-
It feels right to talk about color and art during this time of the year, when flowers are blooming, trees are budding, and skies are (mostly) blue. After months of dull-colored scenery, everything seems to be flourishing wherever I look, which makes me want to do whatever I can to capture that beauty...
-
Looking at Mark Messersmith's artwork is like being sucked into a kaleidoscope. The colors are bold, varied, and everywhere. It seems odd to say this. I mean, of course, there is color everywhere--it's a painting. But what stands out about Messersmith's work is that the colors, more than...
-
I was always taught that effective color mixing starts with discovering the tinting strength of each color on your palette. For me, that is the basis of understanding how to mix colors, because it tells me how they will react when combined. A Breath Away by Joseph McGurl, oil on canvas, 24 x 36. I'm...
-
Going "no holds barred" sounds tough, and slightly scary, but I'm feeling particularly intense about not wasting time learning how to paint like I want to paint. The clock is ticking, but that really doesn't mean much. The clock is going to tick no matter if we spend the time working...
-
Around this time of year we are inundated with wintry scenes and beautiful snowy landscapes--on greeting cards, products, advertisements, calendars and more. But these winter landscapes aren't necessarily all created equal, and the same goes for the fine art paintings of the same subject. One of...
-
In plein air we attempt a form of direct translation. In the studio, we may recall our observations of nature, but are freer to be inventive with color. Night Passage by Mitchell Albala, 2006, oil painting on panel, 20 x 20. It's September and the plein air painting season is drawing to a close ...
-
Because learning about color complements on the color wheel is often one of the first lessons we are taught in art class, complementary color paintings--those contrasting blue and orange, yellow and violet, and red and green--are often thought of as for beginners. A painting by Leonard Rosoman that shows...
-
Topics and ideas that tend to strike a chord and spark debate are often that way because they are so subjective. In art, color is definitely one of those sensitive subjects because no two people see a color in exactly the same way, nor do painters always mix colors identically to create similar end results...
-
Fantasy art guru and top-notch artist James Gurney is a font of knowledge when it comes to so many aspects of drawing and painting . Whether you are into fantasy images or tend toward more realist compositions, Gurney has techniques and methods dealing with color, light, and form that are invaluable...
-
I acknowledge that there is a lot about the color wheel and mixing colors that I don't know. But one thing I do know is that there's more to art than color schemes and memorizing a color mixing chart. Andrew by Fred Hatt, drawing with aquarelle crayons, 35 x 25. For example, artist Fred Hatt...
-
The Water Lily Pond by Claude Monet, oil painting, 1899. Mitchell Albala is an inspiring art instructor in the field of landscape painting , and it turns out he's an awesome detective as well. Recently, he did some sleuthing on a rare video clip of Monet in the act of painting—incredible!—and...
-
There are differing opinions among color theory purists whether white should be considered a color at all, since it represents the absence of hue or chroma, and cannot be made from the three primaries, as black theoretically can be. It's not usually represented on the color wheel, but white is usually...
-
When I asked friends and colleagues about landscape painting artists with the best use of color, the conversation got downright heated. Mostly because there's so much to consider when you look at each individual artist's color "theory" or purpose they have for the painting. Color schemes...
-
The Den by Scott Waddell, oil painting, 20 x 16. Scott Waddell: Weekend With the Masters Instructor Scott Waddell was born and raised in Central Florida. He received his B.F.A. from Florida State University. After college, Waddell spent the next several years studying classical painting at The Florence...
-
Jozwiak's works (above, Waiting for #9 , 2010, 13 x 26, watercolor, private collection) show how color-rich and sumptuous watercolor painting can be. Over and over again I hear artists cooing about the thick richness of oil paints and its appealing spreadability, and yes, all of that is totally true...