Impressionism just happened. Veneration can sometimes
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  • The Ultimate Backpack--Professional Tips for Packing Light
    Here's John using his heavy-weight watercolor gear while painting in Colorado. Through trial and error, over the years, we have figured out how to pack for our foot-powered plein-air painting adventures. We like to keep our heavy-duty Eagle Creek
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  • Do You Speak The Two Languages of Art?
    No, not Spanish or Italian or French. An artist needs to be fluent in the languages of realism and abstraction. By realism I mean the formal aspects of art--the painting techniques and drawing skills we develop over time through experience. Abstraction is the other side of the coin, the visual language
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  • Finding Meaning in the Details of My Painting
    Sometimes in making a small study for a larger oil painting, an artist will sketch in certain areas very loosely. It's almost as if she says to herself, "and there's some other stuff that fills in this area of the composition, but I'll think about that later." With the set of small
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  • A Painting Technique That’s Outside the Box…Er, Brush
    Breaking out of a painting rut sometimes requires a little more oomph than just adding another color to your palette or going from a still life to a figure painting. Sometimes your whole process needs an overhaul. A few years ago, artist Francis Di Fronzo took a fairly drastic measure to take his work
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  • How to Paint the Look and Feel of Spring
    I’m a color junkie. In fashion, in design, and especially in painting, vibrant color is what gets me creative. But before the image of Mimi from The Drew Carey Show becomes forever attached to my name in your mind, I’ll point out that I can control myself…sometimes. It’s tough
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  • How To Transfer a Study to a Large Canvas
    Study for Leaves of Grass . All works by Patricia Watwood. With the image of a female figure reading in the summer grass in mind, I began to develop my oil painting , Leaves of Grass . I started with a preparatory drawing. I work with models and from
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  • And the Award Goes to...
    I've been waiting all my life to have a red-carpet moment, but who knows when the Academy will get around to remembering my searing director's debut at the age of 14, when I put on a musical version of Hamlet to the theme song of The Beatles' "Obladi Oblada." (Maybe you had to be
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  • Workshop, Fall 2010
    Measure First, Draw Second; The Pathway to Great Compositions; Make Every ?Brushstroke Count; Learn How Top Artists Paint; How the Academic Technique can Work for You
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  • Say 'Yes' to Flow
    With a deadline looming for a May group show of flowers and gardens, this past Saturday seemed an ideal time for me to create something for the exhibit during my first plein-air painting session of the season! Daffodils are already blooming everywhere, and the weather was perfect for a day of painting
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  • Okay, okay! You win! Here’s your Free eBook on Plein Air Painting
    Point Lobos , oil, 12 x 16. All works by Matt Smith . Have you ever had a moment where you’ve stumbled on something unexpected and you think to yourself, “What a find!” That was so me a few days ago. I read an amazing Q&A that one
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  • Palette Knife in Hand
    Palette knife painting sounds a little edgy and dangerous, but it’s really all about texture—the thick impasto swipes and flat sweeps of color that make up the surface of a painting. I’ve never created an entire painting with just a palette knife before, and I wanted to see what the
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  • The Art of Painting Water: 4 Plein Air Tips
    Water is perhaps one of the more challenging subjects to paint convincingly in a plein air landscape painting. Whether one is inspired by the ocean, a river, or a pond or lake, each subject requires a studied familiarity and often distinctly different paint handling. Here are a just a few tips that we
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  • Get Some Gallery Love: Part 2
    In my first post on building healthy relationships with galleries, I explained that the top-selling couple of artists in any gallery are usually the same few who get heavily promoted as individuals by name. The rest of the gallery's stable of artists typically get promoted as a group, as part of
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  • Painting with a ‘Show Me’ State of Mind
    Darrell Brown paints simple, seemingly timeless "portraits" of fruits and vegetables. A few days ago a reader came to me with a good point: If an artist running a workshop can talk about the philosophy behind his or her oil painting art, all
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  • The One Skill Every Artist Needs
    As plein air artists, we have had to become very aware of our own visual filtering processes--our visual biases. We train ourselves to focus our eyes and our minds on the subject before us, but it is only when we can quiet the mind from labeling and judging what we see that we are ever able to truly
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  • Workshop, Summer 2010
    10 Keys To Making Accurate Judgments; Use Measurements & Simple Shapes for Better Portraits; Learn Variations of Impressionist Painting; 4 Stages Of Successful Plein Air Paintings
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  • Developing a Narrative Theme for an Oil Painting
    For a while now, I have been exploring narrative themes. This is what R. H. Ives Gammell called “poetical pictures.” In the 19th century, this was commonly referred to as “history painting”, but by history they did not just mean world events as we define the term. “Poetical
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  • Plein Air Painting Essentials: How to Paint Trees
    This plein air painting by Tom Brown is impressionistic, but gives you a distinct sense of the form and structure of the scrub tree he's painting. We often think of trees in a very human way—that they have personalities and traits that distinguish
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  • Video on Light and Shadow: Portrait Painting with Scott Burdick and Daniel Gerhartz
    The American Artist Weekend With the Masters events are always a whirlwind of activity—new people to meet, alluring art to gawk over, and then there are the workshops. Articulate, passionate artist-instructors share their own particular artistic
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  • Plein Air Painting Techniques: How to Paint Clouds
    Clouds are not all created equal, just like not every sunset or skyscape is the same. They all have their own unique look and feel, even though we can see them all the time. And it is the plein air artist's goal, passion, purpose to eek out that unique something in every scene they decide to paint
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  • Home Ground - Finding Inspiration in the Familiar
    The lesson we first learned when living and painting in the Hudson Valley in New York is that as plein air painters there is a deep pleasure to be gained from becoming intimately familiar with the same piece of ground over many years. The process is essentially a silent conversation, in which we can
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  • A Painter's Best Bet: Stay in Kindergarten
    Jeffree , oil, 18 x 15. All works by David A. Leffel. I spend a lot of time brainstorming how an artist can become an Old Master of the 21st century. What kind of confidence, skill, and vision will it take for an artist working today to gain that reputation
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  • If I Could Paint Any Four Walls
    After developing an unnatural dependency on my galoshes and stocking my kitchen shelves with an outrageous amount of sugary sweets in case of snowstorms, I’ve come to realize that it is nice to be on the inside, cozy and warm, looking out. My creature comforts appreciation has definitely also influenced
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  • How Do You Paint a Natural Wonder?
    Springs Caprice by Curt Walters, 36 x 36. Content adapted from an article by Allison Malafronte. Arizona artist Curt Walters is well known and recognized for his plein air impressionist paintings of one of the most inspiring natural wonders in America
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  • Faith in the Wilderness--How One Oil Painting Artist Stays Committed
    Perhaps sometime over the last couple of years, you looked at your most recent drawing or oil painting and thought “Why am I doing this?” The economic recession has caused all of us to rethink our commitments and has given many artists reason to doubt that “making it” as a professional
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  • How’s Your Plein Air Vision?
    Somewhere out there, maybe even as you read this, a group of hungry, dedicated artists are taking a plein-air painting workshop. And at some point during this workshop—perhaps right at this very moment—one of those aspiring artists will ask the classic question voiced at least once in every
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  • 5 Surefire Plein Air Painting Techniques
    The Evening Show by Clyde Aspevig, oil, 40 x 36. You can often tell a painting that was painted en plein air from one that wasn’t. There is an immediacy to the light and atmosphere depicted in plein air paintings that isn’t always achieved
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  • Inspired Vision - Why Traveling to New Landscapes is Important to the Plein Air Painter
    In the 25+ years that we traveled to northern New Mexico to paint, we have explored its charms in every season of the year and have never failed to find wonderful scene after wonderful scene for a plein air painting . A big part of this charm is that this area of the Southwest is just inherently stunning
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  • Oil on Canvas: What I'm Up To
    Study for Pandora , oil on canvas, 2010. All works by Patricia Watwood. For the past six months, I have been working away at a new series of figure paintings. Over the next weeks and months, I will tell you more about each of them, and the steps involved
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  • Is "How to Paint" the Right Question?
