I adore color—deep ruby reds, bold blues, verdant greens,
rich golden yellows...I could go on and on, but one thing that I often forget in
my zeal is that color is not just a matter of hue. Saturation and subtle color
layers also play a huge part in how a successful painting comes together.
That's especially true in watercolor. Because the pigments
can be both transparent and opaque, and because colors are so easily layered on
top of one another, there are an infinite number of colors to create in any
In Christopher St. Leger's work, I see how prismatic his
colors are, and by that I mean that no one color seems to be taken unmixed from
palette to paper. The artist builds complex colors through delicate washes and
intricate blending. And he applies the paint in such a way that you get a sense
of the "basic" colors he starts with, and how he mixes them into something else
|Wilma by Christopher St. Leger, 2009, watercolor painting, 26.5 x 22.
Sometimes the best test of a color's depth is looking at one
that we often take for granted. Sarah Yeoman, an Artist Daily member whose work
I just love, has shown me how neutral colors like brown, beige, and grey are in
fact some of the most exciting and complex colors to create. In her watercolor
painting Falling Light, I see how
many colors went into making the browned foliage underbrush, and trees, as well
as the grey-blue-white of the air and sky.
|Falling Light by Sarah Yeoman, watercolor painting, 22 x 30.
But an artist also has to know when to turn up the color.
Give it to us bold and powerful. That is what Nessa Grainger often does in her
watercolor art—incorporates strokes of bold color that energize the painting and make it seem like something exceptional is
|Daybreak by Nessa Grainger, watercolor painting, 28 x 36.
Color is the last thing any painter takes for granted, but knowing how
to get the most out of color can take some doing with watercolor. In addition to techniques on watercolor as a medium, in the Artist's Core Watercolor Value Pack you will find instruction on color, layering, and more. After spending time with the kit, I am beginning to
realize how expansive the possibilities of color and form in watercolor really are. It's made me better understand what I am
seeing when I look at other artists' work, and it has also given me the
confidence to explore watercolor all around the color wheel. Enjoy!