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<?xml-stylesheet type="text/xsl" href="http://www.artistdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>American Artist Magazine : Painting</title><link>http://www.artistdaily.com/blogs/aamag/archive/tags/Painting/default.aspx</link><description>Tags: Painting</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP2 (Debug Build: 40407.4157)</generator><item><title> November 2010</title><link>http://www.artistdaily.com/blogs/aamag/archive/2010/09/28/american-artist-november-2010.aspx</link><pubDate>Tue, 28 Sep 2010 17:56:00 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:71413</guid><dc:creator>Brian Riley</dc:creator><slash:comments>0</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.artistdaily.com/blogs/aamag/rsscomments.aspx?PostID=71413</wfw:commentRss><comments>http://www.artistdaily.com/blogs/aamag/archive/2010/09/28/american-artist-november-2010.aspx#comments</comments><description>&lt;table cellpadding="5" cellspacing="10"&gt;
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&lt;p align="left"&gt;&lt;a target="_blank" href="http://shop.artistdaily.com/Art/American-Artist-Magazine/American-Artist-November-2010.html"&gt;&lt;img src="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/critique/btn_5F00_buyIssue.gif" style="border:0;" width="108" height="22" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;
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&lt;p align="left"&gt;&lt;a target="_blank" href="http://www.interweave.com/Magazines/"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Blogs.Components.WeblogFiles/aamag/2783.btnSubscribeNow38R.gif" style="border:0;" width="116" border="0" height="22" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="content" align="left"&gt;&lt;span class="content"&gt;&lt;b&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;On the Cover: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;b&gt;Belle (detail, reversed)&lt;/b&gt;&lt;br /&gt;by Galina Perova, 2007, oil, 50 x 44. &lt;br /&gt;Private collection.&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;h3 class="title"&gt;&lt;b&gt;&lt;b&gt;FEATURES&lt;/b&gt;&lt;/b&gt;&lt;/h3&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;Rosemarie Beck: Exploring the Physicality of Paint&lt;/b&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;i&gt;by Eric Sutphin&lt;/i&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;This New York artist used themes from mythology, music, and literature as ways to explore the tactile properties of oil paint, and her approaches can offer inspiration and guidance to today&amp;rsquo;s painters.&amp;nbsp; &lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;Rose Frantzen: Building Community &amp;amp; Impacting Culture, One Portrait at a Time&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;i&gt;by Allison Malafronte&lt;/i&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;When Iowa artist Rose Frantzen returned to her hometown of Maquoketa after several years living in major U.S. cities and traveling abroad, she decided to commemorate members of her community through a powerful portrait project.&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;b&gt;Inspiring Figures: Portraits by Women&lt;/b&gt;&lt;br /&gt;&lt;i&gt;by John A. Parks&lt;/i&gt;&lt;br /&gt;A new exhibition reveals the enormous contribution of women artists to the figurative tradition.&amp;nbsp;&amp;nbsp; &lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;Painting Life: Galina Perova and the Portrait Society of America&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;by Michael Gormley&lt;/i&gt;&lt;span class="title"&gt;&lt;br /&gt;Galina Perova is a contemporary figurative painter who has taken up the challenge of painting from life in an attempt to replicate &amp;ldquo;real&amp;rdquo; human experience.&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;b&gt;Inside the World of Pastel&lt;/b&gt;&lt;span class="title"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;by Wende Caporale&lt;/i&gt;&lt;br /&gt;As a pastel painter, I feel that knowing the history of the medium is important for me to grow and improve as an artist. I am especially inspired by female artists who helped bring the medium to public attention.&lt;span class="title"&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;h3&gt;&lt;span class="title"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;
