Watercolor Magazine

Watercolor Update

Erin Carey — Tue, 13 Nov 2012 18:02:00 GMT

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Watercolor, Summer 2012

Brian Riley — Mon, 04 Jun 2012 15:30:00 GMT



Contents 6 Editor’s Note 8 Contributors 12 Noteworthy 28 In an Austere Light by Michael Gormley David Dewey’s newest watercolor paintings cast a cool and modern eye on the tradition of coastal landscape painting. 38 Curious Beauty: The Art of Jessica Tcherepnine by Jennifer Spears Brown In her botanical watercolors, Jessica Tcherepnine  masterfully blurs the seemingly impervious line between art and scientific illustration. 44 Portraits of Water by Naomi Ekperigin Wisconsin artist Amy E. Arntson paints water with water, and she finds it fascinating, beautiful, and versatile, both as her medium and her subject. 50 Woodward Payne: Depicting the Arrangements of Nature by Tara Storozynsky For this California artist, nature doesn’t just provide inspiration— it serves as a model for how to enjoy art and life. 60 Winners of Watercolor’s Self-Portrait Cover Competition The winners of our recent  competition are varied in their  approach but alike in their ability to capture themselves in piercing and engaging self-portraits. 66 Irena Roman: Letting  the Sun Shine In by Naomi Ekperigin For this artist, instructor, and illustrator, the movement of light across forms offers a constant challenge and the foundation for meaningful still lifes. 74 Just Once, With Feeling by Naomi Ekperigin Christopher Wynn emphasizes the importance of using the entire value range and boldly applying paint to create exciting and attention-grabbing views. 86 Where Science and  Imagination Collide by Austin R. Williams Washington artist Justin Gibbens uses the conventions of zoological illustration to depict imagined creatures, resulting in a unique combination of the scientific and the fantastic. 96 Coming In…

Watercolor, Spring 2012

Brian Riley — Tue, 13 Mar 2012 16:12:00 GMT



Contents 6 Editor’s Note 9 Contributors 10 Noteworthy 22 Planning for Fun by Naomi Ekperigin After years of working as a doctor, Washington-state artist Kathy Collins’ decision to pursue her passion for painting was a bit of a risk. Luckily, she discovered that her attention to detail and penchant for planning served her just as well in her new career. 32 Work in a Series & Push Your Limits by Lauren Kirchner Less than five years into his watercolor-painting career, Geoffrey McCormack has stood out from the crowd with his carefully composed, imaginative still lifes that express his love of the beach. 40 Moments in the City, Big and Small by Austin R. Williams David Antonides’ large cityscapes convey a weight and drama not always associated with watercolor and reflect his interests in community, technology, and the interconnectedness of nature and the city. 48 Inspired Impressions by Naomi Ekperigin For Jann Pollard, image-editing software doesn’t stifle her creativity—it gives her more opportunities to experiment without fear of making mistakes. 58 Going With Your Gut by Naomi Ekperigin After years of creating tightly rendered figures and portraits, Pittsburgh artist Jeannie McGuire challenged herself to become more expressive. The results have been unexpected, exciting, and award winning. 68 Jim Seitz: Going for The Gold by Linda S. Price Gold leaf under thin washes of acrylic gives this self-taught artist’s landscapes an eye-catching radiance. 78 Have the Best of Both Worlds by Halle Kiefer This former graphic designer uses unconventional materials and techniques while espousing careful planning, strong composition, and close attention to values. 88 The Unpredictable Power of Yupo by James Duncan It can take a lifetime to master this capricious surface, but for Molly Brose, painting on Yupo was love at first swipe. 96 Coming In...

