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<?xml-stylesheet type="text/xsl" href="http://www.artistdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Critique My Artwork</title><link>http://www.artistdaily.com/forums/24.aspx</link><description>Post your original artwork here and allow American Artist community members to critique your work.</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP2 (Debug Build: 40407.4157)</generator><item><title>Re: "Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/156961.aspx</link><pubDate>Mon, 12 Nov 2012 02:08:58 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:156961</guid><dc:creator>Charlie Gunn</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/156961.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=156961</wfw:commentRss><description>&lt;p&gt;Yes, I have&amp;nbsp;&lt;span&gt;&amp;nbsp;bitten by the bug. &amp;nbsp;I have the tendency to hurry too much. &amp;nbsp;Also I have a lot of trouble with getting the proportions right. &amp;nbsp;I get frustrated over it.&lt;/span&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item><item><title>Re: "Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/156956.aspx</link><pubDate>Mon, 12 Nov 2012 01:45:23 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:156956</guid><dc:creator>uberzilla</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/156956.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=156956</wfw:commentRss><description>&lt;p&gt;One last example - sorry - stumbling across this reminded me of my time - way back: Your instructor will brow beat you on proportion and foreshortening (which is perspective). If you start you figures in simplified shapes - working out the proportions, and foreshortening first - even if it leaves little or no time for detailing - I suspect your instructor would be pleased (for the same reasons mentioned in my previous post - foundation first).&lt;/p&gt;
&lt;p&gt;Good luck in class!&lt;/p&gt;
&lt;p&gt;P.s. - sorry for how scribbly the stuff is - little time to do it&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Discussions.Components.Files/24/1641.quicktips3.jpg"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Discussions.Components.Files/24/1641.quicktips3.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item><item><title>Re: "Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/156856.aspx</link><pubDate>Sun, 11 Nov 2012 17:48:51 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:156856</guid><dc:creator>uberzilla</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/156856.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=156856</wfw:commentRss><description>&lt;p&gt;The human figure is probably the toughest thing there is to do in art - so don&amp;#39;t sweat it. &lt;/p&gt;
&lt;p&gt;The biggest over all tip I can give you (at the stage you are at) is to worry more about proportions - one example the lower legs are too short - and worry less bout detail - literally. If you literally just concentrate on that, and you figures look like manikins (breaking the figure into simple shapes) - but end up with good proportions - you will save yourself time in the long run. Too often people get caught up in details - and fail at the critical foundation (the proportions). It&amp;#39;s like deciding what sort of trim you are going to put on the outside of a house you want to build - before building a solid foundation. Once you get the hang of proportions - then worry about superficial details - like skin folds and other masses.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Then again - if you get bitten by the bug - of human figure drawing - you will realize this (proportion first - details second) sooner or later - and you will curse the day you got bitten by the bug ... LOL - figure drawing is one of the most rewarding and frustrating things I have taken up.&lt;/p&gt;
&lt;p&gt;So learn to visualize the figure, as simplified 3 dimensional shapes in you mind.&amp;nbsp;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item><item><title>Re: "Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/156822.aspx</link><pubDate>Sun, 11 Nov 2012 15:30:29 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:156822</guid><dc:creator>Charlie Gunn</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/156822.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=156822</wfw:commentRss><description>&lt;p&gt;Thank you, uberzilla. &amp;nbsp;This is the hardest class I have taken. &amp;nbsp;We did do a front &amp;nbsp;and a side figure and than did a overlay transparency of the skeleton over that. I did not do well with that.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item><item><title>Re: "Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/156649.aspx</link><pubDate>Sat, 10 Nov 2012 17:47:19 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:156649</guid><dc:creator>uberzilla</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/156649.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=156649</wfw:commentRss><description>&lt;p&gt;Hello Charlie - in my haste I made a mistake - note the change of the ball end of the femur - of the folder leg. Now it is shown rotated outward.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Discussions.Components.Files/24/5076.quicktips2.jpg"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Discussions.Components.Files/24/5076.quicktips2.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item><item><title>Re: "Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/156632.aspx</link><pubDate>Sat, 10 Nov 2012 16:52:37 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:156632</guid><dc:creator>uberzilla</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/156632.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=156632</wfw:commentRss><description>&lt;p&gt;Hello Charlie,&lt;/p&gt;
&lt;p&gt;Nice effort. The human form is a popular challenge to many artists because of the complex&amp;nbsp;subtitles. No one ever gets good enough (that could be said for all aspects of art - but very much so in figurative work). I did a little mark up with a couple of tips. One is that learning the anatomy will help. Some artists have such a good eye that as long as they have something to look at - they can draw it convincingly. I would contend that if an artist wants to be good at figures - &amp;nbsp;without model reference, they need to know the structure. Knowing the underlying mechanics will also help when you have a model or picture reference. The other tip has to do with simplified shapes. I broke the head down into simple shapes for the example. It will help you to get a drawing started in a solid direction - and you can add details later on - once proportions are correct. Note: The simple shape thing works when you learn to visualize, in your mind, the simple shapes - as they rotate (models head is turned - therefore the *cheekbone area facing me shows more surface area - while the other cheekbone that is now facing away shows less). You will begin to master the figure when you can see the 3 dimension shape(s) in your mind&lt;/p&gt;
&lt;p&gt;*technically known as the zygomatic arch.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Discussions.Components.Files/24/4760.quicktips.jpg"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Discussions.Components.Files/24/4760.quicktips.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item><item><title>"Drawing XIV"</title><link>http://www.artistdaily.com/forums/thread/155537.aspx</link><pubDate>Fri, 02 Nov 2012 17:55:57 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:155537</guid><dc:creator>Charlie Gunn</dc:creator><slash:comments>0</slash:comments><comments>http://www.artistdaily.com/forums/thread/155537.aspx</comments><wfw:commentRss>http://www.artistdaily.com/forums/commentrss.aspx?SectionID=24&amp;PostID=155537</wfw:commentRss><description>&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;quot;Drawing XIV&amp;quot; 18&amp;quot; x 24&amp;quot; pastel on newsprint, 11-01-2012. &amp;nbsp;This was for a Life Drawing class, a 45 minute tone study.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Discussions.Components.Files/24/6281.DSCN5648.JPG"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Discussions.Components.Files/24/6281.DSCN5648.JPG" border="0" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;div&gt;&lt;/div&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;</description></item></channel></rss>