Do you know how frustrating it is to love something, but not
necessarily know everything about it? That's sometimes the way I feel about color. I
have such a visual lust for color--learning new colors, discovering new paint
mixes, figuring out how different light sources effect hue--but I have so many
holes in my body of knowledge.
One way I've learned a lot about the dramatically different
uses of color is by studying plein air painting. Because "light as color" is
practically the mantra of plein air artists, discussions with these painters
about their plein air art or studying their outdoor painting offerings yields
pearls of wisdom about what painters really do that are virtually priceless.
|Ebb Tide, Otter Point by Marcia Burtt, acrylic painting, 18 x 30.
In Ebb Tide, Otter
Point by Marcia Burtt, I see how powerful counterchange can be, where you
place light shapes against dark to create dynamism out of what is a fairly
simple composition of water and rocks. It doesn't sound too romantic, but when
you look at the dark craggy edges of the rocks shot through with rivulets of
rich blue water and white spumes of sea foam--it's pretty incredible. I looked
at this painting for a good ten minutes alone, just going with the implied
movement of the sea.
Marc Dalessio's Canal
in Maastricht is a plein air painting with a much more tonal effect. The
mood of the painting is fairly quiet and a bit somber, but the charm comes from
the same quietude, and the artist keeps the snore factor well away with the
smattering of greens and yellows underneath the bridge.
|Canal in Maastricht by Marc Dalessio,
35 x 25 cm, oil painting on panel.
If you are hungry to learn more about the colors you love, 600 Watercolor Mixes is an ideal
resource for you. It shows how wide and varied color creation can be in the
most fluid medium around, and the elegance and clarity of
your colors will shine through whatever you decide to paint with this guide at
your side. At least, that's my own dearest hope for you! Enjoy!