Winter 2012

Brian Riley — Tue, 06 Dec 2011 12:00:00 GMT



Contents 6 Editor’s Note 8 Contributors 10 Noteworthy 26 Finding Inspiration a Mile From Home by Naomi Ekperigin In a recent exhibition, Paul Rickert takes a reductionist, yet no less personal, view of his ancestral home. The resulting landscapes are technically impressive and deeply moving portrayals of rural America. 34 Around the World in Watercolor, 1860–1920 by John A. Parks A new exhibition at the Museum of Fine Arts, Boston, takes viewers on an intercontinental adventure through the work of some of the lesser-known artists of the late-19th and early-20th centuries. 44 Painting Off the Beaten Path by Naomi Ekperigin A love of travel has taken Michael Killelea all over the world. A passion for watercolor has ensured that he’ll never forget it. 52 Peggy Williams: Paintings in Memoriam by Halle Kiefer In her latest series of paintings, Peggy Williams has challenged herself to work large-scale in an attempt to capture the sentiment and strength of manmade sculptures. 58 Tim Saternow: Setting the Stage in Watercolor by Naomi Ekperigin For this film, television, and theater set and lighting designer, watercolor has always been the best way to tell a story. 70 Grace Swanson: Enjoying the Journey by Naomi Ekperigin Still lifes allow this California artist to explore formal concepts, sharpen her technical skills, and create a distinct style that captivates viewers. 78 Loose Precision by Austin R. Williams Law Wai Hin combines distinct brushstrokes and geometrical designs to create ecstatic, idiosyncratic interpretations of the world. 84 Morphing Memories With Gouache by Andrew Beckerman New York artist Nat Meade uses gouache and watercolor to explore his own past and trigger universal emotions. 92 Emily Falco: An Artist on the Rise by Naomi Ekperigin In our special issue celebrating  Watercolor’s 25th anniversary, we  featured 25 artists who are exploring the limitless possibilities of watermedia. One of these painters is Emily Falco, a recent graduate of The Cooper Union School of Art, in New York City. Here we offer a more in-depth look at this gifted young artist. 96 Coming In...

Winter 2011

Erin Carey — Sat, 15 Oct 2011 04:01:00 GMT

		CONTENTS 4 Editor’s Note 7 Contributors 8 Noteworthy 24 Attaining Perfection With Watercolor BY NAOMI EKPERIGIN Andrew Zega and Bernd H. Dams combine their knowledge of architecture and art history to depict 17th- and 18th-century structures as they were when first erected. After more than 20 years of collaboration, the artists continue to explore new possibilities for their exacting watercolors. 34 Painting the Fluid Figure in Watercolor BY BOB BAHR Wendy Artin’s detailed paintings and drawings benefit from her quick watercolors of fleeting poses by the model. 44 Houston Painters Collaborate Two on One BY BOB BAHR Texas artists Keiko Yasuoka and Duncan Simmons’ paintings demonstrate the values of creative part- nership. Her deft brush handling and attention to detail, coupled with his bold use of color and loose style, are proof that opposites do indeed attract.



54 Oscar R. Dizon: Harnessing A Moment in Time BY NAOMI EKPERIGIN With dreams of becoming an architect, Oscar R. Dizon was inspired by the immediacy of watercolor and the character of old buildings. In his cityscapes and landscapes, the artist combines his years of experience working in commercial art and graphic design with a love of Old Masters and international travel. 64 Patient Layering Leading to Vibrant Light BY AUSTIN R. WILLIAMS Through careful layering and close attention to shadow shapes, Massachusetts artist Marla Greenfield is able to capture striking light in her still lifes, interiors, and exterior scenes. 72 Faces of New York BY LYNNE BAHR Captivated by the diversity of New Yorkers, Weiq- ing Yuan achieves both accuracy and spontaneity in his portraits. 78 Capture the Movement of Water Through Close Observation BY LINDA S. PRICE New York artist Guy Corriero’s love of the ocean has led him to perfect a technique for painting water that gives the sea a sense of form and power. 88 Unconventional by Design BY LYNNE BAHR Bill James, a former illustrator, has developed an unusual approach to watermedia that uses some of the materials of his past career to create engag- ing, dynamic paintings. 96 Coming In...

Fall 2011

Erin Carey — Sat, 10 Sep 2011 18:00:00 GMT



Contents 6 Editor’s Note 8 Contributors 10 Noteworthy 22 Top Tips & New Products 30 The Masterful Use of Watercolor Throughout History by John A. Parks From the first daring practitioners in the 18th century to the modern artists of the 20th century, watercolor has long been a medium of the masters. 38 Hardie Gramatky: Just for the Love of the Doing by Naomi Ekperigin He is considered one of the 20 great American watercolorists by Andrew Wyeth, yet Hardie Gramatky has gotten short shrift in recent years. A look at the artist’s work provides insight into a prolific painter who influenced a generation of young readers, as well as one of our country’s most prominent painters.

