I'm not a napping kind of person. When I'm up, I'm up and I
want to be doing something or on the go. That's usually the kind of body
drawing that I'm pulled to as well--muscles torqued, body indicating action,
and an underlying sense of movement. That being said, I do recognize and
advocate for drawings that show the body at rest.
|Doppelganger by Michael Grimaldi, 14 x 18, pencil drawing, 2005.
There's something beautiful and quietly sensual about the
human form lying prone or supine--a landscape of soft lines and no tension in the
body. But in order to truly represent this kind of lassitude and ease when
drawing human body sketches or studies, I need to be better equipped when it
comes to anatomy drawing.
||Nude Study by Edward Minoff, 16 x 12,
charcoal drawing, 1999.
I realize now that the body at rest is just as complicated as the body in action. Understanding how to draw a
human body in both ways does an artist a good turn because you witness and take
note of the body's muscles and bones in its widest spectrum of motion. That is
always a good thing so that no matter what a model does or how they are
positioned, I can "unpack" the form through anatomy so to speak.
If you want to really sink into knowing how to draw the
anatomy of the body in all of its softness and sensuality as well as its power
and movement, Anatomy for Artists: Man in Motion is a DVD that we at Artist Daily can't recommend highly
enough. It is a guide to drawing human anatomy from head to toe, showing the
body in various stages of activity and position. Plus Anatomy for Artists: The
Human Form Revealed is a DVD that approaches anatomy drawing from an
artist's perspective--giving you knowledge of the visual landmarks on the body
and a sense of proportions that you'll want whenever you draw the figure.