DEPARTMENTS
6 Editor’s Note 10 Letters 12 Art Mart 14 Quick Sketches 64 From the Archive 66 Exhibitions 70 Business of Art 74 Technical Q+A 76 Coming in... 78 Bulletin Board 80 Art for Thought
FEATURES
22 Perfecting Portraiture: Techniques and Materials to Breathe Life Into Your Pastel Portraits by James duncan
34 Antonio López García: The Best of Both Worlds by Allison Malafronte Over the course of his career, this Spanish artist has combined his innate creativity, academic training, and the influence of modernism to arrive at an artistic language that embodies the best of two worlds.
40 Preserving Spain: Sorolla and the Hispanic Society of America By Michael Gormley In his monumental series Vision of Spain, Joaquín Sorolla sought not only to depict a culture but to preserve it in the face of modernization.
52 Through a Looking Glass, Surreally By Austin R. Williams In the early and mid-20th century, female artists from Mexico and the United States produced deeply layered and reflective surrealist works that explore the figure, the modern landscape, and surrealism’s own identity and legacy.
56 There Are No Rules: The World as Goya Saw It By John A. Parks Francisco José de Goya y Lucientes produced some of the most dramatic, disturbing, and ravishing pictures in the history of art. Here, we learn how the last of the Old Masters became the most modern of painters.
64 Compare and Contrast: Velázquez and Sargent By Eric Sutphin Although separated by two centuries, Diego Velázquez (1599–1660) and John Singer Sargent (1856–1925) were both revered for their stunning depictions of figures brimming with life and personality. In this analysis of two portraits, the Spanish master’s influences, as well as Sargent’s adaptations of his techniques, are striking.
|
 |
Cover Image Flamenco Dancer (detail) by Joaquín Sorolla, 1914, oil. Courtesy Museo Sorolla, Madrid, Spain.

|