46 Mary Whyte: Preserving Unsung Heroes by Naomi Ekperigin Mary Whyte, one of the country’s preeminent watercolorists, has used portraiture to bring attention to a segment of society that often goes unrecognized and undepicted in art. Her dedication recently culminated in an exhibition immortalizing blue-collar workers. 54 25 Artists to Watch Working with a wide range of subject matter, techniques, and materials, these artists demonstrate possibilities for working with gouache, acrylic, and transparent watercolor that will have skeptics reassessing and inspire fellow artists to pick up a brush. 80 Portable Portraits by James Gurney To paint a candid watercolor portrait away from the comforts of your studio, you’ll need a small sketchbook, a compact watercolor set, and a hefty dose of courage. 86 Inside the Artist’s Studio: Master Palettes by Naomi Ekperigin For many artists, selecting a palette of colors is as personal as choosing subject matter. Although the tools aren’t as important as the way in which they are used, insight into the palettes of various professional painters can provide a jumping-off point for further study and experimentation in your own practice. 92 25 Locations to Study Watercolor One of the great things about being a watercolor painter is the wealth of educational opportunities available to help you further your craft. Here is a small sampling of watercolor classes and workshops to be found in 25 states during the coming months. 96 Coming In...

Summer 2011

Erin Carey — Sat, 11 Jun 2011 17:00:00 GMT

		CONTENTS 4 Editor’s Note 6 Contributors 10 Noteworthy 24 Become Your Own Best Teacher BY NAOMI EKPERIGIN With nearly 50 years of experience as a painter, Karen Frey continues to challenge herself and move in new directions by taking a close look at her past work. 34 Cover Competition Winners We profile the 10 finalists in our annual cover competition, with each artist offering a valuable lesson that you can apply to your own artistic practice. 46 Take an Abstract Approach to Realism BY NAOMI EKPERIGIN After years of working as an oil painter, Colorado artist Susan Hinton gave watercolor a try and discovered that the second time’s the charm. 56 Use Sketches to Build a Sense of Place BY JAMES DUNCAN Architect and watercolorist David Savellano captures the beauty of San Francisco by balancing speed, precision, and spontaneity. 64 Cindy Brabec-King: Facing Challenges Head-On BY NAOMI EKPERIGIN For this Colorado artist, painting with watercolor is endlessly exciting because she never stops setting new goals and pushing her creative and technical limits. 74 Combine Techniques to Achieve Oil- Like Effects BY NAOMI EKPERIGIN Using thick applications of paint and elements of both realism and abstraction, Washington state artist Bev Jozwiak creates watercolors that have the richness of oil paintings.



82 Create an Acrylic Portrait Step by Step BY MATT CAULEY New Jersey artist, illustrator, and graphic designer Matt Cauley finds that the fast drying time of acrylics suits his approach to creating fine art. Here, he offers a demonstration of how he creates his evocative and emotive portraits. 86 Create Your Best Paintings On-Site BY LINDA S. PRICE Working exclusively en plein air, Jana Matusz uses acrylic and crayon to transform inspiring landscapes into strong paintings. 96 Coming In...

Spring 2011

Erin Carey — Sat, 05 Mar 2011 17:00:00 GMT

		CONTENTS 4 Editor’s Note 7 Contributors 10 Noteworthy 22 Pure Energy: The Paintings of Bernard Chaet BY JOHN A. PARKS This master painter and teacher makes the most of watercolor’s expressive capabilities, and his artwork and writings explore connections between technique and creativity in art. 32 Embrace the Obstacles Inherent in Watermedia Painting BY BOB BAHR Artist-instructor Soon Y. Warren enjoys the challenges of manipulating watermedia— mostly because, for her, it’s not a challenge. 42 Jim McFarlane: Letting Go of the Details BY NAOMI EKPERIGIN During his five-week plein air workshop in Pennsylvania, American Watercolor Society president Jim McFarlane shows students of all levels how to focus on the bigger picture. 54 Creativity With Sunlight and Shadow BY TOM LYNCH When I find myself inspired by a location, I often use it as the basis for more than one painting. With each version, I experiment with elements that best convey my experience with the subject, leading to evocative images.


