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It's probably half-endearing (hopefully?) and half-annoying that I think there's no better way to start off the weekend than with art. But you know what I mean! As the fall season gets into full swing, I think we are all coming back around to our art, and for me, nothing sounds more appealing...
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I don't care what anyone says, color is king. It makes everything better--more appealing and lively. Oftentimes in an artist's drawing practice, a sense of color takes a backseat to the black, white, and gray of charcoal or graphite. But that doesn't necessarily have to be the way it is....
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Two Women with Still Life by Willem de Kooning, pastel and charcoal on paper, 22 1/4 x 18 3/4 in., 1952. The artifice of line is one of the aspects of drawing that I am most in love with. The fact that we can take line—which doesn't exist in the natural world—and create works of art that...
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My early charcoal drawing. The charcoal drawing using the Studio's method. Once again, time for me to go back to school at Studio Incamminati . In preparing for classes, I have been reviewing my last year's drawings again. I am reminded of something I talked about in one of my first blogs—...
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Plate VIII, Study for a Picture , chalk and pastel drawing. From The Practice and Science of Drawing by Harold Speed. I was just telling a friend of mine that artists love books. That surprises some people, but it is totally true, especially if you love flipping through great books for drawing ideas...
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Scott Burdick and Susan Lyon are skilled artists, inspiring instructors, and just really kind people. If you've ever been in a workshop with either of them, you are lucky enough to know what I mean. In watching them work, you get a sense of the sensitivity and thoughtfulness with which they craft...
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Phases of Dane by Anthony Ryder. Crescent, 1998, graphite and pastel on gray paper, 25 x 19. Courtesy van de Griff/Marr Gallery, Santa Fe, New Mexico. When asked why painting the human figure was so important painter Scott Burdick was matter-of-fact. “Because we are human,” he said. “If...
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Ramona by Tony Ryder, 1995, graphite, 24 x 18. Private collection. My father has been in the construction industry for nearly 40 years. When I was younger, one of my favorite things to do was visit him on the job site before a building was finished and walk around, checking out what it took to put a...
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I can't speak for anyone else, but I sure enjoyed Drawing Day 2009 ! I went to Central Park with a friend, loaded down with drawing pencils, drawing sketchbooks, painting supplies, and Gatorade. Several scenes screamed out to be captured in a quick pencil sketch , but we kept walking through the...
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Many pastelists consider their pieces to be paintings. Here at American Artist, we have tried to steer clear of the debate on whether pastel is a drawing medium or a painting medium, although when put against the wall and poked in the chest, we'll call them paintings. (Don't mess with pastelists...
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B&W #6 , 2000, oil drawing on paper, 12" x 9" by Lisa Dinhofer An artist I interviewed recently, Lisa Dinhofer, said that being a good draftsman isn't enough. She said putting the emphasis on the objects in your scene is risky if it leads to forgetting that the negative space is where...
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Michael Mentler's pencil drawings from his sketchbook. David Jon Kassan, a friend and an excellent painter and draftsman here in NYC, recently sent me these words about an artist he met during his travels. Here are some images from the artist's notebook: These amazing ink gesture drawings are...
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Dan Gheno, a New York-based artist and teacher, introduced me to the Pitt oil-base sanguine pencil, and it is my favorite material to draw pencil sketches with. I like it because it has a nice warm tone reminiscent of the marks in some Renaissance and Classical drawings and because it is waxy enough...
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We chose 10 finalists for our Drawing Magazine Cover Competition—and then easily named William Rose the winner, as he best showcased the skill level and imagination of our readers. View the winners of the Watercolor magazine 2008 cover competiton . Winners of the American Artist cover competition...
Posted to
Quick Sketches
by
American Artist
on
11 Sep 2008
Filed under:
Filed under: oil painting, Pastel, life drawing, portrait painting, how to draw, sketching, Drawing Basics, Art, colored pencil, fantasy art, Artist Daily
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During a recent plein air workshop in Southern France, Judith Carducci helped students who worked with pen-and-ink, pastel, watercolor, and oil colors. The unifying themes of the 10-day class were that drawing basics are a foundation of all media and working from life would benefit every participant...
Posted to
The Drawing Blog
by
Karyn
on
11 Sep 2008
Filed under:
Filed under: drawing, art, Drawing Basics, painting, pastel, how to draw, plein air, Portrait Painting, How to Paint, Oil Painting, Ink Drawing, Figure Painting