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Artists from across the country submitted their work for consideration in the 2009 American Artist Cover Competition. After an extensive selection process Suzanne Eisler’s Still Life With Butterfly was chosen as the winning image. It is presented here, along with artwork from the nine other finalists...
Posted to
Web Features
by
Brian Riley
on
20 Apr 2009
Filed under:
Filed under: plein air, still life, landscape painting, how to paint, Painting, Pastel, Oil Painting, Drawing Basics, sketching, Art, Photo Reference, street art, Artist Daily
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Colorado artist Quang Ho’s new instructional DVD series offers a concise version of what students can expect in his workshops, including his eight visual approaches to painting, his views on developing understanding, and a discussion of everything he wishes he had known before he started painting...
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Read the transcript from yesterday's live online chat with pastel artist Janet Monafo. 2008-06-09 11:00:12.0 Administrator: You have joined a chat with Janet Monafo, a top pastelist who has been highlighted in American Artist magazine. Feel free to ask her some questions and to join in the discussion...
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This New York City artist has found that the more he understands the science of the elements in his still life scene, and the more carefully he executes his drawing and underpainting, the freer he can interpret the subject matter in the final stages to achieve a subtle, effective oil painting. by Bob...
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This Boston acrylic painter teaches art the way a life coach helps a client achieve life goals. by Bob Bahr Rolli advised students to keep their still life arrangement simple so the emphasis is on painting rather than drawing. Students come to Ellen Rolli to loosen up. Perhaps they want their paintings...
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Janet Monafo once tossed objects onto her studio floor in an attempt to paint a more random arrangement with pastels. “I really wanted to accept whatever happened, but in the end I couldn’t resist my need to carefully organize the shapes and patterns,” she confesses. “I had to...
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Artists looking to work with pastel can learn valuable techniques and tips by studying artists who first explored the medium and discovered the possibilities the medium offers. by Naomi Ekperigin Although the work of oil painters and draftsmen is well known and thoroughly documented, the history of pastel...
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The 10 Finalists in the Watercolor Cover Competition offer their insights on the creative process—from finding inspired subjects to selecting materials to applying the final details. Cymbidium Equinox by Kory Fluckiger, 2004, watercolor, 27 x 19. Collection Suzanne Lindquist. Hydrangea Blue by...
Posted to
Quick Sketches
by
American Artist
on
6 Jun 2008
Filed under:
Filed under: painting, drawing, color, plein air, how to paint, Still Life, sketching, shading, Drawing Basics, Art Competitions, Art, Artist Daily
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Use negative space on both sides of the canvas to create a unified composition. by Elizabeth Pruitt Bleu 2007, acrylic, 36 x 24. The artist has created interesting negative shapes on the left side of the painting where the flowers go off the canvas. The artist may want to consider using this technique...
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Indicating a light source is essential to painting 3D objects. by Elizabeth Pruitt The Moroccan Vase 2006, acrylic, 19 x 12. This piece is reminiscent of Picasso's work. The eye travels nicely down the curving line of the vase in the foreground. However, the vases and the fruit appear flat. Although...
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We present the semifinalists in the pastel category. by Karen Stanger Johnston Changing Channels by Mike Barret Kolasinski, 2007, pastel on archival foam board, 12 x 24. First Place: Mike Barret Kolasinski Chicago artist Mike Barret Kolasinski is passionate about nature. He calls his pastel landscapes...
Posted to
The Pastel Blog
by
American Artist
on
7 Mar 2008
Filed under:
Filed under: how to paint, Pastel, oil painting, plein air, landscape painting, art competitions, Painting, Still Life, Watercolor Painting, Drawing Basics, Art, colored pencil, Landscape Drawing, Artist Daily
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Pay careful attention to color temperature. by Elizabeth Pruitt Maddy No. 1 2006, pastel on acid-free foam board, 24 x 20. The artist has achieved an intimate feeling in this paintingâ??itâ??s as if the viewer is drawn into the horseâ??s soul. However, the artist may want to consider...
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Break up strong lines when possible to add interest. by Elizabeth Pruitt Looking South— Hollywood Beach, Florida Acrylic, 36 x 24. This painting has a nice composition. However, the diagonal line that runs from the lower, left corner should be irregular to create more interesting negative space...
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Santa Barbara artist Ann Sanders finds natural beauty in her surroundings and puts it down in pastel using proven methods—and she stresses that you can too. by Bob Bahr Devereux Afternoon 2006, pastel, 11 x 15. Collection Shirley Dettmann. The scenes in Ann Sanders’ pastel paintings are pretty...
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Two masters of still life painting have much to teach us about developing our paintings. by Joseph Gyurcsak Ochre & Blue Gray 2007, oil, 12 x 16. Collection the artist. Two of the most admired masters of still life painting are the Italian artist Giorgio Morandi (1890–1964) and the French painter...