http://www.artistdaily.com/forums/9.aspxenCommunityServer 2008.5 SP2 (Debug Build: 40407.4157)http://www.artistdaily.com/forums/thread/27338.aspxTue, 13 Oct 2009 20:15:23 GMT2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:27338Lili Anne Laurin0http://www.artistdaily.com/forums/thread/27338.aspxhttp://www.artistdaily.com/forums/commentrss.aspx?SectionID=9&PostID=27338<p>David, I think he drags dry paint over an lighter tone transparent underpainting leaving a lot of the underpainting showing through. It is hard to see this kind of detail in the small images on his website. His work has a beautiful soft tonal quality. Happy you posted his name.</p><div style="clear:both;"></div>http://www.artistdaily.com/forums/thread/27335.aspxTue, 13 Oct 2009 19:28:50 GMT2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:27335David Pellegrini0http://www.artistdaily.com/forums/thread/27335.aspxhttp://www.artistdaily.com/forums/commentrss.aspx?SectionID=9&PostID=27335<p>Anyone who knows the work of Michael Workman is familiar with the beautiful effect he achieves with transparent washes of oil paint, especially with respect to fields of grass. Does anyone have suggestions for how to achieve such effects?</p><div style="clear:both;"></div>