    When we start making art, we don't start from a position of, "I want to paint like so-and-so," or not even, necessarily, "I want to paint well." We should start from a position of, "I have a need to make art." This is an important principle; it gives us the strength
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  • Spring 2011
    Turn Mistakes into Masterpieces; create the element of surprise with acrylics; get creative with Sunlight and Shadow; use value studies To Save Time; go inside Workshops With the Pros
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  • How to Paint a Piece of Americana
    Shaker Barns by Charles Sheeler, 1945, tempera on board. When I think of the features that make up a truly American landscape, there’s one structure that always sticks out in my mind—a big, broadsided barn. They dot the countryside from coast
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  • Plein Air Painting: Finding Your Commitment and Accountability
    This past Saturday was a beauty. The weather was warm enough to be outside comfortably, the light was sparkling, and it would have been a fine day to paint en plein air. Would have... if I had painted. But I didn’t. Instead, I went to a meeting and then spent the afternoon on the computer, completing
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  • Extreme Painting - Part III: Painting the Winter Night en Plein Air
    I like pastel for winter work because of the ease of not having to deal with paint thinner, stiff paint, or mixing color on a palette. When winter graces us with her charms and everywhere you look is covered in a beautiful layer of snow, Ann and I get
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  • Free Video Demo—Watercolor Painting With Mary Whyte
    Learn more about Mary Whyte’s full-length DVD. I'm a reader and studier by nature, but the lessons and techniques that I learn from books and magazines always seem to click much quicker when I watch an artist paint, rather than try to puzzle
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  • Bring Together the Outdoors and Indoors In Your Landscape Paintings
    When I’m landscape painting I’m always drawn to the curious, in-between places where the outdoors and indoors meet. This could be an ivy-smothered barn that almost looks like it is disappearing into the landscape, or an ocean view from an open window. The places where architecture and the
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  • The Upside of Plein Air Competition
    Cincinnati artist Monica Achberger participating in a paint-out in Milford, Ohio, sponsored by the Ohio Plein Air Society in August 2010. Looking ahead to the next few months, there are countless plein-air painting competitions coming up. We’ve
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  • Oil Painting, Studio Practice, and More from New Blogger Patricia Watwood
    Waiting for Supper , 18” x 35”, oil on canvas, 2010. All works by Patricia Watwood . Hello! I am delighted to begin this new venture with Artist Daily and start an ongoing conversation about my painting process and my thoughts on art. Most
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  • Extreme Plein Air Painting - Part II: Shadow Light
    Tracks II by John Hulsey, pastel. With the high-contrast conditions of winter sun on brilliant snow, we have been exploring the colors of snow and shadows in our plein air paintings. Shadows are essential because they create the form and interest in a
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  • Twilight Painting en Plein Air--No Vampires, Please
    Painting during twilight often means the added complication of using artificial lights to illuminate your canvas. This blog has been adapted from an article written by Allison Malafronte. Plein air painting during twilight is exciting but challenging
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  • Landscape Painter Clark Hulings Dies at Age 88
    The Lonely Man by Clark Hulings Last week, we received some surprising and very sad news in the American Artist office. The widely-admired landscape painter Clark Hulings had passed away at the age of 88. We learned this less than a day after finishing
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  • Extreme Plein Air Painting--Conquering Old Man Winter
    Fire and Ice by John Hulsey, watercolor. We both love painting landscapes outside, especially in the winter, when the air is clear and the landscape is reduced to its architectural purity. But winter weather conditions are rarely moderate in the places
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  • Sunset En Plein Air
    A sunset sketch by painter Thomas Van Stein. This blog has been adapted from an article written by Allison Malafronte. Plein air painting is all about light and atmosphere. Painting during sunrise or in the heat and intense light of the day can result
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  • Plein Air Painting: Isn’t It Romantic?
    Oak in the Snow by Caspar David Friedrich, 1825, oil, 44 x 34.5 cm, Wallraf-Richartz Museum, Cologne, Germany. I think all landscape artists and plein air painters have a touch of the romantic in them. It doesn’t really matter what type of landscape
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  • It's Finally Here: Our New Free eBook on Oil Painting Techniques
    I’ve always prided myself on learning good technique when faced with any new skill, and doing this has definitely made a difference. That goes for when I was learning to dance, swim, draw, or paint in oil. Art techniques were always especially rewarding to tackle this way, because once you grasp
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  • You're Gonna Need a Pair of Boots
    Painting outdoors in winter can be an extreme sport. The snow, the wind, the cold—it takes a certain kind of artist to paint a winter landscape while in a winter landscape. The first time I attempted this was a couple of years ago when I was living in Connecticut. Two feet of snow had fallen the
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  • How to Evaluate Your Outdoor Painting
    Thomas Van Stein's student stepped back, with the help of her instructor, to evaluate her work. This blog has been adapted from an article written by Allison Malafronte. Amidst all the sights, sounds, and smells that swirl around you when plein air
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  • Painting Instruction Highlights from Master Teachers, Fall 2009
    14 Top Instructors Share Their Secrets; How to Paint From Photographs; Complete Instruction in Painting Figures, Still Lifes & Landscapes; 12 Step-by-Step Demonstrations & Lists of Materials Check out what's featured in the Fall 2009 issue of American Artist Highlights.
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  • A New Blogger and Checking Your Plein Air Painting Checklist
    A beautiful afternoon, some free time in the fresh air, a stunning location...I can’t wait for the weather to get just a touch warmer so I can get out and paint again. And as we look to the future, I’m thrilled to be joining all of you at Artist Daily as a regular blogger on the life of a
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  • Don't Fear the Pack
    As much as the stereotype of the solitary painter working alone and shutting him- or herself off from the world makes artists seem mysterious and cool, I’ve found that artists tend to be fairly social creatures, and their cool factor isn’t lessened by their sense of community. Sometimes this
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  • Premixing Your Paints: Pros and Cons
    A lot of painters have strong opinions about whether or not it is helpful to premix colors on the palette before painting. I’m not talking about making your paints from scratch but rather about mixing a few colors, or even just one, after you’ve identified what the main colors in the work
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  • Learn the Latest Tips in Our Free Portrait Painting eBook
    Trying to capture the likeness of a person in a finite period of time and meeting the high expectations often associated with portraiture are far from effortless tasks. They take commitment and savvy to do well. Our eBook Oil Painting Lessons on How to Paint a Portrait: 15 Portrait Painting Techniques
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  • Workshop, Fall 2009
    Use a Limited Pallette for Greater Benefits; 10 Concrete Solutions for Figure Painting; How to Accurately See the Color Light; Andrea J. Smith; Bryan Mark Taylor; Steve Huston; Clayton J Beck III.
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  • Nature with a Bit of Edge
    Shaped by Reaction , acrylic on maple panel, 2010. All works by Tiffany Bozic. Courtesy Joshua Liner Gallery. Looking at San Francisco-based artist Tiffany Bozic’s work is a bit like falling down Alice’s rabbit hole: the natural world looks
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  • Make a Painter’s Resolution
    I’m starting this year by reassessing my approach to painting and recommitting to more concentrated studio time. I don’t necessarily feel that I want to completely revamp my process, but there are a few old habits that I want to break and a few new ones I want to instill. I’ve found
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  • Don't Paint the Sky Blue!
    Because it’s hardly ever really blue. Think of Turner’s skies or even Monet’s—they are multifaceted and carry the hum of several colors. As many of us transition from painting outdoors to inside the studio, we can sometimes make assumptions and take certain things for granted
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  • New Video Blog: See the Secret to Positioning Your Brush
    We’ve been cooking up the Artist Daily Video Blog for a while now, and I’m thrilled that it’s time to unveil it to all of you. The name says it all—it is a part of the Artist Daily blog that we will be creating in video form. There
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  • Free eBook—Full of Acrylic Painting Techniques for You
    Sunset in the Teton Valley by Gil Dellinger, 2008, acrylic, 16 x 20. Almost all the painting I did in college was with acrylics, and most of the students I worked in class with did the same. Painting with acrylics was our best option because the paints
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  • Should You Paint Lies?
    Les reclus by Philippe Jacquet, 31 1/2 x 46 1/2. All images courtesy Axelle Fine Arts. Most painters I’ve spoken to say that it’s somewhat liberating to paint an imagined subject or a fictitious place. Working in such a way does come with
    Read More >>
  • Focus Your Artistic Trajectory
    Woman in Repose by Sherrie McGraw, sanguine and white conte, 10 x 15 1/2. Interacting with so many artists and writing about their work makes me think a lot about the kind of art I would personally like to make. With all the high-caliber paintings, collages
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  • Portait & Figure Painting Highlights
    Reflect Your True Vision with Accurate Form Now you can paint the human form with the depth and detail it deserves – your artwork will come alive with this exciting special issue from American Artist: Portrait and Figure Painting Highlights Fall 2010. Improve the detail of your portraits with 100
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  • “I Will Astonish Paris with an Apple.”
