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In plein air we attempt a form of direct translation. In the studio, we may recall our observations of nature, but are freer to be inventive with color. Night Passage by Mitchell Albala, 2006, oil painting on panel, 20 x 20. It's September and the plein air painting season is drawing to a close ...
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I don't care what anyone says, color is king. It makes everything better--more appealing and lively. Oftentimes in an artist's drawing practice, a sense of color takes a backseat to the black, white, and gray of charcoal or graphite. But that doesn't necessarily have to be the way it is....
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The winners of our Self-Portrait Cover Competition are featured in the September issue of American Artist, and they share advice about how to paint the figure and how to maintain a successful painting practice. When we asked David Tanner, the winner of the competition, to give his advice, he offered...
Posted to
The Oil Painting Blog
by
Austin R. Williams
on
12 Jul 2012
Filed under:
Filed under: color, oil painting, plein air, still life, landscape painting, portrait painting, how to paint, Figure Drawing, Drawing Basics, Photo Reference, Art, Artist Daily
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The size, clarity, and portability of an iPad begs for it to be used as a digital oil painting canvas or sketchbook page, and now you can do just that. I'm consistently amazed at the apps for artists that are being released on smartphones and tablets. Developers have reached new levels of realism...
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Fantasy art guru and top-notch artist James Gurney is a font of knowledge when it comes to so many aspects of drawing and painting . Whether you are into fantasy images or tend toward more realist compositions, Gurney has techniques and methods dealing with color, light, and form that are invaluable...
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I acknowledge that there is a lot about the color wheel and mixing colors that I don't know. But one thing I do know is that there's more to art than color schemes and memorizing a color mixing chart. Andrew by Fred Hatt, drawing with aquarelle crayons, 35 x 25. For example, artist Fred Hatt...
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As an artist, I often feel that I am more sensitive than others, or perhaps I am more in touch because I need to be so that my work will flow genuinely from my heart and allow me to respond from a deeper place. That is one of the reasons that I faced my fear and started painting in front of large crowds...
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Pastel drawing by Lea Colie Wight. At Studio Incamminati, it is not unusual for instructors or fellows who are not teaching a particular class to come in to draw or paint beside the students. This happened recently when Lea Colie Wight joined in a figure drawing class taught by Steven Early. (Lea is...
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Sarah Simblet (her pen drawing, Isis 38 , above) taught me a lot about how intertwined the semblance of motion and mark-making are in really good drawings. Maybe it is part of having an arts career or maybe it is just me, but I love books and magazines and videos about art and artists about as much as...
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Thinking Man by Jacob Collins, oil painting, 30 x 20, 2004. Jacob Collins: Weekend With the Masters Instructor Jacob Collins is a leading figure in the contemporary revival of classical painting. He earned a B.A. in history from Columbia College and attended the New York Studio School, the New York Academy...
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Gustave Caillebotte was a member of the French Impressionists but painted in a much more realist manner than many of his compatriots. I used to think so romantically about Monet, Pissarro, and the other Impressionists. Not romantic like Manet is so dreamy; romantic as in idealizing this particular group...
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Painting in a group means gaining insights from others and solidifying your own point of view. As much as the stereotype of the solitary painter working alone and shutting him- or herself off from the world makes artists seem mysterious and cool, I’ve found that artists tend to be fairly social...
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Girl in Limited Palette by Ignat Ignatov, oil, 121/2 x 12. In last Friday's post featuring artist-instructor Kerry Dunn, we explored some of the opportunities and challenges that an extensive color palette offers. On the flipside, Bulgarian-born painter Ignat Ignatov understands how an artist can...
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In the new atelier she opened in Rome, Andrea J. Smith teaches students to use a limited palette of colors when painting exactly what they see from a measured distance away from the subject and the easel. by M. Stephen Doherty Andrea J. Smith made corrections on a student’s sight-size drawing at...
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This Texas oil painter shatters multiple myths—including the notion that artists are myopic and single-minded. Qiang Huang helps workshop participants learn how to draw, paint, and sell their artwork using modern technology and traditional painting methods. by Kim Carlton Qiang Huang helped a student...