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Two Women with Still Life by Willem de Kooning,
pastel and charcoal on paper, 22 1/4 x 18 3/4 in., 1952. |
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The artifice of line is one of the aspects of drawing that I
am most in love with. The fact that we can take line—which doesn't exist in the
natural world—and create works of art that look incredibly real or full of
fakery, depending on what we want to do with it, is enthralling.
And artists do so much with it. I mean, just think of all
the various types of line that you might use in any given pencil sketch.
You
could start with a something elementary like an outline drawing with
rectilinear lines that are straight with pointed angles. A cube or an
architectural blueprint comes to mind, as does
Michelangelo's design of the Medici Chapel in Florence.
But that's only the start. Sketching with curvilinear or
organic lines that are curving, oftentimes gestural, and free-flowing can
produce drawings as various as those of Willem de Kooning or Raphael or
Bouguereau.
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Michelangelo's design of the Medici Chapel
in Florence is based on rectilinear straight
lines and clean pointed angles. |
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Egon Schiele's contour line drawing,
Mother with Child (1910). |
Look inside any artist's sketchbook and the drawing sketches
you find will usually find yet another kind of line—broken line. Quick figure
sketches often have short slash marks or hatches that are almost essential in a
contour drawing, and when multiplied and layered these broken lines can become
crosshatching that gives a sense of volume to a drawn object or figure.
In contrast, a continuous line can be used to great effect
in a drawing because the line takes center stage. Schiele was a master with
continuous line, making the whole thing look animate and alive—as much as the
subject he was depicting!
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| Self-portrait by Raphael, c. 1495. |
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And then there is implied line, which is tricky to point out
because the line is not actually there and the lack is what often animates a
drawing. Picasso's drawing of a bull shows how exceptionally the artist uses
line and the implication of line.
After talking through these concepts I feel as if I'm seeing
lines everywhere, and one place where I know I can further my knowledge and
passion for line while seeing great art as a final product is in the pages of our
best drawing resources: Drawing: The
Complete Course and The Best of
Drawing. With these, I've started to better understand how I can use many
kinds of line in my drawings and how other artists have used them as well.
Enjoy!
