Oil Painting Portraits: Teamwork

There are several characteristics that go into the success of a great portrait painting. Whether it's good drawing, proper value relationships or a delicate balance of warm and cool temperature changes within the flesh tones, it's not uncommon to find one or more of these admirable qualities in your work at any given point during the oil portrait painting process. On the other hand, getting all of these elements to work together as a whole can be a challenge. Every brush stroke on your canvas is like an individual player on a team, each with unique qualities and skills that separate them from the rest. A great team often consists of players who are willing to work together as a single unit in order to achieve a common goal. Sure, there will be some players who hold a more dominant or visible position than others on the team, but each member takes part in setting up the circumstances for the most valuable player to shine.

Portrait of Margaret by Brian Neher, oil portrait painting, 30 x 24.
Portrait of Margaret by Brian Neher,
oil portrait painting, 30 x 24.
The game plan for portrait painters.
The game plan for portrait painters.

As portrait artists, we have the opportunity to call the shots, pairing and positioning players that work well together in order to make big plays that will lead to success later on in the game. A dominant element in one painting may serve in a more supportive role in the next. A great example of this would be many of the works by the Impressionists of the late nineteenth century. Color and value relationships are clearly seen as the dominant players in many of their paintings. Determine the intent and goal at the beginning of a painting in order to come up with a game plan that can be used to direct each player on your canvas. If drawing and values are your main goal, then color may take a secondary role. If great color harmony is the goal, then a looser approach in other areas may be employed.

When viewing the progress of your oil portrait painting as a whole, it helps to step back and analyze it from a distance. Just as seeing things from the bleachers often gives a different perspective on a game, distance from your canvas can also help you to more easily see and anticipate problems in your own work in order to come up with a strategy that will help pull your team together again.

So, if you find yourself in need of a different game plan on your next portrait, take a minute to step back and plan your next move from a distance. Not only will you gain a greater perspective on what to do next, but it will also make your problem seem much smaller in the long run.

 –Brian

 

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Brian Neher

About Brian Neher

Brian Neher is a professional portrait painter accepting both private and corporate commissions. 

His work has gained recognition and awards from both the Portrait Institute in Manhattan, New York, as well as the West Coast Society of Portrait Painters in San Diego, California. His portraits have been shown in American Artist magazine, Portrait & Figure Painting Highlights by American Artist Magazine, Charlotte magazine, ID-Digest.com and seen on national television. He is a member of the Portrait Society of America and his work can be seen in private homes and institutions throughout the United States. 

Having earned a Bachelor of Arts degree from Pensacola Christian College and studying under world renowned master portrait painter, Joe Bowler, Brian has learned the principles and techniques of painting that are used to create a timeless work of art.

For information on commissioning a portrait, or to see more of Brian Neher’s work, visit http://www.brianneher.com.
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