How Do You Make Art When You Feel Blocked?

20 Feb 2011

J.M.W. Turner's works are awe-inspiring because the artist started
with movement and power, light and volume,
before ever even settling on his subject.
I hit a wall trying to write today. I wanted to write about the importance of expressing strong feelings in your work, but I couldn’t figure out how to tie it all together. It was frustrating, but I knew I could get through it because I’d experienced it before, as a writer and as an artist. “Artist’s block” is just like writer’s block: ideas are half-formed but none of them can be fully realized. When I get ready to paint or draw I want so much to take advantage of the time I have to work on art that my urgency can feel like pressure, causing me to freeze up. Luckily, the solution for writer’s and artist’s block is the same—get out of my own head and look around!

So I pushed myself away from my computer and went over to my bookshelf and picked up my stack of American Artist issues. I let my mind wander as I flipped through the pages, wanting to just react to images visually. This is sometimes what I do at the start of an art project too. To get myself thinking, I'll browse through my favorite magazines looking for design ideas and images that ignite my imagination. Turns out I didn’t have to look very hard—the work of J.M.W Turner immediately caught my eye in the January 2008 issue. His ability to use color to create a sense of light and space before he even settles on a subject was what caught my eye.

Then I pulled out my copy of Drawing Spring 2010. Going back to previous issues makes me see the featured works, techniques, and artists in a new light. It is a great way to remind myself of things I’ve forgotten or pick up new information that I didn’t catch on my first read.

Anthony Ryder recommends approaching
a drawing across the whole work, knitting
the individual forms into a cohesive whole.
A tip that I caught this time around was from draftsman Anthony Ryder. He urges artists not to work in one spot on a drawing for long. Instead, he recommends working across the form "like a weather system sweeping across the country." What a great way to think about drawing! I immediately wanted to pick up a pencil and storm across the page!

The time you make for art is precious, so don’t waste it being blocked. It is a state of mind, and having resources—such as Drawing—that can recharge your interests and pique your curiosity makes all the difference. Enjoy! And how do you get over "artist's block"? Share your strategies for all of us to learn from.


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Comments

on 21 Feb 2011 2:00 AM

When I'm blocked I flip through my sketch book. Sometimes I get old/unfinished pieces out and alter them, other times I watch art documentaries or other videos or movies that I find inspiring. And sometimes I just go for a walk. You never know what can inspire you.

on 21 Feb 2011 8:15 AM

I agree, just about anything can provide inspiration.  Sometimes, I'll read old issues of AA or I'll flip through a classic like Carlson, or I'll force myself to sketch the first object I come across in a magazine- person, place, thing.  Most of the time, I'll search online for new artists who inspire me with their work and take my mind in a new direction.

nanoscapes wrote
on 21 Feb 2011 10:20 AM

Three things:

(1) I sit on the floor in front of my collection of art and pattern books, and pull them out randomly. Flip. Flip. Flip. Page after page,

(2) I pick up a pencil and move it across the page. Some of my favorite abstracts have come from these doodles, or

(3) Go out and take a walk. Sometimes I am inspired by something that I see, and other times I am energized by the physical activity.

KatPaints wrote
on 21 Feb 2011 2:12 PM

Sometimes thinking of creating a new piece seems like a huge feat to overcome. Instead start small with a painted "sketch." I have a bunch of 6"x6" panels and set a time limit at 3-4 hours.

Kisu wrote
on 22 Feb 2011 7:41 AM

Not too long ago I picked up a couple books on Turner and found it interesting to read that Turner's more atmospheric and abstract canvases are now believed by some scholars to be preliminary or unfinished preparations for more developed concepts that he never quite got around to finishing.

Off topic:  check out the exhibit by artist James Hart *** at Britain's Mount Galleries dealing with MI6, the British intelligence agency.  

Poet Whale wrote
on 24 Feb 2011 4:25 AM

I have "American Artists" magazines from the 1990s that I use for inspiration. I also sit at my drawing board like a kid in grade school that can't get up from her desk until she creates something, and take photos of the things around me. For strong artist's block, I cut out pictures from magazines to make reference collages that can be used later on as inspiration for abstracts.

Stephen K wrote
on 23 Apr 2013 7:17 AM

This is very helpful as starting a new piece can be daunting!

I find that beginning with a simple idea and playing out different scenarios based on that idea works. It, then becomes all about keeping subject and composition interesting. And when nothing's working, I try to simplify all over again.

I also agree that physical activity stimulates my creative mind as well as conversing with other artists.