62 Rendering Shades of White in Watercolor BY BOB BAHR California artist Michael Reardon finds that he can best capture the effects of light by applying white paint over the brilliant white of watercolor paper. 70 Creating the Element of Surprise With Acrylics BY LINDA S. PRICE Britt Freda uses experimental techniques and takes on unconventional subjects to challenge viewers with the unexpected. 78 Philip Pearlstein: A Champion of Watercolor BY NAOMI EKPERIGIN New York artist Philip Pearlstein is often credited for the resurgence of representational art in the 20th century, but a look at his career shows that he lent the same support to watercolor. 82 Learning to Make Strong Decisions and Strong Designs BY NAOMI EKPERIGIN A visit to one of Timothy J. Clark’s classes at the Arts Students League of New York showed that a focus on foundational skills coupled with independent thinking can inspire students of all levels. 88 Susan Shatter: The View From the Top BY NAOMI EKPERIGIN This artist has gained a reputation as a painter of seascapes and landscapes that not only capture the depth and breadth of her subject but also sweep viewers away. 96 Coming In...

Watercolor, Fall 2010 - 25th Anniversary Issue

Brian Riley — Tue, 14 Sep 2010 18:58:00 GMT

On the Cover:
Seaside Stroll (detail)
by Alan Wylie, 1993, watercolor, 15 x 21.
Private collection.

FEATURES

Artist to Artist: Dale Meyers Cooper
With a career spanning nearly 50 years and work in the permanent collections of such institutions as the Legion of Honor, in San Francisco, and the Smithsonian Institution, this artist, who is a president emeritus of the American Watercolor Society, believes experimentation and finding mentors are crucial to one’s creative growth.

Using Traditional Methods to Tell Forgotten Stories
by Naomi Ekperigin
Seattle-based artist Zhi Lin’s paintings combine traditional Western realism and Chinese art history in a moving call for political change..

Rendering Motion With a Decisive Hand
by Austin R. Williams
Doug Lew may be best known for paintings that depict rapid motion, but the energetic effect of these watercolors—as well as the success of his many other subjects—relies on sound composition and getting the most out of every brushstroke.

Respond to Your Painting in a Variety of Media
by Naomi Ekperigin
After working as a muralist, Alan Wylie taught himself to paint in watercolor, oil, and acrylic. Regardless of the media or size of his artwork, the artist is aided by his willingness to work with a painting and let go of ideas that are not turning out well.

Capturing the Vastness of Open Spaces
by Austin R. Williams
Minnesota artist Nanci Yermakoff uses patience, skill, and an intimate familiarity with the landscape to paint great expanses of space.

Curious George: A Remarkable Story Behind the Beloved Watercolor Illustrations
by John A. Parks
A recent exhibition revealed how a cherished American children’s book came into being as Europe collapsed.

Find the Best Paper for Your Watermedia Technique
by Karyn Meyer-Berthel
With a multitude of options that range in texture, size, absorbency, and price, choosing the best paper for painting with watermedia can be a daunting task. Here, top watermedia painters and paper manufacturers provide insight that can help artists of all levels make more educated choices and find the surface that will best suit their practice.

Capturing Stillness, Stroke by Stroke
by Naomi Ekperigin
New York artist Thomas Aquinas Daly translates his love of the outdoors into his watercolor landscapes, which emanate stillness and calm that can only be found in the land itself.

Utilizing the Power of Complements
by Mark G. Mitchell
Although the work of an illustrator differs from that of a fine artist, the same principles of design and color apply, including the efficacy of complementary color relationships.

Best of Watercolor, 2010

Brian Riley — Tue, 29 Jun 2010 11:00:00 GMT

On the Cover:
Barrens in October (detail)
by Paul Rickert, 2002, watercolor, 11 x 14.
Collection the artist.