    Still Life with Apples by Paul Cezanne, 1879. That’s a bold statement—even from Paul Cézanne—but the artist was true to his word. He set out to reinvigorate painting and he did just that. The French artist became the conduit between
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  • Where Exceptional Artists Gather
    Watercolorist Stephen Scott Young getting into the details of his watercolor technique with students. All photos by Manuel Rodriguez . Artists of the past are often remembered as working solo, toiling alone in their private studios and intimate garrets
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  • Coming To You From Weekend With the Masters
    Artist and instructor Marcia Burtt painting a beach scene at Weekend With the Masters. I can honestly say I've never been to an event like American Artist's Weekend With the Masters workshop and conference, which is currently underway in Southern
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  • Counting Down to the Big Event
    Twilight by Anthony Ryder, 1998, pencil and pastel on gold paper, 25 x 19. The event I’ve been looking forward to since I came to Artist Daily is just a few days away. Weekend With the Masters 2010 is almost here. I’ve been told that the energy
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  • Paint to Preserve the Scenery You Love
    As an artist who has painted the natural world for over 20 years, Adam Straus has a complicated connection to his environment. In the 1990s, he painted Oil Slicks , a series of paintings that referenced the oil spills that happened at the time, and the relevancy of these paintings has been asserted again
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  • Workshop, Fall 2010
    On the Cover: Painter Peter van Dyck leading a workshop at the Pennsylvania Academy of Fine Art. FEATURES Frank Serrano: Accurate & Efficient Plein Air Landscape Painting by M. Stephen Doherty In his popular DVDs, book, and workshops, California artist
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  • Defy Expectations—See In a New Way
    No matter the venue, the accepted rule of thumb is that a painting should always be hung just above eye level. As a result, many artists create paintings with this point of view. Louisiana artist Mitchell Long seeks to subvert this expectation by manipulating vantage points in his paintings of landscapes
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  • Are You Using This Critical Painting Technique?
    The process of underpainting has such a buttoned-up reputation. If it were cast in a movie, it would be the uptight, by-the-book stickler that no one wants to hangout with. That’s because the process of underpainting is often associated with a belabored, rigid series of steps that delays us from
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  • Draw on Tradition to Create Lasting Art
    I'm always surprised-and, okay, a little peeved-when my mention of an arts background is often met with a puzzled look followed by the somewhat skeptical question, "What do you do with that?" The truth is there's a lot to do with that, especially now-at a time when images are all around
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  • Free eBook for Your Best Summer Outdoor Painting Experience
    With summer in full swing, I've been spending as much time as possible outdoors, going to concerts and plays, walking from place to place when I do my errands, and just finding every excuse for an outdoor excursion. Plein air painting is another perk of the season. There's something invigorating
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  • Learn to Paint the Unexpected
    Artists are the sharpest of observers, attuned to a person's passing gesture or the play of light and shadow on a building façade—but not everything that catches our eye is a painting waiting to happen. For Utah watercolorist Joseph Alleman , the stories that hold his interest are reflections
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  • Best of Watercolor, 2010
    On the Cover: Barrens in October (detail) by Paul Rickert, 2002, watercolor, 11 x 14. Collection the artist. Artists In This Issue Anne Abgott Jane Paul Angelhart Sue Archer Bo Bartlett Dan Brown Peggy Brown Carl Dalio Sondra Freckelton Laurin McCracken
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  • Make the Most of the Plein Air Painting Season
    Almost any artist will tell you that there's a certain appeal to working outdoors that can't be found anywhere else. With summer in full swing, many of us have left our studios for our porches, backyards, and beyond. To celebrate the season and all of the art being made en plein air, here are
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  • Paint Every Figure With the Power of a Portrait
    Painting the people and places one sees every day can be either a mind-numbing trial or an impetus for creativity that just happens to be homeward bound. For New Jersey-based artist Michael de Brito-who has spent the last several years painting family members and friends in familiar surroundings, such
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  • Plein Air Classes at WWM 2010
    American Artist’s Weekend With the Masters Workshop & Conference will be arriving on the sunny shores of Southern California this September 22-26, in our second-annual presentation of this four-day event. Workshops, demos, lectures, panel discussions, and evening events from more than 25 instructors
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  • Watercolor, Summer 2010
    On the Cover: Sunflowers and Coffee (detail, reversed) by Teri Starkweather, 1999, watercolor, 40 x 30. Private collection. Mixing Careful Planning With Spontaneity FEATURES Winners of the 2010 Cover Competition Hundreds of artists submitted their artwork
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  • July/August 2010
    How to Paint Landscapes; 10 Cover Contest Winners Offer You Their Best Advice; Combine Watermedia & Pastel for Inspired Results; Express Content with Fewer Brushstrokes
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  • Sharpen Your Ability to Judge Color Tone and Value
    In last Friday's post featuring artist-instructor Kerry Dunn, we explored some of the opportunities and challenges that an extensive color palette offers. On the flipside, Bulgarian-born painter Ignat Ignatov understands how an artist can benefit from the use of a limited palette. For a time Ignatov
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  • Discover How to Use an Extensive Painting Palette
    There is nothing that defines an artist quite like his or her palette. Some consist of premixed colors and others are developed in the moment, determined by the needs of each painting. Some artists are meticulously organized, with paints arranged by color temperature, while other artists arrange colors
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  • Workshop, Summer 2010
    On the Cover: Camie Davis (below) teaching at the Grand Central Academy of Art, in New York City. Photo by Nathan Kraxberger Cedric Egeli: Knowing How to Learn FEATURES Workshops as Shared Learning Experiences by M. Stephen Doherty A number of valuable
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  • How to Successfully Paint Color Relationships from the Start
    Painting instructors often ask students to consider two important relationships between the colors squeezed out on their palettes: value and temperature. By that they are asking them to consider whether one color mixture is lighter or darker than another, and whether the mixtures tend to have a warm
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  • Learn How to Paint Like a Sculptor
    Weekend With the Masters instructor Jacqueline Kamin paints with a sculptural sensibility that isn’t at all foreign to her practice. Earlier in her career she spent time as a bronze bust sculptor. “Working with sculpture is a lot of fun,” Kamin says. “It is very tactile and organic
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  • What Every Artist Can Learn From Plein Air Painting
    After several months of hiatus, the Plein Air blog is back! Our new Artist Daily editor, Courtney Jordan, and I have worked out a biweekly schedule to get the Plein Air blog back on track, and I’m excited to resume coverage of the artists, events, exhibitions, tools and tips, and conservation issues
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  • Adaptability and Durability are Proven Aspects of Encaustic Painting
    After spending all day sitting at my desk, click-click-clicking away on my computer, I savor getting out and being active, especially if I’m learning a new activity or skill. It’s the difference between reading through the steps of a complicated, unfamiliar process and actually seeing it
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  • June 2010
    SPECIAL REPORT Explore New Creative Ideas With Acrylics; Learn From Sorolla’s Epic Masterpiece; Increase the Drama in Pastel Paintings; How to Plan & Improve Your Watercolors
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  • New eBook Teaches Acrylic Painting in 7 Steps
    Paintings of the sheer peaks of the Alps or serpentine glimmer of the Hudson River showcase the awe-inspiring characteristics of the natural world. But there’s something equally compelling about depictions of interior spaces. Think of how bleak and bereft Edward Hopper’s bedroom scenes are
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  • Accessing Universal Emotions Makes a Successful Portrait
    Models With Japanese Screen by Malcolm T. Liepke, 1986, oil, 26 x 20. Courtesy Arcadia Fine Arts, New York, New York When I went away to college I took a token from each of my loved ones. There was a Frankie Laine CD from my dad, a grungy Pearl Jam T
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  • May 2010
    Special Report: "Green" Products for Artists; Use the Right Practices to Paint Better; Paint Classical Themes in a Contemporary Context; How to Judge Values Accurately.
