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G. Daniel Massad's pastel paintings (above, Studio, 2008) are eloquent examples of thoughtful, tension-filled compositions. |
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I’m starting this year by reassessing my approach to painting and recommitting to more concentrated studio time. I don’t necessarily feel that I want to completely revamp my process, but there are a few old habits that I want to break and a few new ones I want to instill. I’ve found that the more people I tell about my plans, the more likely I am to follow through, so here are my painting resolutions for the New Year:
Quality compositions. I want to spend more time critically assessing my compositions before picking up a brush. I was inspired to do this after
chatting with C.W. Mundy, a self-described American Impressionist who encourages his students to deliberately choose objects that will make the most impact. In his DVD
Mastering the Dramatic Still Life he shows how the angles and positions of objects can create a sense of movement and emotion, so the more thoughtful the choices are, the better your painting can be.
Explore color. In my personal style and in my home, there is color everywhere, but I tend to shrink away from a diverse color palette when it comes to my paintings. I don’t want to necessarily incorporate more color just for the sake of doing so, but I want to better utilize the colors I have. I also want to see how altering values and taking more care with color mixing can help me achieve my ends.
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Heidi Fowler's works embody a crisp sense of atmosphere that make the objects she depicts appear real. The space around the objects—power pylons in this work, No. 090.52.008—is engaging and visually interesting.
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Work with the negative. Negative space is often an afterthought when I’m working on a piece, and I am still trying to remember the importance of giving the area around an object attention and visual weight. I want to come up with strategies to work better in this space, creating atmosphere and using texture and movement to communicate my ideas.
Don’t tighten up. When painting, the best results often come about when you aren’t chasing perfection. I want to create work that is thoughtful and well-executed, but I also want to spend more time in the moment, responding immediately to what I see. Ron Hicks is an ardent believer in this approach and his new DVD Mastering Oil Portrait Painting, taught me a lot about how to assess a painting as it progresses.
What are some of your art resolutions for 2011? I’d love to hear them, along with any advice on how I can reach my own. If any of the above resolutions resonate with you, check out our three newest Artist Daily Workshop DVDs—Mastering Oil Portrait Painting, Mastering the Dramatic Still Life, and Mastering Plein Air Acrylic Painting—for instruction that can make a real difference in anyone’s painting practice.

Filed under: plein air, How To Paint, Portrait Painting, acrylic painting, Artist Daily, still life, Oil Painting, Painting, Pastel, Color, Art