Artists In This Issue
Anne Abgott
Jane Paul Angelhart
Sue Archer
Bo Bartlett
Dan Brown
Peggy Brown
Carl Dalio
Sondra Freckelton
Laurin McCracken
Susan Headley Van Campen
Adam Van Doren
Debbie Cason Rankin
Sharon Weilbaecher
Jamie Wyeth

FEATURES

Jamie Wyeth
 by M. Stephen Doherty

Start With a Challenging Subject
by M. Stephen Doherty

Paintings With a Plan
by Austin R. Williams

How To Paint What Matters to You
by M. Stephen Doherty

Creating Vibrant Colors
 by Linda S. Price

15 Steps to Painting Richly Detailed, Tightly Rendered Watercolors
by M. Stephen Doherty

Capturing a Flower’s Likeness
by Allison Malafronte

A Practical and Creative Approach to Commissioned Portraits
by M. Stephen Doherty

Using Loose, Painterly Effects in Portraits
 by James A. Metcalfe

Telling Personal Stories That Touch Viewers
by M. Stephen Doherty

Using Watermedia for Studies
by M. Stephen Doherty

Gain Inspiration From Your Experiences
by Carl Dalio

Make Strong Statements and Allow Room for Interpretation
 by M. Stephen Doherty

Layering Colors, Shapes, and Textures
by M. Stephen Doherty

Watercolor, Summer 2010

Brian Riley — Tue, 08 Jun 2010 11:00:00 GMT

On the Cover:
Sunflowers and Coffee (detail, reversed)
by Teri Starkweather, 1999, watercolor,
40 x 30. Private collection.

Mixing Careful Planning With Spontaneity

FEATURES

Winners of the 2010 Cover Competition
Hundreds of artists submitted their artwork to this year’s Watercolor Cover Competition, and determining a winner was quite challenging. Here we show you paintings by the winner and eight finalists, who not only demonstrated the creative possibilities of watercolor but also provided a variety of techniques for capturing a diversity of subject matter.

Artist to Artist: Ted Nuttall
Teaching helped this former graphic artist and illustrator make the transition to fine art, although he is constantly working on the development of his distinctive style.

Mixing Careful Planning With Spontaneity
by Naomi Ekperigin
A few years ago Donna Jill Witty pushed herself to explore depth and brilliance of color, and made exciting changes to her creative process.

Learning to Create Night Light
by John A. Parks
Pennsylvania artist Susannah Hart Thomer builds sumptuous darks and powerful highlights to render extreme light conditions.

Establish a Firm Foundation to Create a Diversity of Images
by Naomi Ekperigin
For Gloria Miller Allen, attending to the basic rules of painting ensures that, regardless of her subject matter, she stays focused on what matters most.

Adapting Eastern Training to Western Styles
by Lynne Bahr
Z. L. Feng incorporates his early training in Chinese brush painting into his Western-style landscapes and portraits and finds that confident, energetic brushwork serves any painting well.

Utilize Principles of Design to Create Dynamic Paintings
by Austin R. Williams
Stan Miller finds that regardless of whether he works in watercolor or egg tempera, the success of his paintings always starts with a strong composition.

Composing the Landscape: Rock Formations
by Lori Woodward
Although landscape painting allows for much experimentation and invention, knowing how to accurately render rocks is useful for artists who seek to heighten realism in their work.

Watercolor, Spring 2010

Brian Riley — Tue, 16 Mar 2010 11:00:00 GMT

On the Cover:
Let Me Out (detail)
by Catherine P. O’Neill, 2008, watercolor,
18 x 22. Collection the artist.

Stephen Scott Young: A Modern Master
Explores New Subjects & Techniques

Thinking More, Painting Less

DEPARTMENTS

Editor's Note
Contributors
Noteworthy

FEATURES

Artist to Artist: Eric Wiegardt
Renowned for his loose, direct approach, this artist has owned his own gallery since beginning his art career and has made a name for himself by continuing to pursue his own style and technique.

Make Thoughtful Color Choices
by Michael Zakian
Nathan Fowkes utilizes the different properties of watercolor and gouache to create stunning visual effects. A look inside one of the artist’s recent workshops shows that regardless of which watermedia he favors, the most important decisions he makes center on the use of color.

Stephen Scott Young: A Modern Master Explores New Subjects & Techniques
by M. Stephen Doherty
Artists who are excited to meet Stephen Scott Young at this year’s Weekend With the Masters event will be surprised to learn that silverpoint drawings serve as inspiration for his watercolors, and he is moved by subjects other than the Bahamian children for which he is known.

