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<?xml-stylesheet type="text/xsl" href="http://www.artistdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Oil Painting:  Using Subtle Grays in Still Life Painting</title><link>http://www.artistdaily.com/blogs/oilblog/archive/2007/11/20/using-subtle-grays-in-still-life-painting.aspx</link><description>Two masters of still life painting have much to teach us about developing our paintings. by Joseph Gyurcsak Ochre &amp;amp; Blue Gray 2007, oil, 12 x 16. Collection the artist. Two of the most admired masters of still life painting are the Italian artist</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP2 (Debug Build: 40407.4157)</generator><item><title>re: Oil Painting:  Using Subtle Grays in Still Life Painting</title><link>http://www.artistdaily.com/blogs/oilblog/archive/2007/11/20/using-subtle-grays-in-still-life-painting.aspx#79790</link><pubDate>Fri, 03 Dec 2010 01:55:33 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:79790</guid><dc:creator>Lydia2010</dc:creator><description>&lt;p&gt;So useful article. I will save it.Thanks for sharing.&lt;/p&gt;
&lt;p&gt;&lt;a rel="nofollow" target="_new" href="http://www.godpaint.com/"&gt;http://www.godpaint.com/&lt;/a&gt;&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.artistdaily.com/aggbug.aspx?PostID=79790" width="1" height="1"&gt;</description></item><item><title /><link>http://www.artistdaily.com/blogs/oilblog/archive/2007/11/20/using-subtle-grays-in-still-life-painting.aspx#14563</link><pubDate>Tue, 06 Nov 2007 20:37:07 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:14563</guid><dc:creator>Joe Gyurcsak</dc:creator><description>Mr. Hendriksen,

This is a keen observation you make and it is true. However the intent was not to copy works but bring revelation to an artist&amp;#39;s approach.

Each artist naturally produces unique marks and impressions on the canvas as individual as their signature. 

Joe Gyurcsak     
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.artistdaily.com/aggbug.aspx?PostID=14563" width="1" height="1"&gt;</description></item><item><title /><link>http://www.artistdaily.com/blogs/oilblog/archive/2007/11/20/using-subtle-grays-in-still-life-painting.aspx#14564</link><pubDate>Tue, 30 Oct 2007 23:47:00 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:14564</guid><dc:creator>S.E. Hendriksen</dc:creator><description>HI Joseph Gyurcsak

Great article, but you just missed the special Cezanne stil life characteristic...he&amp;#39;s objects is always tilted slightly to the left, yours is tilting right.


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