Jacqueline Kamin paints with a
sculptural sensibility that isn’t at all foreign to her practice.
Earlier in her career she spent time as a bronze bust sculptor.
“Working with sculpture is a lot of fun,” Kamin says. “It is very
tactile and organic, but it takes a toll physically, and you aren’t
responsible for the whole process unless you have your own foundry.”
When I’m landscape painting I’m always drawn to the curious, in-between
places where the outdoors and indoors meet. This could be an
ivy-smothered barn that almost looks like it is disappearing into the
landscape, or an ocean view from an open window. The places where
architecture and the natural world collide make a composition
eye-catching and compelling because they integrate elements that we
usually think of as distinct and separate. Bringing them together
creates a tension that some of the landscape paintings I like best have
Artists are the sharpest of observers, attuned to a person's passing
gesture or the play of light and shadow on a building façade—but not
everything that catches our eye is a painting waiting to happen. For
Utah watercolorist Joseph Alleman, the stories that hold his interest are reflections of his passions and his environment.