Art for Thought: Defining Realism

21 Aug 2012

Attempting to define realism or to clarify the various styles of representational painting can be a challenging task.  When writing about today's painters, I always hesitate to use words like "classical," "realist," "contemporary," "traditional," or "modern" because they do not always fully capture what I'm trying to describe. For example, a word like "classical" by definition refers to Greco-Roman or Renaissance ideals, but by connotation has come to mean an art form that embodies a certain timelessness and order. "Contemporary" undoubtedly means anything taking place in our time, so by that definition any painter alive is contemporary. But critically speaking, I would not call all painters today contemporary--I'm more apt to use that distinction when a painting has a more modern or conceptual feel.

The Desperate Man by Gustave Courbet, 1844-1845, oil painting, 17 3/4 x 21 5/8.

The Desperate Man by Gustave Courbet, 1844-1845, oil painting, 17 3/4 x 21 5/8.

Artists themselves have felt the confusion and in an attempt to bring clarity have adopted such labels as new realists, figurative realists, classical realists, contemporary realists, and so on. These phrases have found their meaning in a Post-Modern context, which generally defines what it is by comparing itself to what it is not. The New Realists of the early 1960s, for example, made it clear that they were not your grandmother's realists reveling in Caravaggio and Jacques Louis David but rather were trying to bring elements of representation to the Abstract Expressionist aesthetic. The Classical Realists of the early 1980s led by Richard Lack were differentiating their brand of realism from other forms of representational art of the time, even though they knew that within the context of art history "classical realism" was a contradiction in terms.

Realism can mean different things to different people and has changed meaning over time, which is another reason why it's difficult to define. Most would agree that realist painters are recognized by their choice of subject matter. Like Gustave Courbet--by most accounts considered the first Realist--or any of the Russian painters throughout history, a realist paints the real world and finds beauty and interest in everyday people, places, and things that the rest of society might find mundane. The realist is also defined by his or her technical execution, which aims for an accurate, truthful representation of the subject. The stylistic differentiation gets tricky among artists, however, because many realists who work from life do not want to be put in the same category as realists who work from photographs or in a  photorealistic manner. This confusion translates to the public, who will often comment that a painting looks like a photograph, as if that were the highest compliment one could pay an artist.

As you can see, the parameters surrounding realism are rather ambiguous. I think this is because realism is redefining itself as we speak and also because a new movement is on the horizon. I believe that movement will embody a language that is not yet in our artistic vocabulary, forcing us to find new words and a new criterion.

--Allison

Allison Malafronte is the senior editor of American Artist.


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Comments

Papadan wrote
on 24 Aug 2012 3:03 PM

Realism was redefined with the invention of the camera. Could it not be considered that realism paintings is totally unnecessary today when a 100 dollar camera can do a better job. Just wondering.

on 25 Aug 2012 5:07 PM

Yes Realism is difficult.  I am a realist.  I find beauty in everyday life and all around me.  And I love the challenge of capturing the reality that inspires me.  Some realists paint loosely looking more like impressionism while I do paint landscapes more softly because of distance makes things softer and grayer and I paint still lifes more sharply because there is a very small amount of distance in them.  Wondering why other realists are realists?  I read an article on one of the art magazines that realism was not very popular.  Do you have an opinion on that?

uberzilla wrote
on 26 Aug 2012 12:02 AM

"Could it not be considered that realism paintings is totally unnecessary today when a 100 dollar camera can do a better job. Just wondering."

There isn't a style immune to similar comments:

Why paint like that - I could take a photograph.

Why paint like that - a 5 year old with no training can do that.

Why paint like that  - I can use photoshop to filter a picture.

On and on and on.

chiriacdc wrote
on 13 Oct 2012 3:58 PM

@ Papadan who said : " Realism was redefined with the invention of the camera. Could it not be considered that realism paintings is totally unnecessary today when a 100 dollar camera can do a better job. Just wondering."

Yes, realism was redefined ...so that  the bad realist painters had to quit painting or to start coloring the B/W photos.

I was an abstractionist having your same opinion about the camera and the realism nowadays....until I (re)discovered the (classical) realism and it's beauty and superiority to any high-end camera + photoshop

As for a $100 camera doing a better job..well, maybe a better job then the dozens of so called realists amateurs you may find on Etsy .

caryjur wrote
on 21 Aug 2014 1:42 AM

I agree with chiriacdc

Nothing can compare to a beautiful well done realistic painting in the classical style.

You can tell if someone only paints from photographs and a  $1000 or more camera cannot come close.

For great contemporary realism see : www.artrenewal.org