Watercolor Fundamentals: Still Life Details
by Janet Walsh
When painting a still life, it’s helpful to tackle potential problems on a surface different from that of your final painting. This is especially true when the setup contains details that one has little experience painting.

Painting From Photographs: The Portrait
by Lori Woodward
Manipulating digital photographs on a computer allows you to explore a range of options and aid in the creation of an accurate likeness.

Taking Risks Without Worry
by Naomi Ekperigin
New York artist Mikel Wintermantel works in a variety of watermedia to create evocative landscapes, employing whatever techniques and tools enable him to speed up his creative process.

Finding Your Niche
by Naomi Ekperigin
Toni Lance’s bold watercolors of birds and Caribbean life allow her to simultaneously sharpen her skills and explore her passion.

Thinking More, Painting Less
by Linda S. Price
Self-taught artist Catherine P. O’Neill works out a step-by-step plan for every painting, even before she touches her brush to the paper.

Global Intimacy: The Watercolors of Barbara Kassel
by John A. Parks
A straightforward and direct technique allows this artist to develop a close connection with landscapes and communities worldwide.

The Watercolor Bible: Tissot’s “Life of Christ”
by John A. Parks
Inspired by a religious vision, a 19th-century society painter used gouache to paint the greatest story ever told.

Watercolor, Winter 2010

Brian Riley — Thu, 10 Dec 2009 12:00:00 GMT

On the Cover:
Breakfast Club (detail)
by Gordon France, 2004, watercolor,
20 x 28. Private collection.

Artist to Artist: Dean Mitchell

Modern Masters: Jan Kunz

DEPARTMENTS

Editor's Note
Contributors
Noteworthy

FEATURES

Weekend With the Masters Review (Available Online)

Artist to Artist: Dean Mitchell
Not one to conform, this artist has stayed true to the subjects and medium he finds most meaningful and become one of the most respected artists in the country.

More Than One Way
by Lynne Bahr
Mark Mehaffey’s career has only benefitted from the wide range of materials and techniques he’s explored.

Watercolor Fundamentals: Backlit Flowers
by Janet Walsh
Attending to the direction of the light is a critical step in creating a dynamic still life. Here’s how to paint a backlit floral setup.

Painting as Performance
by John A. Parks
John Gibson’s invented still lifes allow him to experiment with color, space, and form, with little chance to correct or revise.

Modern Masters: Jan Kunz
by Lynne Bahr
This artist believes that passion, training, and hard work go a long way toward successful watercolor paintings.

Composing the Landscape: Foregrounds
by Lori Woodward
Nineteenth-century landscape artists have a lot to teach about adjusting the size, shape, color, and placement of compositional elements.

Capturing the Energy of Everyday Life
by Austin R. Williams
Gordon France tells the stories of everyday American life through city scenes full of energy and motion.

Loosening Up With Watercolor
by Karen Stanger Johnston
Working in watercolor helps prevent Jim Riley from getting too tight with his oil-painting technique.

Breaking the Rules
by Linda S. Price
Unhindered by conventional rules, Ratindra Das feels free to explore and take detours on the way to creating the paintings he describes as midway between traditional and abstract.

Watercolor, Fall 2009

Brian Riley — Fri, 11 Sep 2009 11:01:00 GMT

On the Cover:
Artichokes (detail, reversed)
by Patricia Tobacco Forrester, 2008,
watercolor, 60 x 20. Collection the artist.

Drybrush, Drawing, and Watercolor

Watercolor Fundamentals:
Painting Flowers Composed
of Small Petals

DEPARTMENTS

Editor's Note
Contributors
Noteworthy

FEATURES

Artist to Artist: Janet Fish
This artist explores the possibilities of color, form, and texture in her exuberant, light-filled still lifes.

Drybrush, Drawing, and Watercolor
by Lynne Bahr
Although best known for his pastels, Mario Robinson is exploring watercolor, combining washes with drybrushed lines to expand his artistic repertoire.

