What is this portrait lacking?

This post has 9 Replies | 3 Followers
Not Ranked
Posts 8
Points 400
Erunise wrote
on 17 Jan 2012 5:01 AM

Hello, may I kindly ask the artists here on AD for some feedback in regards to this portrait I did recently?

I have received some negative feedback, I'd like to see more opinions if you have the time.

Medium: Watercolor and ink on paper.

link: http://i228.photobucket.com/albums/ee232/Vazduh/we.jpg

 

 

  • | Post Points: 50
Not Ranked
Posts 1
Points 20
emryscrow wrote
on 17 Jan 2012 10:19 AM

hi. I'm no authority or anything. but right off ,the yellow splater across the forhead drew my eye right to the forhead and kept it there. about that splatter. it's the brightest spot in the painting. the eye color,I feel, should have been the brightest to draw you in. nothing is missing. even though this sounds negative ,over all I like the style and reminds me of a winter night in the city with the snow lightly drifting down and the look on the face like I'm a curiosity to him. the yellow splatter could be refracted car lights. but not the one on the forhead or the corner of the mouth. when I look there it makes me think he's looking quizically at me cause I just picked up the mustard bottle and let him have it.....unless that's what your going for. hope this helps.

  • | Post Points: 20
Not Ranked
Posts 8
Points 400
Erunise wrote
on 17 Jan 2012 11:35 AM

The mustard part made me giggle! Thank you for your direct and honest feedback! I will keep it in mind next time I get splatter urges hehe!

  • | Post Points: 35
Not Ranked
Posts 8
Points 90
on 1 Feb 2012 5:54 PM

I think it could use more shadows/shading. And maybe add some lighter areas to the background so it isn't so fully black. The hair is really cool. 

  • | Post Points: 5
Top 50 Contributor
Posts 485
Points 6,065
KatPaints wrote
on 1 Feb 2012 7:39 PM

I agree with the yellow comment. Overall, your painting is consistent and this is a good thing. I like the approach of solid areas with what appears to be a salt technique. The only other area that is a bit confusing is the chin/bottom left corner. Notice that the edge of the black shape is similar to area that creates a natural indent underneath the lip. Because it is handled the same and follows along a tangent. The two areas blend together. Cover this area with your hand and then remove your hand and you'll see the difference. If you could find a way to distinguish these to areas great. Otherwise, move on. Good job. Overall, I like this portrait and it's a good idea to not take people's criticism personally.

  • | Post Points: 5
Not Ranked
Posts 1
Points 20
Krystyna81 wrote
on 2 Feb 2012 6:54 PM

I really like the palette and the way the viewer is thrown off a little bit by the composition.  I think your eyes have a lot of potential.  I'd like to see the lines around the eyes have a bit more variety - they are even and thick, feeling a little cartoonish.  Look at the eyes of Clemente for ideas.  I also like the ear on the left - just the white area indicating where the ear would be, without relying on a heavy outline.  

  • | Post Points: 20
Not Ranked
Posts 8
Points 400
Erunise wrote
on 3 Feb 2012 12:16 AM

Thank you all for your useful feedback!

  • | Post Points: 5
Top 150 Contributor
Posts 210
Points 3,120
on 3 Feb 2012 10:31 AM

Erunise—

If you don't mind, I'd like to comment on the picture of the woman with the red hair that you are using as a logo on your postings.

I think the lady with the red hair is excellent. It is essentially a highly stylized design and yet the drawing is very good. The way you used the spatterings around the head adds a wonderful, carefree touch. Actually the general technique reminds me of some of the work of Bob Peak. While Peak was an illustrator, he was one of the best ever and one of my favorites.

Now, I'd like to consider the portrait you have posted for comments. This again is a highly stylized painting and the picture has to be seen in that context. I don't believe you necessarily need deeper shadows nor do I think you have to worry about yellow spattered dots. The problem here is that the drawing and the general design could be better. By design I mean the overall structure of the picture—the relationship of the head size to the picture area, the angle of the head, the possible use of bizarre color in the shadows etc. Your painting of the lady with the red hair shows that you have all the talent necessary. Good work is not a shot in the dark. Do more preliminary sketches. Work out the design of the painting thoroughly because stylized work relies so heavily upon design.
Show us just how good you really are. Best of Luck.
Paul Sullivan
  • | Post Points: 20
Not Ranked
Posts 8
Points 400
Erunise wrote
on 4 Feb 2012 9:33 AM

Thank you for your extremely motivating professional feedback! I will keep everything in mind and strive to better myself!

  • | Post Points: 20
Not Ranked
Posts 3
Points 95
ShenShen210 wrote
on 4 Feb 2012 7:07 PM

I think the facial features are excellent!  I must agree with Paul on all of his points (I love the splatter!)  Bob Peak...  yes!  I think this painting could be made much better, however, with the use of some lines in the eyebrows, beard, and hair to show the direction that it is flowing.  I, too,

am working to develop better conceptual drawings before embarking on the final painting.  I look forward to seeing more of your work- I think you are very talented! 

Cheers!

~Shen

  • | Post Points: 5
Page 1 of 1 (10 items) | RSS