I've tried pastels, but always comeback to watercolour and ink. Easy to carry and excellent for quick sketches.

I am normally working in oils. On my recent trip to Colombia I brought my watercolors and Yupo paper and had a blast! I even got my paints out during my visit with my Compassion Intl child and eight of us were painting together!

Judi Kruis

I pretty much use what I always do - 2B pencil and white prismacolor on Rives BFK Tan. It's portable and I can develop images to my ordinary fussy level of detail in a short time. One time I was in the Placa Catalunya in Barcelona and fell in love with the rather abandoned-looking sculpture in the pond there:

upload.wikimedia.org/.../Pla%C3%A7a_Catalunya_Barcelona.JPG

I spent about three hours drawing the sculpture from four different angles. The only other people spending time in the square were a bunch of African guys selling umbrellas, and business was slow, because it was sunny. So after the first hour of drawing I looked up and realized I had a crowd of umbrella guys looking over my shoulder. The same thing happened in the Sistine Chapel, but it was with the guards - one of the great honors of my artistic life is that they came over to tell me to stop drawing the Libyan Sybil, but then they looked over the drawing and changed their mind.

Obviously I'm more of a traveling art-and-architecture drawer than landscape-drawer. My landscapes are a *mess*.

Courtney,

I'm so glad you wrote this blog - it's so true that watercolor lends itself to travel. On painting excursions, my artist friends lug around heavy supplies in order to paint plein air with oils, while my watercolor kit fits in a backpack.

I can usually find a rock or bench to sit on, and my paper is taped to a thin board. Many times I use these "on location" studies for larger studio paintings. It's important for me to observe the actual colors and see into the shadows of the landscape scenes. If I try to paint from photos alone, I don't get the delightful experience of connecting intimately with the scene I'm painting. Photos don't give me that visual memory that comes from keen observation and painting it there on the spot.

Although I also paint in acrylic and oil, when traveling now, I bring my watercolor kit and leave the other media behind at home. Besides, there's never any problem with bringing my watercolors on the plane.

Thanks for mentioning your great idea.

anyone have trouble with carryon luggage with tubes of watercolor and TSA inspectors?

I never leave home without my sketchbook---drawing is how I "see".  When I tour I prefer to carry a sketchbook that has a heavier stock ---one that can handle light washes of watercolor or ink.

Winsor & Newton makes a fun, all-in-one, palm size, field box that flips open to display two pallettes and compartments for a travel brush, water container, sponge, and detachable well (all included).  It also includes 12 colors in half pans: Burnt Sienna, French Ultramarine, Ivory Black, Permanent Alizarin Crimson, Raw Umber, Titanium White, Winsor Blue (Green Shade), Winsor Green (Yellow Shade), Winsor Lemon, Winsor Red, Winsor Yellow, and Yellow Ochre.

The kit is great to work with and has everything you need to document your travels...happy trails!

I pre tint my sketchbook pages, sometimes 20 -30 at a time with a watercolor wash. I mix up the colors and lightness and darkness. Also I do not wash the entire page and I use a random pattern. Then I use what ever, graphite, ink/wash, markers. The results are great. and I am always ready to sketch.

You can forget tubes of paint if you take watercolor pencils, make your sketch, then with a "water brush"  (a plastic tube filled w/water, and a brush on the end), blend everything. So portable, less space to carry, need just a block of paper, and the brush is re-fillable with water wherever you are.

Another idea if you really want to splash around, take along a zip-lok bag made to stand up (pleated at the bottom), works wonders, folds flat when you're ready to move on.

In response to mdreyer...I have had problems at airport security checkpoints with art supplies...you should have seen me trying to explain to a security guard what a weighted plum line is used for!  Security personnel are very suspicious of anything in metal tubes and one shouldn't be traveling with any solvants or potentially hazardous substances--and some paints come under that heading.  If stopped you should state that your tubes are "artist pigments" and not "paint".  The former is allowable --the latter is not.  

In the end sticking with half-pans of watercolor or ink when traveling is probably  the best way to go---especially if you are flying.  

I love the sketches and painting s I see that other artists have done on their trips.

But I find I can't do both, travel and paint.  One or the other has to be my goal.

I created a lap top easel that has worked for me for 2 years for my daily wc painting.  I actually paint during my daily commute to and from my job.  Please go see the video where I show all of my equipment the link is on my web site www.kmcelwaine.com or www.buspaintings.com

I have added a marker to my equipment, Marvy 1122 LePlume II I draw and then use my waterbrush. Enjoy a summer full of travel and painting. KMcElwaine the BusPaintings artist

I love to paint small watercolors when I travel, but I usually don't paint them in a sketch book.  I take a sketch book for notes and some sketches, but I also take small sheets of Twinrocker handmade watercolor paper because every sheet has a natural deckled edge, and the sheets are thick enough and dimensionally stable enough that I don't need to stretch them.  I like 11" x 14", 12" circles, 14" x 14" square, etc.  I just clamp them to a piece of 1/2" plastic foam board.  Then when the painting is finished, the deckled edge sets it off without being matted.  

