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John Evans Gallery

29 Sep 2009 by Brian Riley

In the November 2009 issue of American Artist, we featured artist John Evans, whose evocative and compelling oil paintings emerge from a long process of struggle, overpainting, layering, sanding, and soul-searching. Here, we feature additional images from the artist we were unable to fit in the print magazine.

 

Field With Plum Sky
2008, oil, 13 x 22.
Collection the artist.
Marshlands
2008, oil, 24 x 36.
Collection the artist.

 
Beach With Moon and Heavens
2008, oil, 72 x 60.
Collection the artist.
Very Quiet
2008, oil, 60 x 48.
Collection the artist.

 
Fantasy Field
2008, oil, 48 x 60.
Collection the artist.
Fishpier
2008, oil, 20 x 24.
Collection the artist.

 

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Marla Brenner wrote
on 1 Oct 2009 11:06 AM

Beautifully designed paintings!

Marla Brenner

Tanya Mikaela wrote
on 1 Oct 2009 11:18 AM

John,

I love the peaceful quality you achieve with your paintings.  Looking at them brings me a feeling of deep serenity.  I especially like "Beach with Moon and Heavens" which has an alomost spiritual quality.  Beautiful work!

Tanya Mikaela

Robert Raser wrote
on 1 Oct 2009 11:55 AM

I think the careful design, pre-planning and hours or improvised exicution of these paintings results in such a calming and planned for effect.  Regrets I do not have the energy for pre-planning and need to get right to work - but how I admire and am in awe of those who can.  Beautiful.  

thesame wrote
on 1 Oct 2009 5:50 PM

what impresses me most is the loose quality, almost like watercolor, and the ability to utilize space.  these are spectacular.

Kimberly Beck wrote
on 2 Oct 2009 5:38 AM

Stunningly designed.  I am in awe of both your use of color and your compositions.  

AHMED SHALAB wrote
on 13 Oct 2009 11:08 AM

I hop products my Wall sculpture art (or sell it).

Wall sculpturing art is a subject to fixed standards and measurements but here our artist has another imagination where he used thickness not exceed than one centimeter with different width and heights.

Here creativity appears because it transmits the viewer to a live wall sculpturing through the reflected light on work, so it gives unreal deepness (sight Illusion).

The artist used this new technique that was originated by nature since 1982 in his earliest shape until it reached spontaneously to what it is now.

To see my art work visits my website:

ahmed-shalaby.fineartamerica.com      

Email: artahmedshalaby@hotmail.com

  AHMED SHALABY

Jesus / m.d.f wood / 25*35*0.6 cm

Horses struggle / m.d.f wood /60*120*1 cm

Love and tender / m.d.f wood /90*100*1 cm

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