What’s the Best Way to Create Your Studio Space?

26 Aug 2010

Amy Mann converted the living room in her Virginia home
into a studio with generous shelving for her still life props.
I remember the first time an artist invited me into his studio. It was truly a reflection of his personality and experiences—full of memorabilia from his travels in and around his childhood hometown in the Deep South, and neat as a pin, just like him. Organizing your studio space so that it fosters creativity and enables you to make the most of your time can be a challenge. Although the solutions will vary for each of us, there are a few savvy tips and interesting approaches—similar to those you'll find from practicing artists who have gone through the same process and are featured in our latest special issue of Studiosthat I wanted to share with you.

Sheila Delimont has space to work
and display her pastel paintings
in her Monterey, California studio.
Lighting should take precedence above all other concerns. Skylights and/or windows may provide adequate lighting during the day, but think about what kind of artificial light you'll want to include for those nighttime work sessions. This could be overhead lights, spotlights, or a combination of several options.

When sharing your studio, whether because space is at a premium or there is more than one artist at work, be mindful of your essentials. Ask yourself how you work optimally, what supplies you can't do without, what needs to be within reach and what can be stored away. 

Denis Doheny's garage studio features
objects that resonate and reflect
his personal interests.
Think about how your studio can be used in multiple ways: perhaps as a workspace and a gallery where collectors can see your work displayed in a professional manner. To this end, paint your studio walls in a neutral color that doesn't distract or clash with your paintings, and have a section of wall dedicated to displaying finished works for the occasions when collectors visit. If you are more interested in a painting studio combined with an instruction area where students can work alongside you, think about worktables and equipment that are lightweight and moveable, not stationary.

Howard Friedland and Susan Blackwood's
work room provides storage for canvases
and space to accomplish tasks side by side.

Your studio should accommodate your working process. As you decide on what to include in your studio, keep in mind that you'll want the space to accommodate your process from beginning to end, which includes preparing canvases, storage space for still life objects and props, as well as places to hang and store finished works, such as elevated storage racks and wall space.

To plan and create a workable studio space takes thoughtful planning and execution. Our newest issue of Studios is a prime resource for this kind of project—there is practical advice on lighting, floor covering, safety issues such as ventilation and waste disposal, as well as peeks into private workspaces of some of America's most incredible artists, including portraitist Nelson Shanks. Together, the insights of notable artists and the salient advice our editors provide on troubleshooting this kind of project means you're one step closer to the artist's studio you've always envisioned.

 


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TrackBack wrote
on 27 Aug 2010 12:00 AM