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Attitude by Patricia Hannaway, 2006, pastel sketch drawing, 21 x 12. Human figure sketching, especially learning how to sketch from a model, is one of the most rewarding ways of practicing art because it can enhance your abilities in ways that are both practical and inspirational. It's practical...
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I own up to the fact that I am drawn to the portraits artist Jenny Morgan creates because they are unconventional. Yet they capture qualities of the human face and our other human qualities in ways that read very true and lifelike. I like them because they are different, but not just because they are...
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Certainly, there are pitfalls to making paintings from photos . One problem occurs when an artist thinks that a photo is magic and that he or she can turn a photo into a painting with a snap of the fingers. It isn't that easy, of course. And even if it were possible to easily reproduce photos as...
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It's probably half-endearing (hopefully?) and half-annoying that I think there's no better way to start off the weekend than with art. But you know what I mean! As the fall season gets into full swing, I think we are all coming back around to our art, and for me, nothing sounds more appealing...
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Lea Colie Wight drawing of a seated female. I am sure I have said this before, but it's true and deserves repeating. Watching great artists at work can be so instructive, especially if they follow a general process of work. Lea Colie Wight does exactly that; she draws in a way that organizes the...
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Portraiture is, in my humble opinion, the domain of artistic masters. All the greats, such as Velazquez, Rembrandt, Goya, and Sargent, can be counted as incredibly skilled and innovative portrait artists in addition to being pretty brilliant at everything else they chose to paint. The Milkmaid of Bordeaux...
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Plate VIII, Study for a Picture , chalk and pastel drawing. From The Practice and Science of Drawing by Harold Speed. I was just telling a friend of mine that artists love books. That surprises some people, but it is totally true, especially if you love flipping through great books for drawing ideas...
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Scott Burdick and Susan Lyon are skilled artists, inspiring instructors, and just really kind people. If you've ever been in a workshop with either of them, you are lucky enough to know what I mean. In watching them work, you get a sense of the sensitivity and thoughtfulness with which they craft...
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Phases of Dane by Anthony Ryder. Crescent, 1998, graphite and pastel on gray paper, 25 x 19. Courtesy van de Griff/Marr Gallery, Santa Fe, New Mexico. When asked why painting the human figure was so important painter Scott Burdick was matter-of-fact. “Because we are human,” he said. “If...
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Ramona by Tony Ryder, 1995, graphite, 24 x 18. Private collection. My father has been in the construction industry for nearly 40 years. When I was younger, one of my favorite things to do was visit him on the job site before a building was finished and walk around, checking out what it took to put a...
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The Bay Area Classical Artist Atelier, just outside of San Francisco, began with one woman’s dream to establish a school steeped in the traditions of the European ateliers of the past. Today the atelier is one of the most regarded classical contemporary schools in the country, offering students...
Posted to
Quick Sketches
by
American Artist
on
7 May 2008
Filed under:
Filed under: Pastel, how to paint, portrait painting, figure drawing, sketching, shading, Drawing Basics, How to Draw People, Art, Artist Daily, Drawing Faces
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This New York artist uses the sheen of graphite to create the light highlights in her drawings on black paper. by Bob Bahr Study of a Roman Sculpture 2007, graphite on black paper, 50 x 33. Collection the artist. Twilight by Sherry Camhy, 2006, graphite on black paper, 16½ x 30. Collection Allen...
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This French master teaches us much about contours, portraiture, and how to draw people. by Mark G. Mitchell Portrait of Charles- François Mallet 1809, graphite, 10 9/16 x 8 5/16. Collection The Art Institute of Chicago, Chicago, Illinois. So that’s what Paganini looked like in his cravat...
Posted to
The Drawing Blog
by
American Artist
on
8 Feb 2008
Filed under:
Filed under: drawing, art, Drawing Basics, pastel, how to draw, how to draw people, colored pencil, life drawing, Portrait Painting, Oil Painting, shading, Ink Drawing
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A more finished drawing is possible when a model poses for an extended amount of time, but this luxury comes with particular challenges. Identifying and preparing for the potential pitfalls will improve your figure drawing . To read more features like this, subscribe to Drawing today! by Dan Gheno Academic...
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Liz Haywood-Sullivan relies on several techniques to ensure she consistently achieves rich, velvety darks. View an online exlcusive gallery of Haywood-Sullivan's work. by Christopher Willard Southwest Solitude 2005, pastel, 24 x 36. Private collection. When she first began using pastel, Liz Haywood...