I also love the dark blue Winsor Newton Watercolor Travel Bag.  It has a handle, fits easily into a small back pack (with the small sheets of paper) and holds all the brushes I need, and even comes with a small pan watercolor set.  I bought 8" watercolor brushes which fit perfectly in the WN Travel Bag.   Then I also have a collapsible water container and another plastic w/c palette in my back pack.   The travel chair I like is called Camp Time Roll-a-Stool.  It's extremely light, folds with an over-the-shoulder strap, and sits slightly higher than the typical "bag" chairs, and with no arms so I can easily more around when I'm painting.   I just hold the board of plastic form core on my lap and the paper clamped to it with small, plastic utility clamps.   With everything in my back pack except the folding chair, I'm good to go just about anywhere!

I keep a bag in the car with postcard to 7x10 watercolor paper, plus small palette with dried w/c and always have water.  the small bag has toilet paper roll plus a small sponge in the palette with small brushes and pen. good to paint while waiting for my grandson's bus!  larger bag organized with slightly larger papers etc to go off plein air painting - that is in a back pack.  different packs for different on the go painting adventures!  but my car bag is always left in the car because I am in their the most. catch my results  athomeandbeyond.blogspot.com  It is the greatest way to create on the road, record local color and have some wonderful memories.

I, too, find watercolor a delightfully portable media!  I have countless sketchbooks filled to the brim with people and places that I've come across while out and about over the years.  Moving fast to capture a restling pose of a person is a wonderful challenge--and watercolor makes this so easy with just a few slashes of the brush.  I love getting to see other's captures--they're inspiring!

Kerra

www.icansketchu.com

I push the user-friendly, quick, and portable  theme a step further, and bring gouache. Same properties as transparent watercolor, but it's opaque, so you can add the lights and highlights last. It's a good idea with either watercolor or gouache, to squirt the colors into a closeable small palette and leave the tubes at home. You can let the paint dry out in the palette, and then re-wet for use.

Hi Courtney

Welcome to Artist Daily

When I go painting on vacation I use an old binder with a zipper and put  about 6 sheets of Arches 300lb watercolor cut into 8x10 sheets paper in it. In my hotel room I keep more sheets for the next day. There is room in this binder for my cotman paint box and lots of room on the side in the pockets for paint brushes and pencils and pens and erasers, sharpeners etc. I carry a water bottle with a large lid for well, water. This binder is always prepared and takes only a moments notice to grab and carry with. Then there is the trusty camera which I can take quick pictures when my husband does not want to stop awhile. Which happens often. I wonder how other wives are supported by their husbands? There seems to be still some discrimmation if you're an artist and a woman. No?

I made a small custom watercolor box sturdy enough to survive being stuffed in a backpack. I also carry a small watercolor block. The combination weigh just ounces and has survived many miles on the trail in the high Sierra.

Watercolor is my primary medium, which makes it a no-brainer for plein air.  I use a Winsor Newton Cotman sketch kit with the half-pans replaced with artists-grade pigments, a collapsible water bucket, my favorite brushes, a large bottle of water, a few paper towels and I'm good to go.  Everything fits in a backpack, including my sketchbooks.  Here's a link to a photo showing my on-the-go setup from an outdoor sketching session:  www.flickr.com/.../set-72157605502186505

Courtney,

Thanks for the great article. I'm also a watercolor fan, like many of the other commenters. Since I'm finicky, I bring a number of tubes. Although you can rewet the paints, there is nothing like watercolor straight from the tube. I also use Arches watercolor blocks. They also serve as storage of completed paintings.

In addition to the painting experience, each painting brings back the smells and sounds of the painting site after I've returned home. I've also had many conversations and non-verbal interactions (where I don't speak the language). There is something approachable about a painter seated on the ground.

If you are interested you can see much of my plein air work at reardonwatercolors.com.

Thanks again.

I like to make a scrapbook/journal as I go instead of waiting until I get home. It also frees me of the "need" for extra stuff - specialty scissors, expensive brushes, etc. I just use what I find in addition to the few supplies I have room for - big set of Prismacolor pencils (Life is too short to be without them!), three sizes of drawing pads, black gel pens, three drawing pencils, 8-pack of watercolor cakes, 8-12 gel pens or markers, glue sticks, scrap paper, small pair of scissors. I tear paper most of the time, but occasionally cut items. Tear it, cut it, glue it, do it, paint it. I find my travel journals are more much freer and more "accurate" in their depiction of my experiences.

