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Many pastelists consider their pieces to be paintings. Here at American Artist, we have tried to steer clear of the debate on whether pastel is a drawing medium or a painting medium, although when put against the wall and poked in the chest, we'll call them paintings. (Don't mess with pastelists...
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During a recent plein air workshop in Southern France, Judith Carducci helped students who worked with pen-and-ink, pastel, watercolor, and oil colors. The unifying themes of the 10-day class were that drawing basics are a foundation of all media and working from life would benefit every participant...
Posted to
The Drawing Blog
by
Karyn
on
11 Sep 2008
Filed under:
Filed under: drawing, art, Drawing Basics, painting, pastel, how to draw, plein air, Portrait Painting, How to Paint, Oil Painting, Ink Drawing, Figure Painting
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In the spring 2008 issue of Workshop magazine, Colorado artist Ron Hicks discussed how breaking down his subjects into shapes, and capturing gradations of light in each, allow him to create the moody figurative and interior work he is best known for. Here we present his demonstration Noelle With a Black...
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Because most of his Pennsylvania landscapes begin with his photographs, Peter Fiore considers his paintings reorchestrations of reality. “A painting is what I envision,” he says, “not necessarily what nature gave me.” by Linda S. Price Barn at Bowman’s 2006, oil on linen...
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Many of the great teachers who trained Daniel Graves were featured in American Artist in the 1970s, while he and his students have been profiled in more recent issues. As the magazine celebrates its 70th anniversary, we examine the academic art education that Graves has dedicated part of his career to...
Posted to
The Oil Painting Blog
by
American Artist
on
9 Feb 2008
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Filed under: oil painting, figure painting, portrait painting, drawing, how to paint, Figure Drawing, shading, Drawing Basics, How to Draw People, Art, street art, Artist Daily
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This French master teaches us much about contours, portraiture, and how to draw people. by Mark G. Mitchell Portrait of Charles- François Mallet 1809, graphite, 10 9/16 x 8 5/16. Collection The Art Institute of Chicago, Chicago, Illinois. So that’s what Paganini looked like in his cravat...
Posted to
The Drawing Blog
by
American Artist
on
8 Feb 2008
Filed under:
Filed under: drawing, art, Drawing Basics, pastel, how to draw, how to draw people, colored pencil, life drawing, Portrait Painting, Oil Painting, shading, Ink Drawing
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Many great landscape drawings were created as preparatory studies, educational exercises, or informational journals and not as finished works of art. We can now study those freely made graphic images for evidence of the drawing essentials , ideas, and procedures that these artists developed. by M. Stephen...
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We present the semifinalists in the colored pencil category. by Karen Stanger Johnston Ya Reckin by Rosemarie Rush, 2006, colored pencil, 16 x 20. First Place: Rosemarie Rush Like most of the images of Western life by California artist Rosemarie Rush, Ya Reckin was based on a photograph and has no background...
Posted to
The Drawing Blog
by
American Artist
on
15 Oct 2007
Filed under:
Filed under: drawing, art, Drawing Basics, pastel, how to draw, pencil drawing, colored pencil, still life, plein air, How to Paint, Oil Painting, Photo Reference, Artist Daily
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In the winter 2007 issue of Drawing magazine, we explored how Ingres taught us much about contours and portraiture. Here, we offer an excerpt from the feature about how the artist's use of graphite on smooth white paper was ahead of his time. by Mark G. Mitchell Portrait of La Principessa Fiano 1817...
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A look at the anatomical structure of the ear, and some helpful tips on how to draw people . by Ephraim Rubenstein Maddie 2005, pastel on sanded board, 19 x 15. In this portrait of my daughter, Madeleine, her ear is lit very dramatically from behind. In backlighting such as this, the thinness of the...
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The artists of the Ashcan School, known for their raw depictions of urban life, shared a background in newspaper and magazine illustration that shaped their drawing and painting styles. by Edith Zimmerman Far From the Fresh Air Farm by William Glackens, 1911, gouache and crayon on paper, 24½ x...
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In this excerpt from the fall 2006 issue of Drawing , David Mayernik discusses how copying the work of Old Masters trains his taste so he can draw and paint original work with the classical beauty he reveres. by Bob Bahr For David Mayernik , who has gone far beyond drawing basics , copying the work of...
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In the summer 2006 issue of Drawing , New York artist Lisa Dinhofer drew convincing objects in imaginary spaces, finding meaning in both the items and their presentation. In contrast, we offer nine of her playful oil paintings in this online exclusive gallery. B & W #6 2000, oil on paper, 9 x 12...
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This New York artist draws convincing objects in imaginary spaces, finding meaning in both the items and their presentation. by Lynne Moss Perricelli Into the Light: Yellow 2004, colored pencil and collage, 19 x 22. Collection the artist. New York artist Lisa Dinhofer is one of the lucky ones. Despite...
Posted to
The Drawing Blog
by
American Artist
on
16 Sep 2006
Filed under:
Filed under: drawing, art, Drawing Basics, figure drawing, how to draw, colored pencil, mixed media, Oil Painting, Watercolor Painting, Perspective Drawing, street art
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Tonal drawing--the juxtaposition of relative values, the notion of seeing masses rather than outlines--more closely replicates the way humans see than do lines. This emotional way of depicting the world has been explored since Leonardo; modern artists have mastered it. by Ephraim Rubenstein Inscribed...
Posted to
The Drawing Blog
by
American Artist
on
16 Sep 2006
Filed under:
Filed under: drawing, art, Drawing Basics, figure drawing, how to draw, colored pencil, plein air, How to Paint, Oil Painting, shading, ink Drawing Basics