Watercolor Fundamentals: Painting Flowers Composed of Small Petals
by Janet Walsh
A large grouping of these flowers is a challenge to paint. Learn how to discern the different shapes within the flowers and still create a unified composition.

Patricia Tobacco Forrester: Doing It Her Way
by Stephen May
Painting en plein air, this artist seeks to capture the dynamism, power, and colors of the ever-changing natural world.

Think Big, Paint Big (Available Online)
by John A. Parks
Antonio Masi employs both the atmospheric and graphic capabilities of watercolor in his commanding paintings of New York icons.

Modern Masters: Pat San Soucie
by Lynne Bahr
After more than 35 years of teaching, this artist believes process is everything, and there’s always more to learn.

Striving for the Unique
by Stephen May
The watercolors of early Postimpressionist Maurice Prendergast are instantly recognizable for their swirling colors and forms.

Working From Photos: The Landscape
by Lori Woodward Simons
Supplementing reference photos with on-site sketches and notes can make a noticeable difference back in the studio.

Painting Moment by Moment
by John A. Parks
Kay Russell believes watercolor is a flexible medium, one that works well with gouache and other media to capture the spirit of a place.

To subscribe to Watercolor magazine, click here.

Watercolor, Summer 2009

Brian Riley — Fri, 29 May 2009 10:02:00 GMT

On the Cover:
The Perch (detail, reversed)
by Reenie Kennedy, 2008, acrylic on
gallery-wrapped canvas, 30 x 15.
Collection the artist.

Artist to Artist: Timothy J. Clark

Tips for Painting Successful
Backgrounds in Watercolor

DEPARTMENTS

Editor's Note
Contributors
Noteworthy

FEATURES

Artist to Artist: Timothy J. Clark
Dedicating himself to his art, this artist has explored many genres and approaches to find his own style.

Building Confidence Through Experimentation
by Lynne Bahr
Jean Pederson decided the key to her artistic growth was to push her work in new directions by painting both traditionally and experimentally.

Cover Competition Finalists
The finalists in this year’s Cover Competition impressed us with their efforts to advance the watercolor medium. These artists look around them and paint what they see in a meaningful way, using a variety of approaches that suit their artistic sensibilities and subject matter. We hope that you enjoy learning about these artists and their work, and we offer our sincere gratitude to all who entered the competition.

Watercolor Fundamentals: Painting Roses and Delphiniums (Available Online)
by Janet Walsh
In the Watercolor Fundamentals article in the last issue, I explained how to set up and paint a basic floral still life. This time I will demonstrate a more involved arrangement of roses and delphiniums.

Paintings With a Plan
by Austin R. Williams
Sue Archer’s dynamic, light-filled paintings begin and end with careful planning.

Combining Wet and Dry Media
by Lynne Bahr
Steven Graber combines watercolor and acrylic with an array of drawing media to create paintings that are both atmospheric and textural.

Tips for Painting Successful Backgrounds in Watercolor
by Mary Whyte
How can something as seemingly unimportant as a background have such a strong impact on the final image? Why are backgrounds sometimes difficult to paint? If you have ever found yourself uncertain about the color and handling of a background, here are several tips that may help.

Learning by Playing
by Linda S. Price
Nancy Barch has found her artistic path through experimentation, and she’s enjoyed every step of the way.

Minimal Means, Maximum Impact (Available Online)
by John A. Parks
Using subtle washes and minimal detail, Keiko Tanabe creates a powerful sense of time and place.

To subscribe to Watercolor magazine, click here.

Watercolor Magazine

Watercolor Update

Watercolor, Summer 2012

Contents

Watercolor, Spring 2012

Contents

Winter 2012

Contents

Winter 2011

CONTENTS

Fall 2011

Contents

Summer 2011

CONTENTS

Spring 2011

CONTENTS

Watercolor, Fall 2010 - 25th Anniversary Issue

FEATURES

Best of Watercolor, 2010

FEATURES

Watercolor, Summer 2010

FEATURES

Watercolor, Spring 2010

DEPARTMENTS

FEATURES

Watercolor, Winter 2010

DEPARTMENTS

FEATURES

Watercolor, Fall 2009

DEPARTMENTS

FEATURES

Watercolor, Summer 2009

DEPARTMENTS

FEATURES