My drawing pad goes everywhere with me. I keep it in a laptop bag. Which makes it easy to take anywhere. I also take my oils and French easel with me when I travel.

Last summer while up on the U.P. I hiked in to Au Sable light house early one morning & painted it. When I was finished & was packing up to leave a group walked in. One of the guys in the group made arrangements to buy it before it was dry. So after it dried I shipped it to him & his family loves it..

This week I'm in St. Louis & if I get a few hours I will be painting. But I will be drawing the people while I'm here waiting & waiting & waiting...

I find watercolor the easiest medium to take along on a trip and capture quick images, or even completed paintings. I take a watercolor travel kit (dry pan sets, no worry about tubes and going through security) and an arches block (no need for tape and board).

The wonderful thing about painting on a trip (or plein air, anytime) is when I look at it, I can more vividly remember the experience of the place, because I took time to really  "see" and experience it.

Eventhough I do plenty of plein air painting with the whole tripod/pocahde box or French Easel set up my very, very favorite way to work outside is with a good sketchbook, pen and small watercolor set.

I find the pen & watercolor so relaxing and so much fun!

Here's a link to just one of many blog posts about my watercolor sketches www.thepaintingadayproject.com/.../sketchbook-filled-with-landscape.html

I have a toiletry bag, that I grab, that is filled with a graphite pencil, a black pen, (5) water brushes, watercolor paper and my Koi watercolor field box! It has lasted me a long time and I'm ready in seconds! I also carry my Nikon D40, so that if the target is too fast to catch on paper, I have a back-up plan for the studio later!

While creating art for over 40 years I have developed a proficiency in a number of different media. While earning a BFA I was encouraged to explore all types of media, this offers an artist an opportunity to develop in many different areas all which improves your over all approach to art. I always carry in my purse a 3.5”x 5” or 5.5”x 8.5” sketch book and often a 3.5” x 5.5” moleskin or similar drawing book. I use a pencil, Pitt pens, and/or watercolor pencils. I never can anticipate when I will have time to draw, so I stay prepared. I also enjoy using pastel paper and pencils, after pen and pencil this is my fastest travel set up. I love the rich feel of pastel on Canson Mi-Teintes colored pastel paper, I buy larger sheets which I cut and clip to a board or I use a brown toned Cachet spiral bound book in various sizes starting with a 5”x8”. When I have more time but not enough for a large set up I take either a travel water color set or water color tubes and a small handheld easel, a small moleskin 5.5” x 3.5” or a small spiral pad or watercolor blocks 5.5” x 8.5” all which fits into a small backpack, I find this works well at zoos and places where I may not have room to spread out. I love to paint in oils, so when I have about 2 or 3 hours and I use my pochade box and oil paints with canvas on board.

While creating art for over 40 years I have developed a proficiency in a number of different media. While earning a BFA I was encouraged to explore all types of media, this offers an artist an opportunity to develop in many different areas all which improves your over all approach to art. I always carry in my purse a 3.5”x 5” or 5.5”x 8.5” sketch book and often a 3.5” x 5.5” moleskin or similar drawing book. I use a pencil, Pitt pens, and/or watercolor pencils. I never can anticipate when I will have time to draw, so I stay prepared. I also enjoy using pastel paper and pencils, after pen and pencil this is my fastest travel set up. I love the rich feel of pastel on Canson Mi-Teintes colored pastel paper, I buy larger sheets which I cut and clip to a board or I use a brown toned Cachet spiral bound book in various sizes starting with a 5”x8”. When I have more time but not enough for a large set up I take either a travel water color set or water color tubes and a small handheld easel, a small moleskin 5.5” x 3.5” or a small spiral pad or watercolor blocks 5.5” x 8.5” all which fits into a small backpack, I find this works well at zoos and places where I may not have room to spread out. I love to paint in oils, so when I have about 2 or 3 hours and I use my pochade box and oil paints with canvas on board.

I have never taken to watercolor and am an acrylic and oil painter. On the run I use chalk pastel pencils (CarbOthello) also ink pens and create shadows with a water color brush (water in barrel). Tombos are also great for color and shading.

I like to take my camera!

Personally, I'm a pencil artist, so I have it easy. I just load up my colored pencils and watercolor pencils, a water brush, paper and go!  I have pencil "easels" that hold from 15 to 120 pencils each. I load up a canvas bag with my pencil easels, pads of paper, accessory bag, and off I go. Piece of cake! :D

There's a great solution for plein air painters called the Art Cocoon.  It's an individual wet painting carrier - perfect for traveling. In the spirit of full disclosure, it is my own invention.  A long two years in the making and now available for sale,  you can check it out at www.myartcocoon.com

Pat LaBrecque

For acrylics to go I use 35 mm film canisters filling them about halfway and place them in a hinged lid plastic container about the size of a cigar box that I had acquired at an art supply house ,Michaels I believe.