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  • Take Advantage of Our Plein Air Expertise
    Kevin Macpherson is a renowned artist and instructor with 30 years of plein air painting experience. For newcomers, painting en plein air means literally, painting “in the open air,” and is the genre associated with painting outdoors. In 1996, Macpherson challenged himself to what I’d
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  • Free Tips and Techniques for Painting Oil Landscapes
    With landscape artist Chris McHenry's hard-won oil painting tips and techniques, you’ll start to understand how to create a realistic sense of contrast for objects in your paintings, establish depth and focus in a landscape painting with a balance of warm and cool colors, and more. Attending
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  • American Artist: Everything You Need to Know About Plein Air Painting
    On the Cover: Deb Painting Spring Creek (detail) by Edward Martinez, 2006, oil, 22 x 14. Collection the artist. Jim Wilcox: Western Landscapes Using Plein Air Sketches, Photographs, Research, & Imagination to Create Studio Paintings Plein Air Past
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  • April 2010
    How to Paint With Spontaneity & Insight; Benefit from a Beginner's; Sense of Adventure; Bring Drawings to Life In Watercolor Paintings; Professional Advice on Painting With Pastel, Oil & Watercolor and much more!
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  • Finding Your Personal Style
    It’s often said that artists don’t find their personal style—it finds them. Although I agree with this statement, I found in my experience that individual style develops only after a number of other tasks are accomplished. All professional
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  • Taking Advantage of Free Instruction
    I recently joined a gym in my neighborhood, with the hopes of working off some of those extra holiday pounds that seem to wear out their welcome around this time every year. My schedule is pretty busy, so I try to streamline my visits, making a beeline
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  • Workshop, Spring 2010
    On the Cover: John Morra teaching still life painting in New York City. Photo by Nathan Kraxberger Michelle Dunaway: Painting From the Center FEATURES Paul DeLorenzo: Learn the Basics of Academic Figure Painting by M. Stephen Doherty Having been trained
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  • Sight-Size Drawing and Painting
    I've written a number of articles on artists who use the sight-size approach to painting, but the method became clearer to me while I was writing an article on Paul DeLorenzo for the spring 2010 issue of Workshop . The procedure is to stand a measured
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  • Paint Landscapes From Sketches, Memory, and Photographs
    Ever since my trip to Venice, Italy, last year, I have been looking at paintings of the city by 19th-century artists such as Sargent and Whistler, as well as contemporary artists such as Steve Rogers and Leonard Mizerek . I've become more aware of
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  • Free Watercolor Painting Tips and Techniques
    It’s often said in sports circles that the best players often make the worst coaches. That’s because it is hard for naturally gifted athletes to relate to players who are not so innately talented. A perfect example of this is former Boston
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  • Watercolors by Architects
    Greek Steps, Sifnos by Thomas W. Schaller, 2008, watercolor, 12 x 9. I just finished writing an article on Thomas W. Schaller's watercolor paintings for the April 2010 issue of American Artist, and it occurred to me that Thomas is the third licensed
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  • Painting From Photographs
    I normally work from plein air sketches or my imagination, but this scene I photographed while on vacation in Costa Rica was just too beautiful to pass up. As most artists do when working from a photo, I made adjustments to the composition to better suit
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  • A Simple Formula for Pricing Artwork
    Pricing artwork is one of the most complex tasks that emerging artists face, especially when they first begin to work with galleries. It's easy to see by reading articles and books on art marketing that the opinions of the experts vary. To make it
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  • 24 Tips to Learn How To Paint a Plein Air Landscape
    Our newest free eBook, “24 Tips to Learn How to Paint a Plein Air Landscape,” is now available to download, and in it you’ll find tips on how to get started working en plein air and how to improve your en plein air painting technique
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  • Watercolor, Winter 2010
    On the Cover: Breakfast Club (detail) by Gordon France, 2004, watercolor, 20 x 28. Private collection. Artist to Artist: Dean Mitchell Modern Masters: Jan Kunz DEPARTMENTS Editor's Note Contributors Noteworthy FEATURES Weekend With the Masters Review
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  • En Plein Air: Holiday Exhibitions & Shows
    ‘Tis the time of the year when galleries across the country host their annual holiday exhibitions, giving artists, dealers, and collectors the opportunity to gather around great art and share some Christmas cheer. Whether these shows are organized
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  • American Artist’s First Annual Weekend With the Masters Workshop & Conference: A Historic Event!
    Several of the masters gathered together for a photo during the Saturday evening “Encouraging the Mastersof Tomorrow” silent auction and reception. From left to right: American Artist editor-in-chief M. Stephen Doherty, Joseph McGurl, Kevin
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  • Workshop, Winter 2009
    On the Cover: Curt Walters painting the Grand Canyon (photo reversed). Graydon Parrish: A Rational Approach to Color Hue, Chroma, and Value Ben Fenske: Six Basics of Landscape Painting FEATURES Ben Fenske: Six Basics of Landscape Painting by M. Stephen
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  • Important New Research on Artists and Art Materials
    It’s quite probable that you were already creating artwork by the time you were 20 years old. In fact, you were likely spending a good bit of time drawing, painting, sculpting, or crafting when you were 12. Those are two of the inferences that might
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  • En Plein Air: One of the First Filmed Plein Air Painters
    Although revered for his portrait work and known for being an artistic rival of his contemporary John Singer Sargent, Philip de László also painted landscapes, and one of the first known film documentations of an artist painting en plein air depicts him. That film clip of the artist painting
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  • Free Lessons From Top Watercolor Artists
    The basic set of supplies John Hulsey uses when painting on location. The recent spat of wet weather in New York has made it difficult to get outside to paint, but that doesn’t mean we in the American Artist offices haven’t been thinking about
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  • Showcase Your State: North Carolina Finalists!
    The American Artist editors have reviewed the submissions for the Showcase Your State: North Carolina contest, and below are the four chosen finalists. Whether it was expansive views of the Blue Ridge Mountains as seen from the Highlands; still, serene
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  • December 2009
    Check out what's featured in the December 2009 issue of American Artist .
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  • Building Rich and Full Layers
    By subtly layering pastel, Marlene Wiedenbaum creates a luscious and convincing sense of the world.
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  • Why I Must Paint Plein Air Studies
    I admit that I am not one who adores painting on location. If the truth be known, when I visit a national park, I'd rather be exploring and walking around—taking photos of everything that strikes my interest. Oh yes, I've paid my dues by
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  • En Plein Air: The Physics of the Sky
    Yesterday, as the articles from the upcoming winter issue of Workshop magazine circulated around the editors’ desks, I was struck by how many high-quality artists are featured in this issue and what valuable advice they offer readers through their
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  • How to Adjust to New Painting Subjects
    Curt Walters painting at the Grand Canyon. None of us want to be stuck in the rut of painting the same subjects over and over again, so we try different landscape locations, select new groups of still life objects, or join a sketch group that hires models
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  • How to Act Like an Art Collector
    When artists shop for a gallery to represent them, it's helpful if when they first visit they avoid acting or looking like an artist and instead take on the behavior of a collector. This can help you to learn how attentive a gallery’s staff is, and it allows you to assess how much they know
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  • En Plein Air: A Conversation With Jacob Collins
    Known primarily for his figurative work and for leading a resurgence in classical art education through his Water Street Atelier and the Grand Central Academy of Art, in New York City, Jacob Collins is now the founder of the Hudson River Fellowship ,
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  • En Plein Air at Weekend With the Masters
    Weekend With the Masters recently concluded in Colorado Springs, and I thought I’d share some of the photographs from the plein air portion of the event with you here. Enjoy!
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  • Painting Instruction Highlights from Master Teachers, Fall 2009
    14 Top Instructors Share Their Secrets; How to Paint From Photographs; Complete Instruction in Painting Figures, Still Lifes & Landscapes; 12 Step-by-Step Demonstrations & Lists of Materials Check out what's featured in the Fall 2009 issue of American Artist Highlights.
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  • Presentations That Help Sell Artwork
    I recently attended the opening of an exhibition of artwork by a group of artists, and the display raised questions in my mind about the impact of presentation on sales and career development. The exhibition was a temporary display in a community center
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  • November 2009
    Check out what's featured in the November 2009 issue of American Artist.
