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One of the best conversations I’ve had about art wasn’t with an artist. It wasn’t with an art historian, curator, or gallery owner, either. It was with a mechanical engineer. We went from discussing his latest design project to the artfulness of historical blueprints to Leonardo’s...
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The Beginning of Memory , oil on canvas, 2010. All works by Melinda Matyas. Palette knife painting sounds a little edgy and dangerous, but it’s really all about texture—the thick impasto swipes and flat sweeps of color that make up the surface of an oil painting. I’ve never created...
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Greek Steps, Sifnos by Thomas W. Schaller, 2008, watercolor, 12 x 9. I just finished writing an article on Thomas W. Schaller's watercolor paintings for the April 2010 issue of American Artist, and it occurred to me that Thomas is the third licensed architect whose watercolors I have written about...
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Many pastelists consider their pieces to be paintings. Here at American Artist, we have tried to steer clear of the debate on whether pastel is a drawing medium or a painting medium, although when put against the wall and poked in the chest, we'll call them paintings. (Don't mess with pastelists...
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One of the first things I noticed when I started editing American Artist thirty years ago is that some artists identify themselves by their preferred medium and others by the subjects they draw and paint most often. Oil painters seemed more inclined to introduce themselves by saying they were portraitists...
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We have provided a list of links to online art resources that we think are helpful. You can also access these links in the Art Educators section of our website. Art Associations Plein Air Plein Air Painters of America The Plein Air Scene Indiana Plein Air Painters Mid-Atlantic Plein Air Association Marine...
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Read the transcript from yesterday's live online chat and drawing tutorial with colored pencil artist Arlene Steinberg. Be sure to attend our next live chat with pastel artist Janet Monafo on Monday, June 9 at 2pm EST. 2008-05-12 11:00:03.0 Administrator: You have joined a chat with Arlene Steinberg...
Posted to
The Drawing Blog
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American Artist
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7 Jul 2008
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Filed under: drawing, art, Drawing Basics, pastel, how to draw, pencil drawing, colored pencil, still life, plein air, How to Paint, shading, Artist Daily
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We present the semifinalists in the pastel category. by Karen Stanger Johnston Changing Channels by Mike Barret Kolasinski, 2007, pastel on archival foam board, 12 x 24. First Place: Mike Barret Kolasinski Chicago artist Mike Barret Kolasinski is passionate about nature. He calls his pastel landscapes...
Posted to
The Pastel Blog
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American Artist
on
7 Mar 2008
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Filed under: how to paint, Pastel, oil painting, plein air, landscape painting, art competitions, Painting, Still Life, Watercolor Painting, Drawing Basics, Art, colored pencil, Landscape Drawing, Artist Daily
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Michael Albrechtsen achieves a stronger impression of both the emotional and physical aspects of a landscape by standing back from his easel and thinking carefully about what he sees. by M. Stephen Doherty Cool and Wet 2007, oil, 40 x 30. Collection the artist. “I try to spend less time just pushing...
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Water-soluble colored pencils offer the perfect solution for artists who want to create watercolor effects without the hassle of watercolor paints. by Stephanie Kaplan Plumeria 2006, watercolor pencil, 8 x 10. Watercolorist Kristy Ann Kutch owned a set of watercolor pencils for eight years before she...
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We present the semifinalists in the colored pencil category. by Karen Stanger Johnston Ya Reckin by Rosemarie Rush, 2006, colored pencil, 16 x 20. First Place: Rosemarie Rush Like most of the images of Western life by California artist Rosemarie Rush, Ya Reckin was based on a photograph and has no background...
Posted to
The Drawing Blog
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American Artist
on
15 Oct 2007
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Filed under: drawing, art, Drawing Basics, pastel, how to draw, pencil drawing, colored pencil, still life, plein air, How to Paint, Oil Painting, Photo Reference, Artist Daily
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Ohio artist Linda Wesner depicts American scenes that are quickly disappearing because she feels it is important that the viewer recognize the universal theme of change. by Bob Bahr Light Along the Hudson 2006, colored pencil, 25 x 12¾. All artwork this article collection the artist. Says the...
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Tonal drawing--the juxtaposition of relative values, the notion of seeing masses rather than outlines--more closely replicates the way humans see than do lines. This emotional way of depicting the world has been explored since Leonardo; modern artists have mastered it. by Ephraim Rubenstein Inscribed...
Posted to
The Drawing Blog
by
American Artist
on
16 Sep 2006
Filed under:
Filed under: drawing, art, Drawing Basics, figure drawing, how to draw, colored pencil, plein air, How to Paint, Oil Painting, shading, ink Drawing Basics