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Marjorie Forgues' figure drawing, day 1. Marjorie Forgues' figure drawing, day 2. Taking a painting or drawing class is always a learning experience, but often I find I learn a great deal from other artists in the class as well. This is especially true if I am able to see the other student's...
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I combined not just artist and model (self-portraiture), but artist-model-athlete in my Life Drawing Gymnastics series. In my Life Drawing Gymnastics series, I attempted to do more than simply draw from life , but rather allowed life to be a large part of the drawing process. I combined not just artist...
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I recently joined a gym in my neighborhood, with the hopes of working off some of those extra holiday pounds that seem to wear out their welcome around this time every year. My schedule is pretty busy, so I try to streamline my visits, making a beeline for the treadmill as soon as I arrive. Occasionally...
Posted to
Artist Daily
by
Brian Riley
on
15 Feb 2010
Filed under:
Filed under: Drawing, plein air, how to draw, How To Paint, landscape painting, Portrait Painting, Artist Daily, still life, Oil Painting, How to Draw People, Drawing Basics, Landscape Drawing, Art
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During a recent plein air workshop in Southern France, Judith Carducci helped students who worked with pen-and-ink, pastel, watercolor, and oil colors. The unifying themes of the 10-day class were that drawing basics are a foundation of all media and working from life would benefit every participant...
Posted to
The Drawing Blog
by
Karyn
on
11 Sep 2008
Filed under:
Filed under: drawing, art, Drawing Basics, painting, pastel, how to draw, plein air, Portrait Painting, How to Paint, Oil Painting, Ink Drawing, Figure Painting
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Throughout his long career, Henry Casselli has looked to drawings to clarify his impressions and better understand his subject. To read more features like this, subscribe to Drawing today! by Lynne Moss Perricelli Study for Sparring Partner 2005, graphite, 18 x 24. Private collection. Study for Blue...
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This French master teaches us much about contours, portraiture, and how to draw people. by Mark G. Mitchell Portrait of Charles- François Mallet 1809, graphite, 10 9/16 x 8 5/16. Collection The Art Institute of Chicago, Chicago, Illinois. So that’s what Paganini looked like in his cravat...
Posted to
The Drawing Blog
by
American Artist
on
8 Feb 2008
Filed under:
Filed under: drawing, art, Drawing Basics, pastel, how to draw, how to draw people, colored pencil, life drawing, Portrait Painting, Oil Painting, shading, Ink Drawing
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Many great landscape drawings were created as preparatory studies, educational exercises, or informational journals and not as finished works of art. We can now study those freely made graphic images for evidence of the drawing essentials , ideas, and procedures that these artists developed. by M. Stephen...
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John P. Smolko won the Grand Prize—a new MetroShed, furnished by Blick Art Materials, for use as a stand-alone studio—for his imaginative colored pencil piece, Homage to Klimt (The Virgin). Read more about the artist, and view five online exclusive drawings. by Karen Stanger Johnston Grand...
Posted to
The Drawing Blog
by
American Artist
on
15 Nov 2007
Filed under:
Filed under: drawing, art, Drawing Basics, figure drawing, how to draw, pencil drawing, colored pencil, Portrait Painting, Color, Art Competitions, Artist Daily
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We present the semifinalists in the drawing category. by Karen Stanger Johnston Study for the Portrait of Autumn by Chusit Wijarnjoragij, 2007, brown and white colored pencil, 25 x 19. First Place: Chusit Wijarnjoragij For Thailand-born Chusit Wijarnjoragij, every work of art he creates begins with mood...
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Depicting features is only the beginning. Putting life into a head drawing requires assimilating it with the rest of the body, capturing an attitude—and much more. by Dan Gheno Study for the Angel in Madonna of the Rocks by Leonardo, silverpoint, 7 x 6¼. The eyes in some Old Master paintings...
Posted to
The Drawing Blog
by
American Artist
on
16 Jan 2007
Filed under:
Filed under: drawing, art, Drawing Basics, pastel, figure drawing, how to draw, how to draw people, Portrait Painting, drawing anatomy, street art, Drawing Faces, Artist Daily
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In the fall 2006 issue of Drawing , we explained how to draw dynamic heads. We present an excerpt from the article about measuring facial features. by Dan Gheno In my “Portrait Painting” article in the February 1993 issue of American Artist , I explained several feature-measuring techniques...