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  • The Artist We Love to Hate
    Although most of the recent news about Thomas Kinkade has concerned the disagreements between his company, former employees, franchised gallery owners, and the FBI (detailed in articles in the San Francisco Chronicle and in the Los Angeles Times ), it
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  • Priming Your Mind for Painting
    by Lori Woodward Simons As I've mentioned in past blogs, artists are motivated visually—at least I am. It seems our minds follow and are motivated by what we see. So in order to get busy on a painting, I need to remove myself from distractions
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  • Watercolor, Fall 2009
    Check out what's featured in the Fall 2009 issue of Watercolor .
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  • Behind the Scenes: Artists' Studios
    My office is also a conference room on the third floor of a building on 46th Street in Midtown New York City. The desk and file cabinets are pushed against the east wall of what was once a library, and a large conference table and eight chairs are arranged
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  • 3 Proven Ways To Start Watercolors Outdoors
    Michigan artist Jim Johnson offers valuable hints for successful watercolor painting outdoors.
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  • October 2009
    Check out what's featured in the October 2009 issue of American Artist.
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  • Workshop, Fall 2009
    Check out what's featured in the Fall 2009 issue of Workshop magazine.
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  • Andrea J. Smith: Expand From a Limited Palette and Focus
    In the new atelier she opened in Rome, Andrea J. Smith teaches students to use a limited palette of colors when painting exactly what they see from a measured distance away from the subject and the easel.
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  • Plein Air Exhibition on Balboa Island
    The artwork of nationally recognized plein air painters Greg LaRock, Jeff Sewell, Carolyn Hesse-Low, Jeff Yeomans, and JoAnn Royal will be the subject of a celebratory exhibition at Rainey Fine Art, in Newport Beach, California. The gallery is commemorating its first anniversary by featuring the works
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  • Drawing with Acrylics, Charcoal, Ink, & Conté
    Most of the students attending workshops and art classes rely on the instructor’s list of recommended supplies when deciding what drawing and painting materials to use, so their resulting artwork usually looks quite similar. However, when artists
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  • Plein Air Painting to Help Special-Needs Teens
    Nancy Bea Miller, a painter and mother of three, has organized a plein air paint-out to benefit the Camphill Special School’s Transition Program for teens and youths with intellectual and developmental disabilities. The paint out will be followed by an exhibition of the artists’ work at The
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  • Drawing Basics: Does Mr. Ed Have an Advantage Over You?
    It's crazy to say that horses have a visual advantage over humans, but with eyes on opposite sides of their heads, they surely don't see in three-dimensional terms like we do. There are times especially for beginners when seeing less--seeing a
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  • En Plein Air: Prepatory Sketch, Or Finished Work?
    I recently returned from a trip to Colorado, and while on that trip I got into quite the (heated) debate with two figure painters who claimed that plein air painters who sell their on-site sketches are bringing down the overall value of art. What’s your opinion? Is plein air painting a means to
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  • Drawing Basics: The One Rule We Hear More Than Any Other From Art Teachers
    Very few rules are absolute in art. But one rule keeps popping up in our magazines, quoted by art instructors and artists of all types...
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  • En Plein Air: The Golden Hour
    Photographers have coined the term “The Golden Hour” to explain the ideal lighting situation that takes place during the first and last hours of light each day. Plein air painters have an equal admiration for this time of day and find the quality and character of light to be well worth the
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  • Children Painting, Laughing, Learning and Your Valuable Advice
    I recently assisted my granddaughter, Amanda, as she painted with water-soluble tempera colors in our backyard. Like most four-year-olds, she loves to draw and paint, and although her drawings have become increasingly controlled pictures of herself, her parents, five pets, and her home, the paintings
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  • September 2009
    The Table of Contents for the September 2009 issue of American Artist .
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  • The Sublime and the Beautiful: Painting the Hudson Valley
    In honor of the 400th anniversary of Henry Hudson’s voyage, the art community prepares to celebrate the extraordinary history of painting along the Hudson River.
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  • En Plein Air: Paint-Out in Central Park
    Kevin Macpherson, Kenn Backhaus, Joe Anna Arnett, and James Asher—four professional artists who are featured in the PBS series Passport & Palette—will convene in Central Park this Saturday, July 18, for a plein air paint-out. This event is free and open to the public, so be sure to join
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  • Judging Landscape Painting
    I recently had the honor of judging the entries for the “Banks of the Hudson” exhibition for the Woodstock School of Art and noticed two common problems among the drawings and paintings I rejected. I should first say there were many outstanding
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  • En Plein Air: For the Love of Light
    If there’s one thing I’ve noticed about dedicated plein air painters, it’s their love of light and the great lengths they’ll go to behold and/or paint the perfect light condition. I’d like to hear your stories of a particular instance where you risked life or limb to get
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  • En Plein Air: A Conversation With Camille Przewodek
    California landscape painter Camille Przewodek's approach to plein air painting is all about capturing the color of light. She credits her teacher Henry Hensche with opening her eyes to this new way of seeing when she was a student, and now she helps other plein air painters see the light through
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  • How to Paint En Plein Air: Beginner Landscape Oil-Painting Techniques
    California landscape painter Frank Serrano is a popular instructor of plein air painting, generously sharing his knowledge and experience with students and helping them develop a foundation in the fundamentals of painting outdoors. Here we present two step-by-step demonstrations, taken from his book
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  • En Plein Air: The 400th Anniversary of the Hudson River Valley's Exploration
    As the Hudson River Valley gears up to commemorate the 400th anniversary of Henry Hudson’s voyage, landscape painters are remembering the famed 19th-century Hudson River School painters who put the Hudson on the map and are celebrating with plein air events and exhibitions of their own.
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  • Drawing Basics: Drawing Day Results
    I can't speak for anyone else, but I sure enjoyed Drawing Day 2009 ! I went to Central Park with a friend, loaded down with drawing pencils, drawing sketchbooks, painting supplies, and Gatorade. Several scenes screamed out to be captured in a quick
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  • En Plein Air: On Location in Malibu
    The Frederick R. Weisman Museum of Art at Pepperdine University is once again presenting an exhibition of California Art Club members’ interpretations of the idyllic region of Malibu, California.
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  • Minimal Means, Maximum Impact
    Using subtle washes and minimal detail, Keiko Tanabe creates a powerful sense of time and place.
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  • Showcase Your State: Now Accepting North Carolina Entries!
    Our Plein Air: Showcase Your State competition allows artists from all over the country to share paintings and personal sentiments about the landscapes they love with the American Artist online community. We are now accepting entries for the state of North Carolina, and finalists will be announced in
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  • How to Triumph In Spite of the Odds
    Emerging artist Daniel James Keys couldn’t enroll at an art school, but he used every other available means to educate himself as an artist, to connect with other painters, and to promote his artwork. His experience proves that with determination, support, and computer savvy, artists can make significant
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  • Showcase Your State: Massachusetts Winners
    Our national Plein Air: Showcase Your State competition allows artists from around the country to share their interpretations of the landscapes that define their home states. This month we feature the Showcase Your State: Massachusetts finalists.
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  • Qiang Huang: Myth Buster
    This Texas oil painter shatters multiple myths—including the notion that artists are myopic and single-minded. Qiang Huang helps workshop participants learn how to draw, paint, and sell their artwork using modern technology and traditional painting methods.
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  • Workshop, Summer 2009
    The Table of Contents for the Summer 2009 issue of Workshop magazine.
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  • William Jameson: The Elements of a Great Workshop
    During a recent workshop in the Lowcountry of South Carolina, William Jameson provided instruction in plein air oil painting, but he knew it was just as important to offer encouragement and direction to students while they enjoyed the experience.
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  • En Plein Air: Pearls From Painters Past
    Plein air painters deal with many challenges outdoors, but the first hurdle they usually come across is choosing something to zero in on amid miles of potential subject matter. Here’s what two great landscape instructors of the past have to say about composition and design.
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  • En Plein Air: Favorite Places to Paint?
    All artists have at least one magical place where, no matter what is going on in their day or their life, they can go and just concentrate on the beauty of nature and be rejuvenated by their surroundings. What’s yours?
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  • 6 Tips on Using Color Mixtures
    The articles we publish in American Artist and our quarterly magazines repeat basic advice about one of the most challenging aspects of painting: selecting and mixing colors. Here’s a summary of those recommendations.
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  • En Plein Air: Local Color
    Los Angeles screenwriter, director, producer, and plein air painter George Gallo's movie Local Color will be released this summer and is already touching artists and audiences everywhere through prescreening promotion. Here is a preview of that movie and the story that inspired it.