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&lt;hr /&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.artistdaily.com/aggbug.aspx?PostID=71413" width="1" height="1"&gt;</description><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/how+to+paint/default.aspx">how to paint</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Pastel/default.aspx">Pastel</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Still+life/default.aspx">Still life</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Painting/default.aspx">Painting</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Art/default.aspx">Art</category></item><item><title>December 2009</title><link>http://www.artistdaily.com/blogs/aamag/archive/2009/10/27/american-artist-december-2009.aspx</link><pubDate>Tue, 27 Oct 2009 11:01:00 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:27316</guid><dc:creator>Brian Riley</dc:creator><slash:comments>1</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.artistdaily.com/blogs/aamag/rsscomments.aspx?PostID=27316</wfw:commentRss><comments>http://www.artistdaily.com/blogs/aamag/archive/2009/10/27/american-artist-december-2009.aspx#comments</comments><description>&lt;table cellpadding="5" cellspacing="10"&gt;
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&lt;p align="left"&gt;&lt;a target="_blank" href="http://shop.artistdaily.com/store/p/3862-American-Artist-December-2009.aspx"&gt;&lt;img style="border:0;" src="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/critique/btn_5F00_buyIssue.gif" width="108" height="22" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;span class="content"&gt;&lt;/span&gt;&lt;span class="content"&gt; &lt;/span&gt;
&lt;p align="left"&gt;&lt;a target="_blank" href="http://www.interweave.com/Magazines/"&gt;&lt;img style="border:0;" src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Blogs.Components.WeblogFiles/aamag/2783.btnSubscribeNow38R.gif" width="116" border="0" height="22" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span class="content"&gt;&lt;b&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;On 
the Cover: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;b&gt;Still Life With Box of Jellied Fruit, Bread, &lt;br /&gt;Silver Salver, Glass, and Wine Cooler&lt;br /&gt; (detail)&lt;/b&gt;&lt;br /&gt;by Luis Mel&amp;eacute;ndez, 1770, oil, 19 1&amp;frasl;2 x 14 1&amp;frasl;2. &lt;br /&gt;Collection the Prado, Madrid, Spain.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content" align="left"&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/aamag/3124.TOC_2D00_Brown.jpg"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Blogs.Components.WeblogFiles/aamag/3124.TOC_2D00_Brown.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;b&gt;Love at First Touch: The Pastel Paintings &lt;br /&gt;of Linda Gross Brown&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/aamag/1067.TOC_2D00_Carter.jpg"&gt;&lt;img src="http://www.artistdaily.com/resized-image.ashx/__size/550x0/__key/CommunityServer.Blogs.Components.WeblogFiles/aamag/1067.TOC_2D00_Carter.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;span class="title"&gt;&lt;b&gt;24 Watercolor Portraits &lt;br /&gt;(One for Each Year of a Child&amp;rsquo;s Life)&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td class="content"&gt;
&lt;span class="title"&gt;&lt;b&gt;
&lt;/b&gt;&lt;/span&gt;
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&lt;td&gt;
&lt;h3 class="title"&gt;&lt;b&gt;&lt;b&gt;&lt;b&gt;&lt;b&gt;DEPARTMENTS&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;
&lt;span class="title"&gt;Editor&amp;rsquo;s Note&lt;br /&gt;Letters&lt;br /&gt;What&amp;rsquo;s New at www.myAmericanArtist.com&lt;br /&gt;Art Mart&lt;br /&gt;Quick Sketches&lt;br /&gt;Exhibitions&lt;br /&gt;Business of Art&lt;/span&gt;&lt;span class="title"&gt;Technical Q+A&lt;br /&gt;2009 Editorial Index&lt;br /&gt;Bulletin Board&lt;/span&gt;&lt;span class="title"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;h3 class="title"&gt;&lt;b&gt;&lt;b&gt;FEATURES&lt;/b&gt;&lt;/b&gt;&lt;/h3&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;A Very Spanish Appetite: The Paintings of Luis Mel&amp;eacute;ndez&lt;/b&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;i&gt;by John A. Parks&lt;/i&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="title"&gt;The greatest master of the Spanish still life came to artistic triumph through professional failure.&amp;nbsp; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;The Perfect Gifts for Artists&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;i&gt;by M. Stephen Doherty&lt;/i&gt;&lt;br /&gt;Find holiday gift ideas for the artists in your life.&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;Painting Landscapes in Exact Scale&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;i&gt;by Marc Dalessio&lt;/i&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;Marc Dalessio explains how he paints landscapes using an adaptation of the sight-size method normally associated with studio work. His method is to paint what he observes in such a way that the subject and painted image are exactly the same scale when viewed from a constant position.&amp;nbsp; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;a target="_blank" href="http://www.artistdaily.com/blogs/features/archive/2009/10/27/building-rich-and-full-layers.aspx"&gt;&lt;span class="title"&gt;&lt;b&gt;Building Rich and Full Layers&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="title"&gt;&lt;/span&gt; &lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;(Available Online)&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;i&gt;by John A. Parks&lt;/i&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;By subtly layering pastel, Marlene Wiedenbaum creates a luscious and convincing sense of the world.