-
Attitude by Patricia Hannaway, 2006, pastel sketch drawing, 21 x 12. Human figure sketching, especially learning how to sketch from a model, is one of the most rewarding ways of practicing art because it can enhance your abilities in ways that are both practical and inspirational. It's practical...
-
Seeing a painting or figure drawing progress from beginning to end allows the finished artwork to be understood as a series of discrete steps leading to a virtuosic whole. During a recent tour of the Grand Central Academy (GCA), in New York City, I observed instructor Joshua LaRock developing a drawing...
-
I have a painter-friend who is gearing up to do a major work with figures, but she feels a bit rusty about painting a model in all his or her glory. To help prepare herself, she's set up a series of life-drawing sessions so that she can spend a bit of time drawing models before tackling her actual...
-
I'll admit that in the past I have been guilty of thinking of colored pencil art as colorful and bright and not necessarily able to be coupled with serious subjects or moody narratives. But that was my own bias. As I've spent time looking at sketchbooks of draftsmen creating colored pencil art...
-
Susan Lyon's figure drawings truly set her apart artistically and are the foundation and preparation for all she creates as an oil painter. If you ask her why, it is a drawing's immediacy, directness, and drama that are the ideal conduits for her creative sensibilities and in her opinion these...
-
I recently took a life drawing class and showed my sketches to a friend, who's a super-skilled painter. I was reluctant to share them, but when she looked at my final sketch--in which the model had her hips contrapposto but twisted slightly away from me with one arm across her chest and the other...
-
It Kinda Draws the Eye In by Matt Tucker, 2011, graphite and white charcoal, 7½ x 14. The spring issue of Drawing is now available, and it's full of resources for artists, especially if you are into figure drawing or figure painting. Here's a quick look at some highlights from the issue...
-
Comics, of course! Back in college I got a little bit obsessed with the history of comics, mostly as an art appreciator, although I was also fascinated by how much social commentary was injected into the narratives and stories. But my interest in comics is where I really seized on the pen and ink artwork...
-
Yep, it is a pretty lofty goal. I know it. But there are so many incredible artists out there who are doing incredible work and deserve more visibility! Here are a few ways that you can elevate your artistic profile in the wider world. By no means are these a cure-all or guarantee, but if they get you...
-
Drawing with ink takes the precision of a master draftsman and the skill of a watercolorist handling a fluid medium. When I was in school I was completely captivated by the silky dark lines of one of the most famous pen and ink artists, Aubrey Beardsley, but there are several artists working today whose...
Posted to
Artist Daily
by
Courtney Jordan
on
19 Apr 2012
Filed under:
Filed under: landscape painting, figure drawing, Artist Daily, sketching, watercolor painting, still life, Painting, Drawing Basics, Ink Drawing, Art, ink Drawing Basics, fantasy art
-
Lea Colie Wight drawing of a seated female. I am sure I have said this before, but it's true and deserves repeating. Watching great artists at work can be so instructive, especially if they follow a general process of work. Lea Colie Wight does exactly that; she draws in a way that organizes the...
-
Woman with a Hat (detail) by Henri Matisse, 1905, oil on canvas. Archimedes (detail) by Jose de Ribera, 1630, oil painting. Self-portrait by Vincent van Gogh, 1888, oil painting. A few days ago I was hanging out with a mixed bag of artists. And by mixed bag I mean that there were portrait-drawing artists...
-
Pages from Sabin Howard's drawing sketchbook and a finished sculpture. We just put a wrap on the winter issue of Drawing —you'll be seeing it in your mailboxes and on newsstands in February, and can order it in the Artist Daily Store as well. The cover of the new issue is something of a...
-
Two Women with Still Life by Willem de Kooning, pastel and charcoal on paper, 22 1/4 x 18 3/4 in., 1952. The artifice of line is one of the aspects of drawing that I am most in love with. The fact that we can take line—which doesn't exist in the natural world—and create works of art that...
-
Slumber at Chuckwalla Valley (detail) by Sharon Allicotti, drawing. If art were a banquet, I would constantly be going back for more helpings of life drawing. It is a consistently rewarding artistic experience because I've never met a more inspiring—and challenging—exercise than drawing...