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  • Rivalries Among Artists
    Steve Doherty asks readers if they have experienced bickering or tension between competitive artists at art association meetings, and compares those rivalries to the ones that occured among artists in 16th century in Venice, Italy.
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  • Edward Minoff's Large-Scale Landscape Painting
    New York artist Edward Minoff wrote an article that will appear in the July/August issue of American Artist on his approach to creating a large-scale landscape in the style of the Hudson River School painters. The resulting painting Waves is presented here, along with some of the artist’s commentary
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  • American Artist Cover Competition Winners Announced
    Artists from across the country submitted their work for consideration in the 2009 American Artist Cover Competition. After an extensive selection process Suzanne Eisler’s Still Life With Butterfly was chosen as the winning image. It is presented here, along with artwork from the nine other finalists
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  • Anatomy of the Landscape: Clouds
    The sky can be the crowning glory of a landscape painting, with a well-done version enhancing the harmony of the overall piece and a less accurately rendered version detracting from the focus of the elements beneath. Within that sky, there is the possibility
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  • En Plein Air: A Conversation With Scott Christensen
    Idaho artist Scott Christensen is one of the most well-respected landscape painters in the country, and his understanding of light, ability to achieve pure color, and reverence for nature also make him a highly sought-after instructor. In this Q+A section, we list Christensen’s responses to 10
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  • Exhibition: Hudson River School Sojourn
    This exhibition fcocuses on the Hudson River School, a group of key figures in the American landscape painting tradition,and includes work from such artists as Jasper Francis Cropsey, Asher B. Durand, William McDougal Hart, and David Johnson, among others.
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  • Plein Air Painters at Weekend With the Masters
    More than 18 top painters will be teaching at American Artist’s Weekend With the Masters Workshop & Conference this September, including the following five plein air painters who will be leading master workshops and demonstrations in Colorado’s beautiful Garden of the Gods and Monument
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  • Highlights: Painting Instruction From Master Teachers
    Get instant improvement on your portraits, landscapes, and still life’s from master teachers.
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  • Connecting With Each Other, In Person and Electronically
    Steve Doherty talks about a young California artist he discovered while browsing the American Artist member's gallery.
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  • May 2009
    The Table of Contents from the May 2009 issue of American Artist .
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  • Resources for Landscape Painters
    Steve Doherty talks about landscape painting, and shows a video of a recent painting excursion in New Orleans.
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  • Showcase Your State: Massachusetts
    American Artist is now accepting Showcase Your State submissions for artists residing in the state of Massachusetts. The submission deadline is April 31, and finalists will be announced in May.
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  • How Do You Personalize Your Still Lifes?
    Recent visits to still life painting workshop and exhibitions has reminded Steve how still lifes provide an opportunity to share some aspect of our lives with those who look at our drawings and paintings. Here, he expands on that thought, and asks about the ways you compose, execute, and personalize
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  • En Plein Air: Kevin Macpherson's Reflections on a Pond
    In the upcoming May issue of American Artist, we feature Kevin Macpherson’s Reflections on a Pond project and describe how he approached this exploratory series on light and atmosphere. That article is posted here, and it can be seen in its full layout when the May issue hits newsstands on March
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  • Artist to Artist: Mel Stabin
    Artist and teacher Mel Stabin recommends painting loosely and boldly, an approach that has defined his career.
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  • Watercolor: Setting Up and Painting a Floral Still Life
    A simple floral arrangement can be the perfect subject for beginner still lifes.
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  • Your Explorations of Acrylic Paints & Mediums
    Steve talks about the versatility and the creative options working with acrylics provides artists.
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  • En Plein Air: A Conversation With Joseph McGurl
    Joseph McGurl grew up under his talented father’s artistic tutelage while cultivating a passion for boating and a love of the sea. This early influence, coupled with years of hard work and practice, have made him one of today’s foremost landscape painters, and in this interview he shares
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  • Showcase Your State: New Jersey Winners
    American Artist would like to thank all of the plein air painters who submitted artwork for our Showcase Your State: New Jersey contest. From images of babbling brooks and sunlit fields in the suburbs to depictions of sailing ships and lighthouses at the Jersey Shore, New Jersey is clearly a subject
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  • Purity of water in watercolor
    Q: How does the purity of water I use in my watercolors affect the color of the paints? A: The luminosity and clarity of your watercolors are ultimately affected by the type of water you use. If these factors are important to you, then I do recommend
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  • The Impressionists' brushstrokes
    Q: What mediums did the Impressionists use to paint such soft, colorful strokes? A: The long strokes have more to do with technique than a particular medium. It is often said that artists are products of their age. This adage is particularly true of the
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  • Edgar Payne's Soup
    Q: How can I make the “soup” that Edgar Payne talks about in his book Composition of Outdoor Painting? How much should I make if I intend to use it in one week? A: The recipe for this neutral gray is Indian red (which is a color similar to
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  • English distilled turpentine
    Q: My instructor for an upcoming workshop is requesting we use English Distilled Turpentine. How does this differ from regular turpentine? His painting medium is a mixture of English turpentine, linseed oil, and dammar varnish. A: English Distilled Turpentine
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  • Painting Airy Clouds
    Q: I'm a beginner painter, and I'm hoping you can recommend a technique for painting clouds that will create the illusion of airiness. Can you help me? A: Regardless of your medium—watercolor, acrylic, or oil—the basic rules for edges
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  • April 2009
    The Table of Contents for the April 2009 issue of American Artist magazine.
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  • Modern Ways to Sell Traditional Art
    Ed Terpening may represent the future of art education and marketing. His skills as a plein air painter and a software engineer allowed him to use social-media marketing to build a flourishing art career. Reading about his experiences could help you navigate through the new world of digital communication
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  • Workshop Spring 2009
    The table of contents from the Spring 2009 issue of Workshop magazine.
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  • Quang Ho: Essential Information for Painters of All Levels
    Colorado artist Quang Ho’s new instructional DVD series offers a concise version of what students can expect in his workshops, including his eight visual approaches to painting, his views on developing understanding, and a discussion of everything he wishes he had known before he started painting
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  • En Plein Air: Favorite Landscape Instructors?
    Over the last several years workshops have increased in popularity and attendance as artists find that they can often gain just as strong a skill set and insight by spending one week with an accomplished instructor that they can in months or even years of taking accredited art classes. Who are some of
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  • En Plein Air: The Life & Work of Robert Wood
    Jeffrey Morseburg—the owner of Morseburg Galleries, in Los Angeles—has become an expert on the great landscape painter Robert Wood, having learned of the artist through his father’s personal and professional relationship with Wood, as well as having organized two retrospectives and
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  • What Do Viewers Say About Your Art?
    Steve Doherty talks about the various comments he's received while painting en plein air, and asks other artists what they've heard while working on or exhibiting their art.
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  • En Plein Air: Favorite Quotes?
    In this blog entry, Allison Malafronte lists some of her favorite quotes related to landscape painting and nature, and encourages you to share the phrases, sayings, or sentiments that have inspired you.
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  • En Plein Air: A Conversation With Clyde Aspevig
    Clyde Aspevig's technically astute and aesthetically impressive landscape paintings have been inspiring collectors and painters alike for years, and he is often refered to as a living master among those in the landscape genre. Here, the artist offers valuable insight into how he continues to increase
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  • Drawing Basics: Is Pastel a Drawing Medium?
    Many pastelists consider their pieces to be paintings. Here at American Artist, we have tried to steer clear of the debate on whether pastel is a drawing medium or a painting medium, although when put against the wall and poked in the chest, we'll
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  • The Social Aspects of Watermedia Painting
    Steve Doherty discusses the social aspects of watermedia painting and the proliferation of watermedia organizations.
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  • En Plein Air: Favorite Landscape Painters?
