Attempting to define realism or to clarify the various
styles of representational painting can be a challenging task. When writing about today's painters, I
always hesitate to use words like "classical," "realist," "contemporary,"
"traditional," or "modern" because they do not always fully capture what I'm
trying to describe. For example, a word like "classical" by definition refers
to Greco-Roman or Renaissance ideals, but by connotation has come to mean an
art form that embodies a certain timelessness and order. "Contemporary"
undoubtedly means anything taking place in our time, so by that definition any
painter alive is contemporary. But critically speaking, I would not call all
painters today contemporary--I'm more apt to use that distinction when a
painting has a more modern or conceptual feel.
The Desperate Man by Gustave Courbet, 1844-1845, oil painting, 17 3/4 x 21 5/8.
Artists themselves have felt the confusion and in an attempt
to bring clarity have adopted such labels as new realists, figurative realists,
classical realists, contemporary realists, and so on. These phrases have found
their meaning in a Post-Modern context, which generally defines what it is by
comparing itself to what it is not. The
New Realists of the early 1960s, for example, made it clear that they were not
your grandmother's realists reveling in Caravaggio and Jacques Louis David but
rather were trying to bring elements of representation to the Abstract
Expressionist aesthetic. The Classical Realists of the early 1980s led by
Richard Lack were differentiating their brand of realism from other forms of
representational art of the time, even though they knew that within the context
of art history "classical realism" was a contradiction in terms.
Realism can mean different things to different people and
has changed meaning over time, which is another reason why it's difficult to
define. Most would agree that realist painters are recognized by their choice
of subject matter. Like Gustave Courbet--by most accounts considered the first
Realist--or any of the Russian painters throughout history, a realist paints the
real world and finds beauty and interest in everyday people, places, and things
that the rest of society might find mundane. The realist is also defined by his
or her technical execution, which aims for an accurate, truthful representation
of the subject. The stylistic differentiation gets tricky among artists, however,
because many realists who work from life do not want to be put in the same
category as realists who work from photographs or in a photorealistic manner. This confusion translates
to the public, who will often comment that a painting looks like a photograph,
as if that were the highest compliment one could pay an artist.
As you can see, the parameters surrounding realism are
rather ambiguous. I think this is because realism is redefining itself as we
speak and also because a new movement is on the horizon. I believe that
movement will embody a language that is not yet in our artistic vocabulary,
forcing us to find new words and a new criterion.
Allison Malafronte is
the senior editor of American Artist.