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First Bite , 17 x 16, 2009, oil painting. All works by Michael de Brito. Courtesy Eleanor Ettinger Gallery. Painting the people and places one sees every day can be either a mind-numbing trial or an impetus for creativity that just happens to be homeward bound. For New Jersey-based artist Michael de...
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I just finished a very interesting commission. I've shared my oil painting, Pandora , on Artist Daily before. It was one of the central paintings from my 2012 exhibit at Forbes Gallery. I got a lot of positive feedback on that painting--and then got an inquiry from a collector, "Is Pandora still...
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One of the best conversations I’ve had about art wasn’t with an artist. It wasn’t with an art historian, curator, or gallery owner, either. It was with a mechanical engineer. We went from discussing his latest design project to the artfulness of historical blueprints to Leonardo’s...
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Attitude by Patricia Hannaway, 2006, pastel sketch drawing, 21 x 12. Human figure sketching, especially learning how to sketch from a model, is one of the most rewarding ways of practicing art because it can enhance your abilities in ways that are both practical and inspirational. It's practical...
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Seeing a painting or figure drawing progress from beginning to end allows the finished artwork to be understood as a series of discrete steps leading to a virtuosic whole. During a recent tour of the Grand Central Academy (GCA), in New York City, I observed instructor Joshua LaRock developing a drawing...
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The patterns of nature inspire our artwork. One of the most fascinating recent discoveries is the intimate relationship between the patterns found in nature's tiniest creations to the patterns found in her broadest, most sweeping productions. The apparent chaos of nature can now be understood in...
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For just a few seconds, I thought that watercolor pencils were some kind of April Fool's come lately prank. I mean, everything I think of and know about watercolor painting is that it is fluid and kind of uncontrollable. In a pencil, how can watercolor art still have that same looseness? But then...
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Sustain Your Art Business With a Sound Studio Practice, Starting with Warm-Ups When I think of a warm-up, it is usually a sweaty business in which you raise your heart rate, get your muscles loosened up, and stretch a bit. Warm-up exercises for artists are a little different but not that different, and...
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Can you imagine figuring out how to draw a face—the same face—350 times or more, and making each portrait drawing different and as compositionally sound and interesting as if you had made only one? Quite a task, yet Italian designer, sculptor, and painter Piero Fornasetti did just that. Fornasetti...
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Last week we talked about parallel parking a car -- or in my case, not parallel parking the thing -- and how, if we don't know a specific skill, we can frequently compensate by doing things another way. It's not easy drawing the human figure accurately, and if you've tried and you've...
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Drawing is a fundamental skill for artists, emphasis on "skill." That means there are basic drawing rules and approaches that work, including these six tips on how to draw anything accurately. Delmonico Building by Charles Sheeler, 1926, lithograph drawing. Adapted from an article by M. Stephen...
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I'm a people pleaser. I innately want to make those around me happy and satisfied. So when an Artist Daily reader came to me wanting to know more about how to draw flowers, I wanted to come back to them with a resource that could really get to the heart of the matter. Our latest free eBook, How to...
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What makes an object look three-dimensional? We use a variety of cues to give us this information: light and shadow, contrast, pattern, color, texture, scale, temperature and value, usually in combinations. Our ability to measure these different parameters and make a decision about the dimensionality...
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Okay, I'm going to share with you my dirty little secret: I can't parallel park a car. Well, I can parallel park a car as long as I've got three blank spaces, in a pinch two, and it helps that I drive a Honda Fit. But for the most part I'm willing to drive blocks out of the way and walk...
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I own up to the fact that I am drawn to the portraits artist Jenny Morgan creates because they are unconventional. Yet they capture qualities of the human face and our other human qualities in ways that read very true and lifelike. I like them because they are different, but not just because they are...