    Plein air artists both past and present continue to serve as inspiration for today’s landscape painters. Here associate editor Allison Malafronte offers a look at some of her favorite historical and contemporary landscape painters and asks you to list those who have influenced your painting process
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  • En Plein Air: Letters On Landscape Painting
    Asher B. Durand was one of the great leaders of the Hudson River School of landscape painters, and his monthly “Letters on Landscape Painting” column he wrote for The Crayon offered readers of the time invaluable insight into his approach to painting nature. Durand’s advice is just
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  • My “Negative Behavior” & “Mediocre Paintings”
    At some point during the past 30 years I must have offended a Florida artist by refusing to commission an article on his artwork, making negative comments during a critique, or rejecting his submissions to a juried show. I don’t remember him or
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  • Showcase Your State: Extended Deadline
    We are extending the deadline for the Showcase Your State plein air contest until January 31, 2009. We are accepting submissions for New Jersey, Massachusetts, and North Dakota. The first Showcase Your State finalists will appear on this blog in February
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  • En Plein Air: Nocturne-Painting Tips
    At some point most plein air painters try their hand at painting at twilight or at night, otherwise known as a nocturne. This can be a fun and challenging way to expand your skills as a landscape painter and force yourself to judge colors and values under
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  • Tell Us What You Think About … Working From Photographs
    As many of you know, there was quite a controversy about the fact that the gold-medal award winner in an international art competition seems to have made unauthorized copies of two photographs when she composed her watermedia painting. The image included
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  • En Plein Air: A Conversation With Lynn Gertenbach
    by Allison Malafronte It’s time for my favorite En Plein Air post of the month: “A Conversation With”! This month I had the pleasure of interviewing Lynn Gertenbach, the accomplished landscape painter and instructor from California.
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  • Gifts Artists Give One Another
    Steve Doherty asked several well-known artists what gifts they would present to another artist during the upcoming holiday season. Here's what they said.
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  • Exhibition: Sur le Motif: Painting in Nature Around 1800
    This exhibition focuses on the practice of painting sur le motif , or in nature, as it developed in Europe in the late-18th and early-19th centuries. A golden age of plein air painting emerged in Italy around the turn of the 19th century, and artists
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  • En Plein Air: The Salmagundi Centennial
    A Lumpy Sea by James Gale Tyler, 1909, oil. by Allison Malafronte The Salmagundi Club, in New York City, has a long history of being one of the most important art organizations in the country and has held exhibitions over the years that have featured
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  • En Plein Air: A California Exhibition
    Stately Palms by Paul Grimm, oil, 20 x 24. Private collection. by Allison Malafronte There’s a wonderful exhibition of landscape work currently on view at The Irvine Museum, in Irvine, California, that I would like to share with all of you. It’s
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  • Real Men Paint En Plein Air
    by Allison Malafronte Nothing proves a plein air painter’s prowess like surviving a hard-core painting session battling the elements of nature. The young, talented California artists Jeremy Lipking and Tony Pro learned this the hard and—as
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  • En Plein Air: Showcase Your State!
    American Artist is announcing a new contest for the Plein Air section of our website that will allow plein air painters from across the country to showcase their state and tell us a little bit about the landscape they call home. Beginning in December
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  • En Plein Air: A Conversation With Matt Smith
    by Allison Malafronte Every month I allow you to come into my cube for a few minutes and “listen in” on a conversation I had with a top plein air painter. I try to ask the artist the questions I think you as aspiring professional plein air
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  • Useful Art Links
    We have provided a list of links to online art resources that we think are helpful. You can also access these links in the Art Educators section of our website. Art Associations Plein Air Plein Air Painters of America The Plein Air Scene Indiana Plein
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  • En Plein Air: Painting the American Landscape
    by Allison Malafronte Kenn Backhaus painting on the shores of Resurrection Bay, in Seward, Alaska. Part of my job as an editor at American Artist and the “En Plein Air” blogger is to inform you of any events, exhibitions, or products that
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  • Oil Critique: "American Grenadier"
    One of the most useful aspects of painting workshops is the personalized critiques offered by knowledgeable instructors. Now you can get this advantage anytime through the American Artist Critique Blog. Through this blog, you can get commentary and suggestions
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  • Oil Painting: The Dutch Italianates at the Muscarelle Museum of Art
    The Muscarelle Museum of Art, in Williamsburg, Virginia, will be the initial site for the national tour of the major exhibition of Old Master paintings. The Dutch Italianates: Seventeenth-Century Masterpieces From Dulwich Picture Gallery Through March
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  • Anatomy of the Landscape: Trees
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  • Oil Painting: Open Spaces
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  • Acrylic: Fine Art or Illustration?
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  • "American Artist" Magazine Cover Competition Winners
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  • Colleen Howe's 4 Steps to Building Stronger Paintings
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  • Janet Monafo Chat Transcript
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  • Tony Curanaj's Workshop: Knowledge and Structure Allow Freer Painting
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  • Artist of the Month: Sarah Siltala: Capturing Utter Stillness
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  • Acrylic: Ellen Rolli: Painting Coach
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  • Oil Painting: Daniel E. Greene: Gleaning Inspiration From Formative Experiences
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  • Acrylic: Barbara Edwards: Acrylic Exploration
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  • Drawing Basics: Female Nude Figure Drawing
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  • Oil Painting: The Knowlton Gallery Presents Yosemite on Canvas
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  • Jeffrey Reed: Introducing the Basics of Painting
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  • Art and the River at The James A. Michener Art Museum
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  • World Tour for Landscape Artists
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  • Acrylic: CRITIQUE: "Silver Server With Cups"
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  • Pastel: Critique: "The Old Man"
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  • Oil Painting: 3 Views of the Same Scene
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  • Acrylic: CRITIQUE: "The Mother Wore Green (at the Wedding)"
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  • Pastel: Sam Goodsell: Sticking With the Figure
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  • Jim Wilcox: The Right Shape and the Right Color
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  • Oil Painting: Kevin Sanders' Plein Air Landscapes
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  • Florence Griswold Museum Presents “Impressionist Giverny”
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  • Drawing Basics: Arlene Steinberg on Colored Pencil
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  • Michael McNamara's Urban Plein Air Tips
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  • Technique: Sissi Siska: Transforming Silk Painting
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  • Morgan Samuel Price's "Last of the Roses"
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  • "American Artist" 2007 Cover Competition
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  • "Watercolor" Magazine 2007 Cover Competition Finalists
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  • Drawing Basics: Values Create Dramatic Drawings
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  • Pastel: William Schneider: Painting the Mouth
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  • Technique: George James: Innovations With Transparent Watercolor
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  • Artist of the Month: Christopher Copeland
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  • Watercolor: Shanna Kunz: Tonalism and Contemporary Design in Watercolor
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  • Lori Simon's "Bass Harbor Marsh"
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  • Pastel: Patricia A. Hannaway: Drawing What the Model is Doing
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  • Acrylic: CRITIQUE: "Geraniums"
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  • Acrylic: CRITIQUE: "Bleu"
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  • Acrylic: CRITIQUE: "The Moroccan Vase"
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  • BACAA: Classical Training From Contemporary Masters
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  • Beginner Oil: Setting up for Plein Air painting
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  • Oil Painting: Tree's Place Gallery Exhibition: Six Premier Landscape Artists
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  • Jim Wilcox: More Student Critiques
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  • Oil Painting: Peter Fiore: Freely Interpreting Nature
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  • Oil Painting: Jimmy Sanders: The Structure Needed in Painting and in Life
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  • Artist of the Month: Don Gray
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  • Watercolor: Charles Reid: Natural and Authentic Watercolors
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  • Oil Painting: Steve Armes: Creating Imaginative Studio Paintings
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  • Art Business: Artist's Web Blogs
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  • Watercolor: 20 Great Watercolor Teachers: Biographies and Artwork
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  • EXHIBITION: Painting the Italian Landscape: View From the Uffizi
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  • Pastel: 70th Anniversary Competition Winners
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  • Pastel: CRITIQUE: "Maddy No. 1"
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  • Beginner Oil: Determining the focal point of a painting
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  • Oil Painting: Christine Lafuente's Oils: Exploration of Color and Form
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  • Art in Colorado
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  • Oil Painting: Michael Albrechtsen: Spend More Time Looking
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  • Watercolor: Peter Hussey: The Impact of Geometric Shapes in Watercolor Paintings
    When Rhode Island artist Peter Hussey taught himself to paint, he noticed that great artists often used diagonal and curved shapes to bring viewers into and around their pictures. That lesson, along with many others he learned by studying both historic