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;b&gt;The Benefits and Limitations of Painting Personal Imagery&lt;/b&gt;&lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;by M. Stephen Doherty&lt;/i&gt;&lt;br /&gt;George Towne first painted portraits of friends and members of his community as a way of instilling meaningful content in his artwork and motivating himself through long hours of painting. He now applies what he learned to creating drawings and paintings of models that are only acquaintances but whose appearance and personality appeal to him.&amp;nbsp; &lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;24 Watercolor Portraits (One for Each Year of a Child&amp;rsquo;s Life)&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;by M. Stephen Doherty&lt;/i&gt;&lt;span class="title"&gt;&lt;br /&gt;Carol Carter began a series of annual portraits of her son shortly after he was born, and she continues to add to her Growth Portraits series now that he is 24 years old.&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class="content"&gt;&lt;b&gt;Love at First Touch: The Pastel Paintings of Linda Gross Brown&lt;/b&gt;&lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;by James A. Metcalfe&lt;/i&gt;&lt;br /&gt;Ohio artist Linda Gross Brown loves the freedom of working with her fingers, creating pathways through her peaceful scenes with light and shadow.&amp;nbsp; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;h3&gt;&lt;span class="title"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;
&lt;hr /&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.artistdaily.com/aggbug.aspx?PostID=27316" width="1" height="1"&gt;</description><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Landscape+Painting/default.aspx">Landscape Painting</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Pastel/default.aspx">Pastel</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Watercolor+Painting/default.aspx">Watercolor Painting</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Still+life/default.aspx">Still life</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Painting/default.aspx">Painting</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Portrait+Painting/default.aspx">Portrait Painting</category><category domain="http://www.artistdaily.com/blogs/aamag/archive/tags/Art/default.aspx">Art</category></item><item><title>June 2009</title><link>http://www.artistdaily.com/blogs/aamag/archive/2009/04/20/american-artist-june-2009.aspx</link><pubDate>Mon, 20 Apr 2009 08:00:00 GMT</pubDate><guid isPermaLink="false">2bfc0e10-a4d2-4b68-ab7f-f11d606ed6fe:15541</guid><dc:creator>Brian Riley</dc:creator><slash:comments>3</slash:comments><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://www.artistdaily.com/blogs/aamag/rsscomments.aspx?PostID=15541</wfw:commentRss><comments>http://www.artistdaily.com/blogs/aamag/archive/2009/04/20/american-artist-june-2009.aspx#comments</comments><description>&lt;table cellpadding="5" cellspacing="10"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td class="bold_content" align="left"&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;&lt;a target="_blank" href="http://shop.artistdaily.com/store/p/3008-American-Artist-June-2009.aspx"&gt;&lt;img style="border:0;" src="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/critique/btn_5F00_buyIssue.gif" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;span class="content"&gt;&lt;/span&gt;&lt;span class="content"&gt; &lt;/span&gt;
&lt;p align="left"&gt;&lt;span class="content"&gt;&lt;b&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;On 
the Cover: &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;b&gt;Still Life With Butterfly (detail)&lt;/b&gt;&lt;br /&gt;by Suzanne Eisler, 2007, oil, 13 x 14.&lt;br /&gt; Collection the artist. &lt;br /&gt;This painting was the winning entry in &lt;br /&gt;the 2009 &lt;i&gt;American Artist&lt;/i&gt; Cover&lt;br /&gt; Competition. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content" align="left"&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;img src="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/qs/Schmid_5F00_TOC.jpg" alt="" /&gt;&lt;br /&gt;
&lt;span class="title"&gt;&lt;b&gt;Is Richard Schmid the Most Powerful&lt;br /&gt; Influence on Painters Today?&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img src="http://www.artistdaily.com/cfs-file.ashx/__key/CommunityServer.Blogs.Components.WeblogFiles/qs/Brommer_5F00_TOC.jpg" alt="" /&gt;&lt;br /&gt;
&lt;span class="title"&gt;&lt;b&gt;Capture a Sense of Place With &lt;br /&gt;On-Site Travel Sketches&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td class="content"&gt;
&lt;span class="title"&gt;&lt;b&gt;
&lt;/b&gt;&lt;/span&gt;
