I'm an artistic omnivore to be sure, but there is really nothing I love more and respond to more than pencil drawings. I know, the humble pencil and paper seems so simple, so basic. But what some forego and forget as too elementary, I see as essential. Yes, starting with beginner pencil drawing lessons...
You may recall that a few months ago I described my horror at learning from an instructor that we would be working on a small drawing of a facial feature for 20 weeks . Novice that I am, 20 weeks seemed an inordinate length of time to spend on a small graphite drawing. Was I ever wrong. I not only did...
Drawing after the sculpture The Cylinder Man by Eliot Goldfinger by Jon deMartin, 2009, pencil drawing. Drawing for Epiphany by Michael Aviano, 2009, charcoal drawing, 39 x 32. Going from "the cylinder man" to a fully-realized figure is a matter of many things, but one is definitely an ability...
Read the transcript from yesterday's live online chat and drawing tutorial with colored pencil artist Arlene Steinberg. Be sure to attend our next live chat with pastel artist Janet Monafo on Monday, June 9 at 2pm EST. 2008-05-12 11:00:03.0 Administrator: You have joined a chat with Arlene Steinberg...
Posted to
The Drawing Blog
by
American Artist
on
7 Jul 2008
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Filed under: drawing, art, Drawing Basics, pastel, how to draw, pencil drawing, colored pencil, still life, plein air, How to Paint, shading, Artist Daily
It was tough, but we chose 10 finalists who best showcase the skill level and imagination of our readers and named Noel A. Carmack the Drawing Magazine Cover Competition Winner for 2006. Noel A. Carmack Shannon by Noel A. Carmack, 2006, black colored pencil heightened with white, 25½ x 19¾...
Posted to
Quick Sketches
by
American Artist
on
6 Jun 2008
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Filed under: drawing, portrait painting, pencil drawing, figure drawing, sketching, Charcoal Drawing, shading, Drawing Basics, Art Competitions, Art, colored pencil, Artist Daily
Careful use of darks and lights within and around the figure can give your drawings more power and dramatic force. by Dan Gheno Laocoön by Baccio Bandinelli, red and black chalk, 21 x 15¾. Collection the Uffizi Gallery, Florence, Italy. Some draftsmen will do almost anything to create drama...
In the winter 2007 issue of Drawing magazine, we explored how Ingres taught us much about contours and portraiture. Here, we offer an excerpt from the feature about how the artist's use of graphite on smooth white paper was ahead of his time. by Mark G. Mitchell Portrait of La Principessa Fiano 1817...