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  • Oil Painting: Daniel Graves: Steward of Humanist Art
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  • Hudson River School for Landscape: Reviving an American Tradition
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  • Acrylic: CRITIQUE: "Looking South—Hollywood Beach, Florida"
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  • Oil Painting: Cecilia Beaux's Legacy
    An exhibition at the Pennsylvania Academy of the Fine Arts, in Philadelphia, aims to present Cecilia Beaux for the great painter she was: one of the most accomplished among men and woman alike. by Lynne Moss Perricelli Self-Portrait 1894, oil, 25 x 20
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  • Artist of the Month: Lonnie Shan
    Texas cattle rancher Lonnie Shan depicts the animals he admires in stunning watercolors, taking great care to capture their personality and soul. by Naomi Ekperigin Hard is the Journey 1991, watercolor, 14 x 10. Collection the artist. Viewing one of Lonnie
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  • Pastel: David Stout: A Disciplined Approach to Pastel
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  • Technique: Watercolor Pencils: Bridging the Gap Between Painting and Drawing
    Water-soluble colored pencils offer the perfect solution for artists who want to create watercolor effects without the hassle of watercolor paints. by Stephanie Kaplan Plumeria 2006, watercolor pencil, 8 x 10. Watercolorist Kristy Ann Kutch owned a set
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  • Beginners: The Basics of Watercolor Paints, Part II
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  • Oil Painting: Plein Air Painters of Chicago: More Finished Work
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  • Pastel: Albert Handell's Pastel Paintings: A Retrospective Exhibition
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  • Beyond Drawing Basics: Evidence & Interpretation in Master Landscape Drawings
    Many great landscape drawings were created as preparatory studies, educational exercises, or informational journals and not as finished works of art. We can now study those freely made graphic images for evidence of the drawing essentials , ideas, and
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  • Oil Painting: Steve Armes' Landscapes
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  • Oil Painting: SPONSORED CONTENT: Artist Behind the Brand: Scott Gellatly
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  • Watercolor: Kathleen Kolb: Versatility in Vermont
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  • Watercolor: GALLERY: More of Yachiyo Beck's Watercolors
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  • Pastel: Ann Sanders: The Practical Pastelist
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  • Oil Painting: Frederic Edwin Church: A Great Landscape Painting Teacher
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  • Oil Painting: Using Subtle Grays in Still Life Painting
    Two masters of still life painting have much to teach us about developing our paintings. by Joseph Gyurcsak Ochre & Blue Gray 2007, oil, 12 x 16. Collection the artist. Two of the most admired masters of still life painting are the Italian artist
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  • Art Business: Investing in Artists
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  • Oil Painting: Ismael Checo: Color, Richness, and Light
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  • California Art Club Announces Award Winners
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  • Masters: John Ruskin and His Influence on American Art
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  • Pastel: CRITIQUE: "Kate Menendez"
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  • Pastel: Robert Hoffman: About Brown County, Indiana
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  • Beyond Drawing Basics: Ashcan Drawings
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  • DEMONSTRATION: Shanna Kunz's "Meditation"
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  • Oil Painting: On Location in Malibu: Paintings by CAC Members
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  • Oil Painting: Sarah Lamb: Painting the World as a Feast
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  • Oil Painting: GALLERY: Pat Kelly's Still Lifes
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  • Artist of the Month: Paul Lowe
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  • Dan Thompson's June 13th Chat Transcript
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  • DEMONSTRATION: Nancy Colella's "Jacob's Farm"
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  • Oil Painting: Art That Heals: Bonnie Ramsbottom
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  • Ned Mueller: Painting Spots of Color
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  • Beginner Oil: Oil Painting Materials: The Basics
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  • The Painting Center Hosts Two Watercolor Exhibitions
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  • Art Business Success Story: Donna Dewberry
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  • Watercolor: Florence Strauss: Building Layers of Drybrush Color
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  • C.W. Mundy: A New Way to Paint From Photographs
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  • Acrylic: Stephen Quiller: Color Choices That Improve Watermedia Painting
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  • Oil Painting: GALLERY: Nancy Colella's Landscapes and Still Lifesoi
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  • Pastel: Kim Lordier: When to Be Critical, When to Let Go
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  • Masters: 20 Great Watercolor Teachers Offer Their Best Recommendation
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  • Watercolor: Teaching Watercolor Workshops to Beginners: Pitfalls to Avoid
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  • Oil Painting: Rose Frantzen's Figure Painting Tips
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  • Artist of the Month: Alexandre Reider
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  • Using Egg Tempera & Gold Leaf to Achieve Renaissance Luminocity
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  • Pastel: Mark Norseth: Capturing the Ocean in Pastel
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  • Pastel: Jean Ranstrom: Discovering Unexpected Subjects for Pastel Paintings
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  • Oil Painting: Colin J. Callahan: Seeking Energy and Light
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  • Masters: Lessons Learned: Monet's Influence on Robinson
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  • Drawing Basics: Woodcut Prints or Oil Paintings?
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  • Watercolor: Into the Heart of The Southwest: 20 Painters Interpret the Forbes Trinchera Ranch
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  • Oil Painting: GALLERY: Marla J. Brenner's Plein Air Oils
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  • Oil Painting: Ned Mueller: The Importance of Value Studies
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  • Oil Painting: GALLERY: James M. Sulkowski's Oil Paintings
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  • Acrylic: Shawn Gould: Maximizing the Versatility of Acrylic
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  • Acrylic: CRITIQUE: "A Spanish Song"
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  • Acrylic: CRITIQUE: "West Coast Fall"
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  • Acrylic: CRITIQUE: "Sunset Edith", "Solvang" and "Stream"
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  • Oil Painting: GALLERY: Ned Mueller's Landscapes and Portraits
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  • Oil Painting: Painting the Figure in the Landscape: The Basics
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  • Oil Painting: Ruth L. Beeve: Responding to Chance and Planning Ahead With Water-Soluable Paint
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  • Acrylic: Marcia Burtt: Bold Plein Air Painting From A Conservationist
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  • Masters: Sweden's Sargent
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  • Beginner Oil: Transistioning into Fine Art
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  • Acrylic: Painting On-Site on a Large Scale
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  • Watercolor: Steve Rogers: Inspiration at Higher Levels
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  • Pastels: Keep It Simple
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  • En Plein Air: Thomas Van Stein: Painting the Light of Night en Plein Air
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  • Oil Painting: GALLERY: More of James Woodside's Remote Landscapes
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  • Drawing Basics: Preserving the Landscape in Colored Pencil
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  • Pastels: Taking Charge of Color
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  • Pastels: Teaching Values
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  • Watercolor: SPONSORED CONTENT: The Artist Behind the Brand: Joe Miller
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  • Watercolor: Essay: A Visit With Andrew Wyeth, March 9, 2006
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  • Watercolor: Betty Carr's Basic Principles for Painting
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  • Oil Painting: Travis Schlaht: Following Inspiration
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  • Oil Painting: Timothy R. Thies' Color Charts
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  • Oil Painting: Sean Cheetham: Common Weaknesses in Figure Paintings
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  • Oil Painting: Randall C. Sexton's Painting Tips
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  • Oil Painting: Lynn Gertenbach's Handy Tips for Painting Water
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  • Oil Painting: Thomas Van Stein: A Nocturne Painter’s Palette
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  • Oil Painting: Chris McHenry’s Palette
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  • EXHIBITION: Paul Caranicas: Yesterday, Today & Tomorrow
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  • Oil Painting: James Gurney's Books of Inspiration
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  • Watercolor: Sondra Freckelton: Planning for Expression
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  • Watercolor: Jamie Wyeth: Combining Water-Soluable Paints
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  • Watercolor: Lee Boynton: Painting the Same Subject to Learn More About Light & Color
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  • Oil Painting: Milt Kobayashi: Paint What You Want to See
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  • Drawing Basics: The Emergence of Tonal Drawing
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  • Oil Painting: James Gurney's Paintings: Fact & Fantasy
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  • Watercolor: 10 Tools for Better Watercolors
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  • Watercolor: Painting Loose and Free
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  • Drawing Basics: Jon DeMartin's Drawing Workshops to Improve Paintings
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  • Drawing Basics: Inside the Atelier: Learning How to Draw on the Right Side of the Brain
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  • Oil Painting: Ken Auster's Technique in a Nutshell
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  • Oil Painting: Gene McInerney: The Delicate Engineer
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  • Oil Painting: GALLERY: Landscape Paintings from Joseph Gyurcsak
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  • Oil Painting: Painting Interior Light
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