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Notice the chalk lines drawn over the figure to assess and check the proportion and length of her limbs. I have finally finished my oil painting , Leaves of Grass , which I have blogged about previously. In all, the painting probably took nearly 2 months of time. In an earlier post, I shared the drawing...
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Five of Us , 1996, mixed media painting with gouache, charcoal, pastel, and collage, 23 x 40. Collection The Franklin G. Burroughs-Simeon B. Chapin Art Museum, Myrtle Beach, South Carolina. All works by Alex Powers. When I was a kid, my mom always cut coupons on Sunday morning. I’d sit beside her...
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Study for Leaves of Grass . All works by Patricia Watwood. With the image of a female figure reading in the summer grass in mind, I began to develop my oil painting , Leaves of Grass . I started with a preparatory drawing. I work with models and from life as much as I can, only using photographic reference...
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On the Cover: Anna (detail, reversed) by Wende Caporale, 2002, pastel, 24 x 18. Collection the Abernethy family. FEATURES Painting Figures With Purpose by Arthur Egeli After completing a rigorous program of art education, I was adept at capturing a person’s likeness but still struggling to express...
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Read the transcript from yesterday's live online chat with pastel artist Janet Monafo. 2008-06-09 11:00:12.0 Administrator: You have joined a chat with Janet Monafo, a top pastelist who has been highlighted in American Artist magazine. Feel free to ask her some questions and to join in the discussion...
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During a recent plein air workshop in Southern France, Judith Carducci helped students who worked with pen-and-ink, pastel, watercolor, and oil colors. The unifying themes of the 10-day class were that drawing basics are a foundation of all media and working from life would benefit every participant...
Posted to
The Drawing Blog
by
Karyn
on
11 Sep 2008
Filed under:
Filed under: drawing, art, Drawing Basics, painting, pastel, how to draw, plein air, Portrait Painting, How to Paint, Oil Painting, Ink Drawing, Figure Painting
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During a recent plein air workshop in Southern France, Judith Carducci helped students who worked with pen-and-ink, pastel, watercolor, and oil colors. The unifying themes of the 10-day class were that drawing is a foundation of all media and working from life would benefit every participant. by M. Stephen...
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In the Fall 2007 issue of Workshop magazine, we presented Daniel E. Greene's approach to teaching drawing and painting in art-school classes, short-term workshops, and filmed programs. Here we reproduce the article from the November 2007 issue of American Artist that focused on an exhibition of still...
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Janet Monafo once tossed objects onto her studio floor in an attempt to paint a more random arrangement with pastels. “I really wanted to accept whatever happened, but in the end I couldn’t resist my need to carefully organize the shapes and patterns,” she confesses. “I had to...
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In an exhibition opening this month in New York City, Daniel E. Greene presents still-life and figure paintings inspired by the experiences and objects of his childhood. Those paintings allowed him to explore the themes of challenge, contrast, and competition. by M. Stephen Doherty It’s Thrilling...
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In 1994 New York City pastelist Sam Goodsell returned to the art world after nine years away, determined to fully explore the challenging and rewarding genre of figure painting. His dedication is paying off. To read more features like this, subscribe to American Artist today! by Bob Bahr Connie 2007...
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Californian Patricia A. Hannaway stresses that the best drawings of living things honor the action line and gesture, suggesting their movements in the recent past, present, and future. This dynamic, cinematic approach makes sense for someone who has made a name for herself as a successful animator. Like...
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An exhibition at the Pennsylvania Academy of the Fine Arts, in Philadelphia, aims to present Cecilia Beaux for the great painter she was: one of the most accomplished among men and woman alike. by Lynne Moss Perricelli Self-Portrait 1894, oil, 25 x 20. Collection National Academy Museum, New York, New...