&lt;table cellpadding="5" cellspacing="5"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3 class="title"&gt;&lt;b&gt;&lt;b&gt;&lt;b&gt;&lt;b&gt;DEPARTMENTS&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/b&gt;&lt;/h3&gt;
&lt;span class="title"&gt;Editor&amp;rsquo;s Note&lt;br /&gt;Letters&lt;br /&gt;What&amp;rsquo;s New at www.myAmericanArtist.com&lt;br /&gt;Art Mart&lt;br /&gt;Quick Sketches&lt;br /&gt;Exhibitions&lt;br /&gt;Business of Art&lt;br /&gt;Technical Q+A&lt;br /&gt;Bulletin Board&lt;/span&gt;&lt;span class="title"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;
&lt;h3 class="title"&gt;&lt;b&gt;&lt;b&gt;FEATURES&lt;/b&gt;&lt;/b&gt;&lt;/h3&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;SPECIAL SECTION: 6 Top Pastel Painters Share Materials &amp;amp; Techniques&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;i&gt;by M. Stephen Doherty&lt;/i&gt;&lt;br /&gt;Look closely at detail photographs of paintings by top artists, and learn how the pastels are built up in layers on a variety of surfaces.&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;(Please visit the site to view this media)&lt;span style="font-size:x-small;"&gt;&lt;span style="font-family:Arial,Helvetica,sans-serif;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;(Downloadable PDF)&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt; &lt;span class="title"&gt;&lt;b&gt;&lt;a target="_self" href="http://www.artistdaily.com/blogs/features/archive/2009/04/20/american-artist-cover-competition-winners-announced.aspx"&gt;Cover Competition Winners Announced&lt;/a&gt; &lt;/b&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;(Available Online)&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;Artists from across the country submitted their work for consideration in the 2009 American Artist Cover Competition. After an extensive selection process, Suzanne Eisler&amp;rsquo;s Still Life With Butterfly was chosen as the winning image. It is presented here, along with artwork from the nine other finalists. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;a target="_self" href="http://www.artistdaily.com/blogs/features/archive/2009/04/20/injecting-sophisticated-drama-painting-skies-and-coasts-with-delicate-brushstrokes.aspx"&gt;&lt;span class="title"&gt;&lt;b&gt;Injecting Sophisticated Drama: Painting Skies and Coasts With Delicate Brushstrokes&lt;/b&gt;&lt;/span&gt;&lt;/a&gt; &lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;(Available Online)&lt;/i&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="title"&gt;&lt;i&gt;by John R. Kemp&lt;/i&gt;&lt;br /&gt;Gulf Coast oil painter Susan Downing-White has a found a way to depict warmly illuminated skies and coastlands using light strokes and a muted palette.&lt;i&gt; &lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;Capture a Sense of Place With On-Site Travel Sketches&lt;/b&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;i&gt;by Gerald F. Brommer&lt;/i&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;br /&gt;Without sufficient time to create full-scale paintings on location during a recent trip to Europe, I relied on graphite and ink sketches to capture the essence of the scenes we visited, adding watercolor washes once back in my studio.&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;span class="title"&gt;&lt;b&gt;Telling Stories Based on Dreams, Experiences, and Friendships&lt;br /&gt;&lt;/b&gt;&lt;i&gt;by M. Stephen Doherty &lt;/i&gt;&lt;br /&gt;Taking advantage of the disciplined training she received in the United States and Russia, Tennessee artist Melissa Hefferlin develops drawings, pastel paintings, and oil paintings about the people and events of her life.&lt;/span&gt;&lt;/p&gt;
&lt;p class="content"&gt;&lt;b&gt;Making Dynamic Portraits in Acrylic&lt;/b&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;/span&gt;&lt;span class="title"&gt;&lt;span style="font-size:x-small;font-family:Arial,Helvetica,sans-serif;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;by John A. Parks &lt;/i&gt;&lt;br /&gt;New Jersey artist Matt Cauley uses a delicate acrylic technique to build powerful form and richly varied color in his larger-than-life portraits.&lt;/p&gt;
&lt;p class="content"&gt;&lt;b&gt;Is Richard Schmid the Most Powerful Influence on Painters Today?&lt;/b&gt;&lt;br /&gt;&lt;i&gt;by M. Stephen Doherty &lt;/i&gt;&lt;br /&gt;This month, an exhibition of paintings by Richard Schmid and 12 award-winning artists he mentored is on view in New York City. We asked several of those artists to explain how Schmid has influenced them through his teachings, friendship, and art.
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&lt;h3&gt;&lt;span class="title"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;b&gt;To subscribe to &lt;i&gt;American Artist&lt;/i&gt; magazine, click &lt;a href="http://www.artistdaily.com/content/subservices.aspx"&gt;here&lt;/a&gt;.&lt;/b&gt;&lt;/p&gt;
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