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Don't give up your plein air focus over the winter months. Try to paint from life indoors and keep sketching. ( Melting Snow by Ben Fenske, 60 x 75, oil on canvas.) For some of us, winter weather is just a bit too unpredictable and chilly to spend much time outdoor painting. But if you're like...
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Ron Hicks shows you how to get the most out of a portrait sketch and more in Mastering Oil Portrait Painting . Imagine breaking down even the most complex painting into just a handful of shapes. Painter Ron Hicks has found that the process of portrait painting can be intimidating, if not overwhelming...
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Antonio Masi employs both the atmospheric and graphic capabilities of watercolor in his commanding paintings of New York icons. by John A. Parks Red Fence— Williamsburg Bridge 2008, watercolor, 60 x 40. Collection the artist. In Antonio Masi’s watercolors, the bridges of New York City live...
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Warm-up exercises are as important for artists as they are for musicians and athletes. by Daniel Grant Warm-ups for artists often involve being spontaneous, loosening up your muscles, and letting go. But jogging might work too! Athletes stretch before a game. Prior to performing, opera singers sing scales...
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Hundreds of artists from around the country sent in submissions for American Artist’s 2008 Cover Competition, and the editors narrowed the selection down to the 10 they thought best captured the skill level and style of our publication. When those paintings were then considered for their strength...
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We chose 10 finalists for our Drawing Magazine Cover Competition—and then easily named William Rose the winner, as he best showcased the skill level and imagination of our readers. View the winners of the Watercolor magazine 2008 cover competiton . Winners of the American Artist cover competition...
Posted to
Quick Sketches
by
American Artist
on
11 Sep 2008
Filed under:
Filed under: oil painting, Pastel, life drawing, portrait painting, how to draw, sketching, Drawing Basics, Art, colored pencil, fantasy art, Artist Daily
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In the spring 2007 issue of Workshop magazine, we explored how C.W. Mundy teaches his students to paint effective portraits. Here, we look more closely at his innovative technique for painting portraits from upside-down photographs in this step-by-step demonstration of Bourbon Street Chef, New Orleans...
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It was tough, but we chose 10 finalists who best showcase the skill level and imagination of our readers and named Noel A. Carmack the Drawing Magazine Cover Competition Winner for 2006. Noel A. Carmack Shannon by Noel A. Carmack, 2006, black colored pencil heightened with white, 25½ x 19¾...
Posted to
Quick Sketches
by
American Artist
on
6 Jun 2008
Filed under:
Filed under: drawing, portrait painting, pencil drawing, figure drawing, sketching, Charcoal Drawing, shading, Drawing Basics, Art Competitions, Art, colored pencil, Artist Daily
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The Bay Area Classical Artist Atelier, just outside of San Francisco, began with one woman’s dream to establish a school steeped in the traditions of the European ateliers of the past. Today the atelier is one of the most regarded classical contemporary schools in the country, offering students...
Posted to
Quick Sketches
by
American Artist
on
7 May 2008
Filed under:
Filed under: Pastel, how to paint, portrait painting, figure drawing, sketching, shading, Drawing Basics, How to Draw People, Art, Artist Daily, Drawing Faces
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Throughout his long career, Henry Casselli has looked to drawings to clarify his impressions and better understand his subject. To read more features like this, subscribe to Drawing today! by Lynne Moss Perricelli Study for Sparring Partner 2005, graphite, 18 x 24. Private collection. Study for Blue...
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In the winter 2007 issue of Drawing magazine, we explored how Ingres taught us much about contours and portraiture. Here, we offer an excerpt from the feature about how the artist's use of graphite on smooth white paper was ahead of his time. by Mark G. Mitchell Portrait of La Principessa Fiano 1817...
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The greatest of Dutch masters used a rapid, abbreviated technique in drawing to record visual impressions from the world around him and his own cornucopian imagination, foreshadowing developments in modern art more than two centuries later. by Joseph C. Skrapits The Angel Appearing to the Shepherds ca...
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In the July/August issue of American Artist, we explored how portrait artist Leonid Gervits takes a stand for the legitimacy of the fine draftsmanship and multilayered technique 400 years after Velázquez. Here, we offer an excerpt from the feature. To read the feature article on this artist, check...
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As well as any artist before or since, John Singer Sargent learned the best lessons in value, light, and form and used them throughout his life—lessons clearly visible in his drawings. by Mark G. Mitchell Sleeping Child 1872–1873, graphite on off-white wove paper, 1111/18 x 811/18. Collection...