half-endearing (hopefully?) and half-annoying that I think there's no better
way to start off the weekend than with art. But you know what I mean! As the
fall season gets into full swing, I think we are all coming back around to our
art, and for me, nothing sounds more appealing than curling up and working in my sketchbook.
|Oscar Mendoza (profile) by Tony Ryder, 2005, graphite
and white pastel drawing on tinted paper, 18 x 14.
But I'll be
honest, after the summer I think I am more than a little rusty. I need to warm
up my skills, and drawing people is always an engaging way to do that, even if
you aren't so great at it in the first place--like me. In the Artist Daily free
eBook Learn How to Draw People: 15 Expert
Tips on How to Draw a Person
, I found a perfect refresher for how to draw
realistic people without getting overwhelmed.
Kinch goes into the basics of drawing a person in the classical manner, using
notable artist Tony Ryder's approach and artwork to teach many valuable lessons
on everything we should know about how to draw a person, from the block-in and
initial gestures to creating a refined contour and the final steps of gradation
of tone. I was especially interested in how Ryder approaches hatching and
crosshatching. He believes that pencil strokes should be thought of in the same
way as a wash of color that you apply with a brush, so that you start to "mist"
an entire drawing with marks that will increase the realism of your people
Ryder goes into the logic of shading, which was a key point for me because my
eyes start to cross when I look at the human body and try to figure out how to
pull out the shadows and the lights. Ryder describes it so that it all makes
sense. He stresses following a procedure to build a network of shadows that
gives a sense of mass and volume to your people drawings. If you want to read
this section and all the insights Ryder shared with us, download Learn How to Draw People: 15 Expert Tips on
How to Draw a Person now. Enjoy!